Why a big tripod

A big sturdy tripod platform has several benefits over a smaller model. The main advantages are that it is more stable and can raise up higher. The downside is that a large tripod is going to be heavy. The Auctus Plus 324AT is not a tripod that you will likely strap to you backpack for an afternoon hike. But when you need a big, seriously stable platform, this is where the Auctus Plus 324AT shines.

Features

The Auctus Plus 324AT is more than just three legs and a mounting plate, like other Vanguard tripods, the Auctus Plus 324AT has some unique features that make it sand out from the rest.

How good is it?

Large Plastic Feet

Hidden Spikes

Summary

I have been a fan of Vanguard products for a while and the Vanguard Auctus Plus 324AT Tripod certainly did not disappoint on any level. If you need a high quality, large tripod base, be sure and check out the Vanguard Auctus series and see if there is one that will suite your requirements.

Vanguard Website: http://vanguardusa.com/

Online Ordering

Amazon.com $429.99
B & H Photo $429.99

Getting Started
Most cameras, including newer point and shoot cameras will let you shoot in full manual mode. The problem with going manual is that if you don’t have your settings “just right” you can end up with an image that is too dark or too light. Without a basic understanding of the different settings, it can be difficult to get a good shot. However, with a basic understanding of the three variables even the most newbie photographer can learn to take better pictures by getting away from the automatic settings.

ISO Speed
The ISO speed is equivalent to the ISO speed we used to use on film cameras, this describes the light sensitivity of the film that is being used. The higher the ISO speed, the more light the sensor can pick up. For example, if your camera is set to ISO 800 you can take a well exposed image in a darker room than you could with ISO 100. By definition you would always want to run your camera in the highest ISO speed possible. While this may sound like a good idea, the downside is that the higher the ISO speed, the more “noise” will be introduced to the image, thus degrading the image quality. In most cases, you will get excellent results by using ISO 200-400 outdoors and 400-800 indoors. This does not take into account your camera model as some cameras do better than others at the higher ISO settings.

Shutter Speed

Medium Shutter Speed to Show Movement

The shutter speed is one of the easiest settings to understand as it simply means how fast the shutter opens and closes when you press the shutter button. The faster the shutter speed the better the camera will freeze the action of an event. This setting is represented in seconds, a fast shutter speed would be something like 1/2000^th of a second. A long shutter speed such as 1/30^th of a second or slower can result in blurry images if you don’t use a tripod. Like the other settings, the shutter speed also affects the amount of light that hits the sensor. The faster the shutter speed, the less light that comes into the camera. So while a fast shutter speed can freeze action, you need more and more light in order to prevent getting a dark picture the faster you set the shutter. When you cant get a bright enough image, you will need to slow down the shutter speed. In some cases you may want to get a motion blur such as a waterfall or freeway traffic, these shots require a very long shutter speed.

Shallow Depth of Field

Aperture
Understanding aperture is probably the most difficult setting for most people to grasp, because of this we wrote an entire article about it. The aperture is an adjustable opening in the lens that controls the amount of light that can enter the camera. The aperture setting is expressed in f stops with the largest opening having a smaller number so a wide open aperture is going to have an f-stop of around f/1.4. The aperture setting can have a big effect on the depth of field which allows one part of the image to be in focus and the rest of it being blurry which helps to highlight the subject of the photograph.

Starting Points
Without having a light meter or lots of experience how do you know what settings to start with? The way I learned was to set my ISO to what I wanted, typically 200-400 ISO outdoors and 400-800 ISO indoors, and put the camera in P mode and press the shutter half way down. Inside the viewfinder the camera will show the settings it will use to take the picture. Then you can put the camera into Manual mode and adjust the settings to match. After some practice you should be able to set some basic settings fairly close to what they need to be, then, by pressing the shutter half way down the camera will autofocus and then take a meter reading which should show in the viewfinder or on a display depending on your camera. Then you can adjust shutter speed or aperture to change the exposure to get it where you need.

Using the Histogram
If your camera will display a histogram after shooting an image, then you need to take advantage of this feature. By looking at the histogram of an image you can quickly tell if the image was properly exposed or not. With a digital SLR camera you want the histogram to be a nice curve with the curve being just to the right of center like our example one here. This is actually saying that the image is just slightly overexposed. With film, if you overexposed the image, you would lose detail so it was better to slightly underexpose. With digital, shadows will lose detail so it is better to slightly overexpose.

Practice Practice Practice
There is nothing that will beat getting out and getting behind the camera and learning how to use it well. If you plan on making photography a serious hobby or more, you will need to learn how to use manual mode for those times when the automatic or program mode settings just won’t cut it or for when you want to create an effect that you just can’t get any other way.

Get out and practice and be sure to post some comments and post some pictures to our Flickr group.

I have both Carbon Fiber and Aluminum tripods in my arsenal.  I use them pretty much interchangeably in my every day photography use.  Some are lighter so I choose them for travel.  Some are sturdier, so I use them for heavier applications.

But there are features of some tripods that really make them stand out from the pack.  The Vanguard Alta Pro 263AT is one of those unique tripods.  And its not that each of it’s individual feature are not available in other 3-legged competitors, but that all of these features are available in this single tripod for a great price.

The first, most unique feature to point out is it’s innovative Multi-Angle Central Column (MACC).  This feature allows you to move the central column from angles of zero to 130-degrees in multiple vertical and horizontal positions, making things like macro photography and specialty wide-angle shots much easier to create.

In this photo, you can see how the center column can be flipped 180 degrees to suspend the camera completely upside down.  I often shoot many table top items like food, and this feature gives me exactly what I need to get the camera into position.

The center column quickly releases with something that Vanguard calls the Instant Swivel Stop-n-Lock (ISSL) System.  With one simple movement, you can easily and securely reposition the center column while maintaining it’s stability.

The central aluminum alloy column moves from 0 to 130 degrees and can be reversed in the mount, giving you more than full range of motion.  Even with the center column fully extended, the tripod is amazingly stable with my 5D Mark II, battery grip and heavy Canon L glass.

Another feature, which is also common to many other tripods, is the legs that adjust to 25, 50 and 80-degree angles.  Combined with the sturdiness of the patented premium magnesium die-cast canopy and head, you feel comfortable that this tripod can truly support your camera with stability in most any position.  But combined with the flexibility of the center column and the angles it can obtain, this makes the tripod about as versatile as you could ever need.

This tripod ships with a triangular canopy that hangs between the legs and holds your camera or other gear.  It also comes with a carrying bag to tote it around.  There is a spring-loaded, retracting hook at the bottom of the center column for hanging weight or a bag.  The feet have spikes built in that you can retract with the rubber feet, depending on the floor or ground you are on.  And my personal favorite feature over the 284CT is the fact that it has flip locks on the leg extensions instead of the twist locks.

From the Vanguard website, here are the specifications:

Extended height(mm): 1650
Extended height(inch): 65
Folded height(mm): 630
Folded height(inch): 24.75
Weight(kg): 2
Weight(lbs): 4.41
Maximum loading capacity(kg): 7
Maximum loading capacity(lbs): 15.4
Titled Loading Capacity(kg): 5
Titled Loading Capacity(lbs): 11
Number of Leg Sections: 3
Leg Diameter(mm): 26

With a street price under $150.00 and after looking around online, I can see that I am not the only one who loves this tripod. You can read some great reviews (and find about the best price out there) here:

Vanguard Alta Pro 263AT – Tripod

Score Card

You can visit the Vanguard Website at: http://www.vanguardworld.com

Overview

There are a handful of pistol grip heads on the market today but most of them are pretty low quality units without much in the way of features. The Vanguard GH-100 has a handful of advantages over these other units, and most other squeeze-type ball heads as well.

First off, the ball system itself is has to different slotted sections giving you a lot of front-to-back tilting ability as well as the ability to flip very quickly between portrait and landscape mode.

Secondly, the bracket connector can also rotate 360 degrees around a labeled head for accurate positioning. Tension for the head rotation and ball locking is handled by two different knobs that allow for very secure positioning that stays right were you put it without any release sagging.

What is very unique is that the silver collar in front of the pistol grip handle retracts and allows the pistol grip handle to rotate 360 degrees giving you a lot of flexibility in exactly how you want to use the handle.

Features

• Dual-locking quick shoe mechanism
• 72-click point panorama
• 360-degree horizontal movement and 90-angle tilt

Specs

Usage

My initial impression was quite with the only issue being that I needed to crank down mounting plate onto the camera pretty hard if I was using a heavy lens and the design of the mounting plate makes it a little difficult my my giant sausage fingers to get to the screw handle. Once its tightened down securely, there are no other issues with it.

I’m not sure how helpful the bubble level inside the mounting section really is but if you do need to make sure the entire platform is level at least it is there and you can get a good level, drop the camera on and you are ready to go.

The main tightening knob on the back rotates about 260 degrees to adjust the tension but you will rarely need more than the last 90 degrees to come from loose to locked down. The lever on the side for the rotating head has 90 degrees of travel but you will only use the last 5 degrees or so to lock it down or loosen it up. These aren’t problems by any means, its just an observation.

To rotate the handle I can reach forward with my top two fingers and grasp the lock ring from the top and bottom and pull it back, rotate the handle to the new position and release the lock ring. This takes a little practice, but once you get it down you can manipulate the handle pretty easily.

Results

As I said before, replacing something like your tripod head is not something you do on a whim. While I have replaced tripod legs three times, I have still been using the same ball head on each set of legs. It had it’s quirks, but I knew them inside and out. After getting the GH-100 from Vanguard I decided to really give it an honest trial and use it exclusively for a month or so and see if I could get as comfortable with it as my long time head from the past. To be honest, it felt pretty awkward at first. If I was to make any design change it would be for the front-back tilt slot to be on the opposite side from where it is but this is a trivial change. The GH-100 handle feels a little “plasticy†but very very solid at the same time. Had the entire handle been made from metal it would have added significantly to the weight.

Well, its been a couple months since I got it and the GH-100 is still sitting atop my tripod. I am under no obligation to use it nor would I do so simply because Vanguard is a sponsor of CameraDojo.com, I actually have come to really prefer it over my old head and if you see me at any shooting event with my tripod handy you will see the GH-100 mounted on top.

I feel I have more control with the GH-100, it flips nicely from landscape to portrait and you can even get some fairly fluid panning and tilting by adjusting the tension and a little practice. Sure, it wont ever be as smooth as a true fluid head but its better than any other traditional still head in a pinch.

Score Card

Website: Vanguardworld.com

Purchase now for $99.99 on Amazon.com

Vanguard Website: http://www.vanguardworld.com

The Vanguard Alta Pro 284CT Tripod

I first saw the Vanguard Alta Pro line of tripods at PMA last year and decided right on the spot that I just had to have one. There was one feature of the Alto Pro tripods that stood out from the rest for me, that was the ability of the central rod to be able to rotate from 0 to 130 degrees  in order for you to be able to shoot straight down onto something or for better angles for macro photography. For me, this is highly useful for product photography.

Other features include advanced camera vibration and shock control, legs that adjust to 25, 50 and 80-degree angles, quarter-twist leg locks,  patented premium magnesium die-cast canopy and head, hexagon-shaped central column for extra stability, and non-slip, spiked rubber feet for changing terrains and a removable hook for hanging camera accessories. Alta Pro 284CT is carbon fiber making it very light weight.

Specifications

• Extended height(inch): 63
• Folded height(inch): 21
• Weight(lbs): 3.71
• Maximum loading capacity(lbs): 18
• Titled Loading Capacity(lbs): 15.4
• Number of Leg Sections: 4
• Leg Diameter(mm): 28

Another feature that I was looking for in a new tripod was the ability to spread the legs out to multiple angles in order to get the camera as close to the ground as possible. With the Alta Pro’s ability to rotate the center column over and spread the legs out up to 80 degrees, this gives you some of the most control of any tripod available. The ability to screw up the rubber feet to expose metal spikes should help the Alta Pro tripods stay put on uneven terrain. This should be a welcome feature for landscape photographers. On the bottom of central column is a metal loop that you can use to strap down to a sand bag to steady the tripod when using it in the wind. The Alta Pro tripods all come with a slinging bag (SB-100 Stone Bag). This can be used to store all your basic “keep handy” gear like lens caps, light meters, and turkey sandwiches, or you can fill it with rocks to help keep the tripod sturdy. When looking at the different models of the Alta Pro series, the model number gives you some clues to it’s specs. The first two number designate the diameter of the legs while the third digit tells you how many segments the legs have, hence the 284CT has 28mm legs and 4 segments.

Usage

There is a lot to like about the Vanguard Alta Pro 284CT, the construction is solid, it has a great set of features, and is easy to use. My last tripod had clunky brackets to release the legs where the 284CT uses a twist-lock that takes only 1/4 of a turn to lock or unlock.

The leg angle adjustment is solid and easy to use as well with a simple push button release. To swing the central column over you raise up the column and push a safety button to release it up into the neck. Once up, you release the Instant Swivel Stop-n-Lock (ISSL) System and the central post will be free to move around.

Keep in mind that the 284CT is not a complete tripod system, it is just the legs and the central column. In order to actually attach a camera, you have to have some kind of head on it.  Currently, my most used head is a Manfrotto 322RC2 ball head. This head requires a larger screw mount than comes standard on the 284CT. Fortunately, Vanguard thought this could be an issue. The 284CT comes with a little tool kit that allows you to remove  a larger screw mount from the top mount and attach it on top of the existing screw mount to allow for a wider variety of heads to be used. The small tool kit also has an Allen wrench and sockets for maintaining the legs.

Along with the stone bag, you also get a carrying bag for everything. I only wish the bag would have been a bit longer to accommodate having a head attached to it. Even so, its nice to have a bag with a carrying strap to help haul it around.

Results

Ok, so remember at the beginning I said that good tripod legs go for upwards of $400 or more, and sometimes, much more. And notice how much attention to detail Vanguard has put into the Alta Pro 284CT. The best part, is you can get all of this for only $299.95. Sure, that is still a heft chunk of change especially when you add in another $50 – $100 for a good ball head. Is an investment of close to $400 really worth it for something as simple as a tripod? That sounds like a simple question but as someone who has gone through a handful of tripods over the years, I can attest to the fact that it does. Let me give you a brief history of my tripods over the years.

My first tripod was a cheap $14 special that actually came free when I bought a Hi8 digital camera once. While initially fine indoors for product photography, it was very wobbly and wouldn’t hold up a heavier camera/lens combo. As I upgraded and the cameras and lenses got heavier, it simply wouldn’t cut it.

The next tripod was in the low-end of the pro spectrum. It extended much taller, was more sturdy, and could hold heavier gear. Over time, the movements got gritty, the legs got looser, and it just didn’t feel stable enough. This tripod still serves duty for my much lighter camcorder.

My last tripod was a nice Calumet. While for a while, it was nice to have a good tripod with a nice Manfrotto head on it, eventually it really began to fall apart. In recent days the clasps are held together with JB Weld, O-Rings have fallen off, and I have to tighten up the screws all the time.

The Vanguard Alta Pro 284CT is easily the most expensive tripod I have owned to date but the features it had, along with much better construction should allow it to last longer and hold up to my abuse, while at the same time giving me functionality I never had before.

Summary

So far, I am impressed with the Alta Pro 284CT. It has the features I was looking for, it is reasonable priced for the class of tripod it is in, and has a nice, professional feel to it. Its also much lighter than my previous tripod which will be very handy as I do travel quite a bit.

But who is Vanguard? I bet most of you have never heard of them before. For 24 years, Vanguard has been a leader in high-quality photo-video accessories (tripods, monopods, ball heads, camera bags and cases), hunting accessories (archery bow cases, gun cases and gun pods/shooting sticks) and sporting optics (binoculars and spotting scopes).

Score Card

Vanguard Website: http://www.vanguardworld.com

The TrekPod XL is adjustable from 39†to 62.5†and can handle camera gear weighing up to 13.5 pounds, making the TrekPod XL an extremely versatile unit.

Summary

The TrekPod is part monopod and part tripod which isn’t really the first of its kind but Trek-Tech has done a pretty good job of creating a really usable hybrid. Like any device that is a hybrid of two other products there are some compromises that need to be made to combine the benefits of each into one new product, the big question is if Trek-Tech was able to bring the strengths of a tripod and monopod together without sacrificing too much.

Features

The TrekPod XL is made from carbon fiber, high strength polymers, and stainless steel to create a high quality, heavy duty, and super ultra lightweight unit. Unlike most monopods, the TrekPod XL breaks down into four pieces that fit nicely into the included travel bag that is small enough to fit into almost any suitcase or carry-on bag.

Specifications

Usage

At first glance I wondered if there was any right or wrong way to assemble the TrekPod but it turns out there is only one way that the system can be put together and it only takes a few seconds to figure out which ends go together. At a little over a pound, the TrekPod XL is exceptionally light which, while great for hiking or traveling, can be a negative since with about half of the leg spread of a medium tripod, stability can be an issue. I wouldn’t put my camera on top of the TrekPod if there is any wind. Secondly, since you can’t adjust the legs like a regular tripod, you cant stand it up straight on an uneven surface. Then again, the TrekPod isn’t a tripod, its more like a monopod with pop-out legs.

The MagMount is a very unique feature of all of the Trek-Tech products The MagMount uses a pair of high-strengh Rare Earth Neodymium Magnets to hold the camera to the ball mount.

Although tests showed that just the magnets would probably be sufficient for almost any setup, the bottom section has a small clamp that swings around to give you a little more piece of mind.

The TrekPod XL comes with two different attachments, the “jagged†version shown in the image here that is tightened down with an included Allen wrench and a smooth version that has a knurled outside for hand-tightening.

The ballhead moves smoothly and locks with a large paddle which also locks down the rotation of the ballhead.

Setup

The TrekPod comes in four pieces that fit together. The leg piece has a threaded top that the first tube (the one with the TrekPod XL logo on it) attaches to. The second piece, the tube with the foam handle on the top, slides into the lower tube. Finally, the top tube section, the piece with the ballhead on it, slides into the top of the tube with the foam handle.

All that’s left is to take one of the attachment points and screw it into the tripod mount on your camera, pop it onto the top of the MagMount and flip the lock into position.

The entire build process takes about 20 seconds so its really quick to setup and start using. This means the TrekPod is useful more more than just your camera. For me, I have been looking for a quick to setup and light-weight light stand for use with my speedlites and the TrekPod is just about perfect for this. If the plastic cap actually had an umbrella hole and a hot shoe mount, it would pretty much be ideal (hint hint Scott and Ken).

Results

As I said earlier, anytime you take two diverse products and create a hybrid, you have to compromise somewhere. On the other hand, if you look at the TrekPod as a monopod with pop-out legs, then it does that job very well and it can be used in some places that you wouldn’t have enough room to setup a tripod. If you have an angled or uneven surface, well, at least you can use it as a tripod. In thinking about this, something like the ballhead to connect the legs to the first tube might allow more varied surfaces but would also negatively impact the price. With the TrekPod XL running around $360 at Amazon ($399.99 list), and a high-end carbon fiber monopod being around $200 with a good ballhead running around $120, you are going to pay a little bit of a premium for the TrekPod XL’s design and tripod legs, not bad when compared to a high-end monopod.

If you want to save some money, you can get the TrekPod Go! PRO which is made of aluminum and is a little heavier, but will only ding you for $179.99 at Amazon ($229.99 list). If the ability to break it down so much isn’t such an issue, you can really save some money with the Trek-Tech TrekPod II for only $74.17 at Amazon ($99.99 list). So regardless of your budget, there is a TrekPod for you. You will be quite happy with a TrekPod if you think of it as a replacement for a monopod instead of a replacement for a tripod. For me, the TrekPod XL fills a need I have had for a lightweight stand that can be used for a camera or a light but takes up less room than a tripod or light stand.

Score Card

Trek-Tech: http://www.trek-tech.com
TrekPod XL: http://www.trek-tech.com/products/trekpods.html

With the Canon EOS 50D that I am using now life has become MUCH easier with the Live View mode and the ability to zoom into the image and just nail the focus. In this video, I demonstrate exactly how this process works.

Related Blogs

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• Gary Barnes | Composer, Photographer and Writer » Blog Archive …
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• Related Blogs on focus
• Investigators focus on five Jackson doctors – Los Angeles Times …
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• Related Blogs on lensbaby
• Lensbaby Composer Lens Review | Your Photo Tips
• Lensbaby Review & Giveaway – Mommy PR
• Lensbaby: Control Freak | camera-talk.net

• Related Blogs on live view
• Canon Rebel T1i Review
• Live View | Weblog of Edward de Leau
• Be a part of “The View From The Bay's†live studio audience @ ABC …

• Related Blogs on macro

• Related Blogs on Tripod
• Joby Gorillapod SLR-ZOOM Heavy-Duty Tripod – $32 Shipped …
• Free Music

Related Blogs

• Related Blogs on closeup

• Related Blogs on Composer
• Gary Barnes | Composer, Photographer and Writer » Blog Archive …
• Lensbaby Composer Lens Review | Your Photo Tips
• Human Trend » Keith Lockhart and the Boston Pops Celebrate …
• ACE honors Avid's Media Composer | VizWorld.com

• Related Blogs on focus
• Investigators focus on five Jackson doctors – Los Angeles Times …
• Investors' focus shifts to 2Q earnings reports (AP)

• Related Blogs on lensbaby
• Lensbaby Composer Lens Review | Your Photo Tips
• Lensbaby Review & Giveaway – Mommy PR
• Lensbaby: Control Freak | camera-talk.net

• Related Blogs on live view
• Canon Rebel T1i Review
• Live View | Weblog of Edward de Leau
• Be a part of “The View From The Bay's†live studio audience @ ABC …

• Related Blogs on macro

• Related Blogs on Tripod
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Links from the show

May Dojo Meeting (link)
June Dojo Meeting (link)
July 18th SoCal Photowalk (link)
David Ziser Digital Wakeup Call (link)

Show Hosts

Kerry Garrison
http://kerrygarrison.com
Twitter: http://twitter.com/kerrygarrison Facebook: http://www.facebook.com/profile.php?id=822369545

David Esquire
http://esquirephotography.com
Twitter: http://twitter.com/esquirephoto Facebook: http://www.facebook.com/profile.php?id=636655600

This podcast is also available on iTunes.

Kerry’s Picks

• Lensbaby wide angle lenses (link) (Discount link)
• Vanguard tripods (link)
• California Sunbounce (link)
• Spyder Cube (link)
• SensorKlear (link)

David’s Picks

• Sandisk USB card (link)
• Flip Video (link)
• Apple wireless keyboard (link)
• Photovision digital calibration target (link)

Show Hosts

Kerry Garrison (http://kerrygarrison.com)
David Esquire (http://esquirephotography.com)

This podcast is also available on iTunes.

Unlike traditional tripods, Alta Pro’s Multi-Angle Central Column (MACC) System allows users to move the central column as needed from zero to 130-degree angles in variable vertical and horizontal positions. This allows more angle possibilities than any tripod on the market but its solid design maintains its stability.

Its Instant Swivel Stop-n-Lock (ISSL) System feature allows photographers to securely reposition the central column in one simple movement, in just a few seconds, with maintaining the tripod’s stability. Designed to support an array of camera types including DSLR and video cameras, camera setup is quick and easy.Alta Pro’s design also enables macro photography and special wide-angle shots with additional attachments that can be mounted to either end of the central column. Alta Pro is one of many new-for-2009 products introduced by VANGUARD at PMA 09, including :

• SBH ball heads – A lightweight line of stable magnesium alloy-constructed ball heads with tilting and ultra smooth movement, designed to support heavy equipment
• Kenline i-Pro bags – With three patents and lots of why-didn’t-I-think-of-that features, this line of soft-sided photo-video bags was designed for professional and amateur photographers by photographers
• Pampas bags – Line of durable and convenient sling-style, soft-sided camera and accessories bags for on-the-go photography
• Endeavor, Spirit, and Sereno binoculars – Industry-leading protective coatings, enhanced durability and special features are uniquely designed for an array of professionals

Alta Pro Multi Angle

Kenline Bags

Source: Vanguard USA

A common complaint of female photographers is that photo backpack shoulder harnesses are designed for average-sized men. The shoulder straps on the StreetWalker have been specifically engineered to fit a wider range of sizes for both genders.  Women in particular will appreciate the StreetWalker’s very narrow and vertical profile, especially when combined with the shoulder harness design.

The three new StreetWalker backpacks are:

• StreetWalker — This slim, lightweight backpack will hold a Pro Size DSLR with 70-200 2.8 attached and hood in position. It includes a monopod/tripod mounting system, a contoured harness and air channel for increased comfort, and lots of pockets and organizers for customization.
• StreetWalker Pro — This backpack is designed for a Pro Size DSLR with up to a 400 2.8 attached, or a 70-200 2.8 attached and hood in position. It also includes the monopod/tripod mounting system, the contoured harness and air channel, and lots of pockets and organizers.
• StreetWalker HardDrive — This backpack will hold most 15″ laptops and a Pro Size DSLR with 70-200 2.8 attached and hood in position. It also includes the monopod/tripod mounting system, the contoured harness and air channel, and lots of pockets and organizers.

The StreetWalker backpacks were designed by veteran camera bag designer Lily
Fisher.  “First and foremost  these lightweight backpacks give photographers quick access to their gear while allowing them to maneuver easily through crowds,” said Fisher.  “Additional benefits are the slim profile and adjustable sternum straps.  These backpacks also offer a unique benefit to women photographers, which is that the shoulder harness has been designed to  fit our unique body types.”

Specifications:

StreetWalker
Internal Dimensions:  8.5″ W x 16″ H x 5.5″ D  (22 x 41 x 14 cm)
External Dimensions:  9.5″ W x 17″ H x 6″ D (24 x 43 x 15 cm)
Weight:  2 lbs – 2.8 lbs (0.9kg – 1.3 kg) (Varies based on accessories used)
Price:  $139.00

StreetWalker Pro
Internal Dimensions: 9.5″ W x 16.5″ H x 7″ D (24 x 42 18 cm)
External Dimensions: 10″ W x 17.5″ H x 7.5″ D (25 x 45 x 19 cm)
Weight:  2.6 lbs – 3.4 lbs (1.2kg – 1.5kg)  (Varies based on accessories used)
Price:  $159.00

StreetWalker HardDrive
Internal Dimensions: 11″ W x 17″ H x 6-7″ D (28 x 43 x 15-18 cm)
External Dimensions: 11.5″ W x 18″ H x 8.5″ D (29 x 46 x 22 cm)
Weight:  3.6 lbs – 4.4 lbs (1.6kg – 2kg)  (Varies based on accessories used)
Price:  $179.00

Source: Think Tank Photo

With Extreme 24.5-Megapixel Resolution, Processed Image Files Exceeding 138 MB, Five Frame-per-Second Burst Speed and Nikon Core Technologies, the D3X Ushers in a New Level of Image Quality

MELVILLE, N.Y. (Nov. 30, 2008) - Nikon Inc. today announced the D3X, an FX-format digital SLR featuring extreme 24.5-megapixel resolution and superb low-noise capabilities, which provides professional photographers with commercial-quality image performance in a familiar and extraordinarily versatile D-SLR form factor. In conjunction with the groundbreaking Nikon FX-format D3, the D3X tops off a collection of flagship level, rugged, professional caliber digital single lens reflex cameras engineered to excel in all types of professional photographic disciplines from photojournalism and sideline sports, to commercial in-studio applications.

The foundation of the enhanced performance of the D3X is its FX-format, 24.5-megapixel (6048 x 4032) CMOS sensor providing commercial, high fashion, fine art and landscape photographers with the extreme resolution, dynamic range, color depth, detail and sharpness that clients demand. Whether creating catalogs, magazine covers, billboards or gallery prints, the large 5.49-micron pixel size and high signal to noise ratio produces vibrant images with breathtaking image fidelity while reducing lost highlights and shadows, and ensuring smoother tone reproduction with minimized noise. With full resolution shooting speeds of up to five frames-per-second (fps), and 14-bit files, that when processed are approximately 138 MB, the D3X offers today’s photographic artists an extreme level of performance and versatility ready for demanding assignments in the studio or on location.

“In 2007, the 12.1-megapixel FX-format D3 delivered groundbreaking digital SLR image quality, coupled with incomparable high ISO, low noise performance and high-speed handling. In doing so, the D3 broke photographic barriers, enabling photographers to work in ways never before possible,†said Edward Fasano, general manager for Marketing, SLR Systems Products at Nikon Inc. “Now, the new 24.5-megapixel FX-format D3X D-SLR provides the extreme resolution and high dynamic range capabilities needed to meet the extraordinary needs of photographic disciplines such as high fashion, commercial advertising and fine art. The D3X delivers this remarkable capability while fitting seamlessly within the Nikon system, taking full advantage of Nikon’s world-renowned collection of NIKKOR lenses and Speedlights.â€

Image Quality Takes Center Stage
To re-emphasize the importance of image quality above all else, the D3X delivers an incredible level of digital SLR performance to provide photographers with extremely high resolution, exceptional dynamic range, phenomenal total gradation and outstanding color reproduction. Image files can be recorded as TIFF, JPEG or NEF (RAW) formats in either 12- or 14-bit compressed or uncompressed formats, and recorded to UDMA compatible CompactFlashâ„¢ cards for optimum speed. Photographers can save image files directly to the dual card slots as overflow, backup, or as separate file formats to different cards. Building on the D3X’s flexibility, users have the creative option to shoot in the 5:4 crop mode with 20.4-megapixel resolution, the ideal format for creating 8 x 10-inch portraits. While using DX-format lenses, faster continuous shooting of up to seven frames per second can be achieved at a resolution of 10.5 megapixels.

The exceptionally low noise of the D3X is essential to any professional commercial application, and it provides photographers with an ISO range of 100 to 1600, expandable to 50 (Lo-1) and 6400 (Hi-2). The ultra smooth tones and lack of grain at ISO 1600 as well as at low sensitivity settings result in smooth, natural skin tones and exacting detail that, before the D3X, required larger and far costlier studio-bound camera systems.

Advanced Technologies, Meticulously Executed
In a commercial setting or on location, imaging professionals need high performance in both speed and processing. The Nikon D3X can shoot at up to five fps at full resolution or up to seven fps in DX crop mode, allowing photographers to catch the split-second difference in a model’s expression or capture all of the action in a sequence. Just like the D3, the D3X achieves a start-up time of a mere 0.12 seconds and a shutter release time lag of 0.04 seconds.

The D3X’s speed, as well as high levels of performance, leverages Nikon core technologies including a newly enhanced EXPEED™ Image Processing System, specially designed for the D3X to provide superior image quality, faster processing speeds and lower power consumption. This advanced system is able to achieve extremely precise color reproduction for a broad spectrum of hues, in addition to vivid saturation and smooth gradation. What’s more, Nikon’s advanced noise processing function is engineered to minimize noise at all sensitivities and operate seamlessly without interfering with other image color parameters.

The D3X also features Nikon’s exclusive Scene Recognition System, which continuously analyzes information from the 1,005-pixel RGB light sensor, to further refine auto exposure, auto white balance and autofocus calculations. This results in flattering portraits and awe-inspiring landscapes that portray accurate color and fine details. Nikon’s exclusive 3D Color Matrix Metering II helps ensure accurate exposures, even in the most challenging lighting conditions. Instantly evaluating each scene before capture, input data from the system’s sensor is automatically referenced against an internal database of more than 30,000 images derived from actual photographs to calculate correct exposure values. Active D-Lighting, used in combination with 3D Matrix Metering II, helps to determines proper exposure, and creates realistic contrast while compensating for lost shadows and highlights. Prior to shooting, users can choose from Extra High, High, Normal, Low or Off settings, as well as an Auto mode.

Additionally, the D3X features Nikon’s exclusive Multi-CAM 3500FX focus module, with 51 AF points, 15 cross type sensors and 36 horizontal sensors that easily track and lock onto moving subjects, delivering the same fast and accurate AF performance that helped make the D3 immediately successful. Users can select any of the AF points, making it easy to consistently attain accurate focus right on a subject’s eyes, frame after frame. Additionally, three AF-area modes – Single point, Dynamic-area AF and Auto-area AF – are available to maximize the use of the 51 focus points by selecting the most suitable one to match subject conditions. AF is also available in one of two Live View modes optimized for the studio, including a phase detection handheld mode and a tripod mode. This feature allows the user to zoom in up to 27x on the LCD screen to ensure critical focus. While in Live View, the graphic indication of a virtual horizon is also available, making it easier than ever to confirm camera orientation.

To further ensure each photographer’s ability to balance their personal style, Nikon’s Picture Control System enables users to adjust their images to pre-set parameters such as Standard, Neutral, Vivid and Monochrome that apply tweaks to image sharpening, tone compensation, brightness, overall tone and saturation. Photographers have creative control over these image parameters with the use of up to nine available customizable presets.

Synchronizing Both Form and Function
Engineered for real-world functionality, the D3X retains a rugged shell with moisture, dust and shock resistance that has become a hallmark of flagship Nikon D-SLRs, while preserving the usability and ergonomics that allow the camera to remain an extension of the photographer’s vision. Attention to detail goes so far as to include a self-diagnostic shutter system that is tested to exceed 300,000 cycles for maximum durability and longevity. The camera’s body also maintains the resilient magnesium alloy construction and form factor of the D3, promoting consistent Nikon system synergy.

A bright and accurate viewfinder offers 100 percent coverage with 0.7x magnification. The body also houses Nikon’s acclaimed 3.0-inch super density LCD screen, now relied upon by so many photographers. The high-resolution 920,000-dot screen is viewable at wide angles up to 170 degrees, and will allow photographers to quickly zoom in to confirm critical focus. Users can also output the video signal to an external display via HDMI to allow client viewing. Thanks to incredibly efficient internal circuitry, the D3X can capture up to 4400* shots per single charge of the camera’s Lithium ion battery.

System Strength Withstands the Test of Time
The D3X is fully compatible with Nikon’s Creative Lighting System (CLS) to give photographers a mobile lighting solution that is easy to manage. To further enhance mobility, the D3X is compatible with Nikon’s GP-1 GPS receiver to gather information such as latitude, longitude, altitude and date of shooting. Photographers can easily shoot tethered via USB, or use the WT-4a wireless transmitter to send images wirelessly when speed and mobility are essential. D3X users will also enjoy the system strength of more than 50 genuine NIKKOR lenses that provide outstanding sharpness and high resolution across a broad range of focal lengths.

Price and Availability
The Nikon D3X will be available at Nikon Authorized Professional Dealers starting December 2008, and will be available for an estimated selling price of $7999.95.**

* Based on CIPA Standards
** Estimated selling price listed is only an estimate. Actual prices are set by dealers and are subject to change at any time.

I have had the hardest time dealing with camera bags over the years, from my first backback that got so heavy I couldn’t lug it around anymore to my uber cool Airport International 2.0 which is great for big jobs but what about when I want to go a little lighter? My old backback is too large, and my Airport International is too big, and my Modulous Speed Belt can’t hold enough nor is appropriate when traveling. So what does that leave? Fortunately, Think Tank Photo’s Mike Sturm has come to the rescue. Mike is the designer responsible for the newest and coolest backpack design from Think Tank Photo, the revolutionary ShapeShifter.

Why is the ShapeShifter so cool?
The problem with most camera bags is that they are designed for particular purpose, either trying to be lightweight and carry minimal equipment or being big enough to carry a large amount of gear. The ShapeShifter is designed for both, in expanded mode it can carry a couple of full size DSLR bodies, a few large pieces of glass, a good amount of accessories, AND a 17″ laptop.

Ok great, you can haul a bunch of stuff with you and your laptop easily, so what, the bigger rollers from Think Tank Photo allow you to do that easily enough. What is different with the ShapeShifter is that oncd your camera gear comes out (possibly moved to your Speed Belt) you can pull a zipper around and compress the backpack down to about three inches thick with your laptop still in it.

Features include:

• It can be compressed to 3 inches in width once your equipment is removed.
• Dedicated neoprene pockets for 2 pro size DSLR’s, 70-200 2.8, 24-70 2.8, wide angle 2.8, and strobes.
• Holds up to a 17†laptop in rear compartment.
• Front pocket organizers for your digital essentials.
• It can carry tripods and monopods.
• The Pro Speed Belt can be attached and quickly released.
• After your gear is removed, you can continue to carry your laptop and accessories, but in a much smaller package.

Who is the ShapeShifter for?
Since neoprene equipment bags inside the ShapeShifter don’t provide a lot of padding, the ShapeShifter is certainly not the best solution for travelers if there is any chance that your bag may have to get checked as luggage. For domestic flights the ShapeShifter is a great solution since domestic flights allow for a carry-on bag and a personal item such as a camera bag or laptop case. Since the ShapeShifter can hold you basic gear as well as your laptop you should always be able to carry it on and stuff it overhead or even under a seat.

Sports photographers who want an easy way to get their gear down onto the field but then want to compress the bag so there is a smaller profile to interfere with other photographers and easier maneuverability.

For photographers that use a modular belt system, you can remove most of your gear and still keep a few accessories and flashes in the backpack and still compress it to save space.

Any photographer that has to carry a laptop around safely as well as a decent selection of gear but doesn’t need a large backpack just to carry the laptop after the gear is taken out.

How well does it work?
I am super impressed with the versatility of the Shapeshifter already and have had it less than a week. I can carry a good selection of equipment comfortably and securely. The first day I got it I packed it up for a wedding with my Airport International Roller keeping the lesser used equipment and spares locked safely away, I could keep a small amount of gear with me at all times. The next day I took off to shoot a protest rally and loaded up with lenses and strapped my tripod onto the back. Out in the sun for a couple of hours all the extra shoulder and back padding made very comfortable to haul around a day pack of gear. A few days later I needed to make a day trip to San Fransisco to give a talk and I wanted a minimul set of gear along with my laptop. Even with a camera body, flash, several lenses, and my laptop I was able to compress the Shapeshifter down to the smaller size making it very easy to walk through the airports, take the BART into downtown, and walk to the convention center. Without the Shapeshifter I would have taken a large laptop case and probably not have taken any camera gear, or I would have taken a small camera bag that could hold a body and one lens. Thanks to the Shapeshifter I was able to take a 30D with battery grip, a 17-40 lens, a 24-70 lens, a 12-24 lens, and a 70-300 lens, and a 580 EX II. I could have taken some larger glass but then I wouldnt have been able to compress the bag down as much. Also in the Shapeshifter is the power supply for the laptop, a Zoom H2 audio recorder, and Jobo DSLR tripod.

The Shapeshifter isn’t going to be for everyone as there are some people who take too much gear everywhere they go and while the Shapeshifter can hold a decent amount of gear, it certainly can’t hold as much as the roller cases from Think Tank Photo. But if you need mobility and a roller is too inconvienent, the Shapeshifter is a great solution.

The bottom line
It didn’t take long for me to be a complete convert to the Shapeshifter for most of the assignments that I do although there are certain situations when I would rather have my larger roller with me. For the typical day assignment, for traveling, vacations, business trips, sports shooting, and many other situations, the Shapeshifter will be loaded up and hanging off my back.

The Think Tank Photo Shapeshifter backpack is scheduled for released in December of 2008 with a price of $249 US. If you have a photographer in the family that needs something like this, the Shapeshifter is an excellent Christmas gift.

Review Points

Setup
There is basically no setup of the Shapeshifter, open the zippers, load your equipment, adjust the straps, and off you go. If you want to use the monopod/tripod straps they are included inside the bag and will need to be attached to the outside before use. I keep the short sider attached at all times and when I am not using the long adjustable side I detach them and put them into a pocket in the bag to keep them out of the way.

Features
The Shapeshifter is like no other bag available today, loaded with more pockets than you would imagine and the ability to hold large equipment and compress down for smaller gear as well as having a padded laptop area that can take a 17″ laptop, the Shapeshifter is the ultimate in photographic mobility. Pockets galore! There are more pockets in this thing than you can count. The quality of the construction is simply incredible, I have full confidence this bag is going to last for many years.

Usage
Your biggest issue with the Shapeshifter is going to be deciding on what pocket of the dozens of available are you going to put your accessories in. Obviously this large number of pockets, holders, built-in bags, etc was built for someone with a better memory than me because there are so many places to put things you may well forget where something is. I am certainly a big fan of the Shapeshifter now and have taken it around to show all my friends.

Results
Sure, you can get a camera backpack on eBay for $30 and you may even be happy with it, but the ones I have bough have fallen apart, had the shoulder straps break, and are big and bulky. At $249 the Shapeshifter is not cheap, but neither is the contruction quality. Camera bags of this caliber are not designed for the budget-minded hobbiest, these are serious tools designed with professional photographers in mind. If you want to spend once on a backpack that will outlast several cheap ebay bags and you want to be sure you are not going to have zippers pop, seams break, and have it wear out prematurely then the Shapeshifter is the right choice.

Product Review Scorecard

Product Page: http://thinktankphoto.com/shapeshifter
Company Page: http://thinktankphoto.com

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Think Tank Photo Shapeshifter Camera Bag from Kerry Garrison on Vimeo.

• It can be compressed to 3 inches in width once your equipment is removed.
• Dedicated neoprene pockets for 2 pro size DSLR’s, 70-200 2.8, 24-70 2.8, wide angle 2.8, and strobes.
• Holds up to a 17″ laptop in rear compartment.
• Front pocket organizers for your digital essentials.
• It can carry tripods and monopods.
• The Pro Speed Belt can be attached and quickly released.

After your gear is removed, you can continue to carry your laptop and accessories, but in a much smaller package.

Press Release:

Canon brings HD moviemaking and 4fps shooting to its PowerShot super zoom series

United Kingdom / Republic of Ireland, 17 September 2008: Canon today supercharges its PowerShot digital compact camera range with two powerful new models: the 10 Megapixel PowerShot SX1 IS and PowerShot SX10 IS, which jointly replace the PowerShot S5 IS.

Both raise the benchmark for compact zooms with an outstanding 20x wide-angle (28mm) optical zoom, with USM and VCM for fast, silent, zooming. The  PowerShot SX1 IS offers a revolutionary series of features never seen before on a Canon compact camera – a 10 Megapixel Canon CMOS sensor, 4 frames per second continuous shooting, and full HD movie capture – while both cameras use Canon’s new DIGIC 4 processor for fast performance and richly detailed, clean images in a wide range of shooting situations.

Unbeatable reach
With a Canon 20x wide-angle (28mm) optical zoom lens, the PowerShot SX1 IS and PowerShot SX10 IS tackle everything from long-range telephoto shots to sweeping landscapes. Canon’s Ultrasonic Motor (USM) combines with Voice Coil Motor (VCM) technology for near-silent operation and the speed for sports or wildlife subjects. And thanks to Canon’s optical Image Stabilizer – which now offers a 4-stop advantage – camera shake blur is avoided even with the zoom fully extended.

10 Megapixel power
The PowerShot SX1 IS and PowerShot SX10 IS feature resolutions of 10 Megapixels, capturing all the necessary detail for poster-size prints or creative cropping in post processing. A Canon CMOS sensor allows the PowerShot SX1 IS to shoot full-resolution JPEGs at speeds of up to 4fps – making it a powerful, pocket-sized tool ideal for capturing fast-paced action sequences.

High Definition moviemaking
For the ultimate in visual quality, the PowerShot SX1 IS delivers 1080p (30fps) High Definition video – ready for instant playback on any HDTV via a built-in HDMI connection. The PowerShot SX10 IS offers fun, spontaneous VGA movie shooting. Movies on both cameras are enhanced with CD quality stereo sound, optical zooming and Face Detection Technology; and if extra reach is required, the PowerShot SX1 IS includes Canon’s Advanced Tele-Converter for an extra 2x zoom with no loss in movie quality.

DIGIC 4: intelligent processing for better photos
The PowerShot SX1 IS and PowerShot SX10 IS both feature Canon’s new DIGIC 4 image processor. As well as ensuring ultra-fast operation and superb, low-noise images, DIGIC 4 drives several intelligent technologies that make great photos easier than ever.

People shots benefit from improved Face Detection Technology, which even detects faces positioned at an angle to the camera, or in profile. Face Select & Track tracks a specific subject even more accurately, while a new FaceSelf-timer function – which automatically triggers the shutter shortly after a new face enters the frame – makes group shots and self-portraits easy.

Canon’s improved Motion Detection Technology delivers fantastic, sharp results by registering camera and subject movement, then automatically adjusting ISO to prevent image blur. Blur is further guarded against by new Servo AF, which continuously adjusts focus on subjects moving towards or away from the camera.

DIGIC 4 also powers Canon’s new i-Contrast feature, which brings out great, natural-looking detail in dark areas of pictures – without blowing out lighter areas.

Total Control
For the ultimate creative precision, the PowerShot SX1 IS and PowerShot SX10 IS offer full manual control over both aperture and shutter speed. A Multi Control Dial offers fingertip access to all key settings. Plus, compatibility with a range of accessories – including Canon’s professional Speedlite EX flash units – extends creative potential even further.

Also included with the PowerShot SX1 IS is Canon’s WC-DC300 controller, which allows wireless control of shooting and playback. This is ideal for tripod shots at slow shutter speeds, or any situation where keeping a distance from the camera is preferable.

“Both of these cameras offer exceptional imaging possibilities,†said Mogens Jensen, Head of Canon Consumer Imaging, Europe. “In particular, the PowerShot SX1 IS genuinely redefines what a compact digital camera can do. This kind of power and versatility must be experienced to be believed.â€

Pricing & Availability
The PowerShot SX1 IS is available from December priced at £519.99 / €679.99 RRP inc VAT
The PowerShot SX10 IS is available from October priced at £359.99 / €469.99 RRP inc VAT

Features at a glance:

• 20x wide-angle (28mm, f/2.8) optical zoom with optical Image Stabilizer
• 10.0 Megapixels
• Canon CMOS sensor for full resolution continuous 4fps shooting (PowerShot SX1 IS)
• Full HD (1080p, 30fps) movies plus HDMI output (PowerShot SX1 IS)
• DIGIC 4 for outstanding images and fast response times
• Shooting modes include full manual control
• Great people shots with Face Detection AF/AE/FE/WB plus Face Select & Track and FaceSelf-Timer
• Targets every possible cause of blur with High ISO Auto, optical Image Stabilizer, Motion Detection Technology and Servo AF
• Auto Red-Eye Correction in shooting and playback
• i-Contrast boosts brightness and retains detail in dark areas
• 2.5†vari-angle LCD II with wide viewing angle plus electronic viewfinder (PowerShot SX10 IS)
• 2.8†widescreen vari-angle LCD II with wide viewing angle (PowerShot SX1 IS)
• Multi Control Dial and customizable My Menu
• Smooth, 30fps VGA movies (PowerShot SX10 IS)

We knew when we sat down to write this review that many of your would be sitting there thinking that the guys at the Dojo had totally lost it if all they can come up with for a product review is a simple camera strap. In all seriousness, we have appealed to every company we know to come up with a better camera strap. The two main issues we have are comfort for shooting all day long and the security that your camera won’t fall off your shoulder. If someone could solve these two basic issues then it would surely rate a full blown product review article, BlackRapid has done exactly that with the new R-Strap.

David using the R-Strap

Overview
Take 10 pounds or more of camera equipment and hang it on your shoulder for 8-10 hours and you are simply going to be sore, this is just something we have come to expect over the years. Some manufacturers have tried to overcome this with thick padded sections so while this may help a little the fact that the weight is still pulling down on one shoulder cannot be overcome. The second main issue is security. Most straps have some kind of rubberized surface to help keep them from slipping off your shoulder. We have never found a strap that combines both comfort and gives you confidence that it’s not going to fall off. I often carry two cameras at a wedding and am in constant fear that one of them is going to take a header onto the pavement, so when I know I am not going to use one for a while I bring the strap up over my head to make sure it won’t fall off, but this makes it very difficult to shoot. BlackRapid took this simple idea and created the R-Strap.

Kerry wearing the R-Strap

How it works
Think of the R-Strap as an oversize camera strap, but instead of the strap attaching to the standard strap mounts on your camera, it is a continuous loop. The camera is attaches to the strap via a sliding ring so the camera can move around without the strap moving. The sliding ring attached to the D-Ring on the bottom your tripod mount or via at attachment piece that comes with the R-Strap.

Because the strap goes around one shoulder and the camera rests at your hip on the opposite side, the weight of the camera feels more like its down the middle of your body instead of one shoulder. This is significantly more comfortable and it completely eliminates the possibility of your camera slipping off your shoulder.

When I first saw the R-Strap and tried it on, my first reaction was something like DUH!!!! How is it that the greatest minds on the industry that have taken us into the digital age and into sensors that can push 60 megapixels haven’t improved on the single most important interface you have to the camera since the introduction of the SLR?

I’m really being serious here. The lowly camera strap hasn’t been improved virtually at all and it took BlackRapid to finally take the basic camera strap and make it comfortable and safer around your neck. I really hope this makes the big camera makers feel stupid for not addressing this most basic needs of ALL camera owners.

In Shooting Position

Setup
Since the R-Strap connects to the D-Ring on the bottom of your tripod mount plate, many of us who keep the plate on our cameras have only to connect the strap to the D-Ring, adjust the length and stopper and you are set to go. This is FAR easier than trying to connect any traditional strap to a camera.

Once you have it on, you will want to adjust the length, this is going to be personal opinion but you will find there is a certain “sweet spot” that gives you the best position when the camera is down and allows you to bring it up fast and get the camera into position easily. There is piece that you will want to adjust down to the camera when it is resting at your side, this will help you to quickly position the camera and keep it from sliding back.

Adjustment Point

Usage
You first want to get the R-Strap adjusted properly. For most people you want to be able to pull the camera up and be able to hold it 6-7 inches away from your face, this will give you plenty of freedom to move around.

I will certainly admit I was a little uneasy at first dangling a couple grand worth of hardware on a $49 strap that connects to the D-Ring on the tripod mount, but within a short period of time I became very comfortable with it and the ease of using the camera with the R-Strap paid for itself over and over again. After while it becomes very natural to place the camera at your side and then reach for it and sling it into shooting position.

R-Strap hanging at David's Side

Results
Ok, so you have a strap that won’t fall off your shoulder, feels very comfortable to use, and doesn’t cost a fortune, But wait! There’s more! Not only does the R-Strap keep your gear secure, there is a side benefit of not being nearly as sore after a long shoot. Both David and I have both been using the R-Strap for about a month now and have shot a handful of weddings and events, because the weight is distributed differently, the neck pain normally associated with long shoots is greatly reduced. While the security and comfort make the R-Strap worthwhile, the comfort level makes it priceless. Every camera should come standard with and R-Strap!!

With the R-Strap I can easily put my camera down at my side and walk up to people to pose them without poking them with a big lens.” – David (Esquire Photography)

Summary
I’m sold! I am not taking the R-Strap off my camera! I vow to never use a regular camera strap again. David (Esquire Photography) is also a convert and uses a R-Strap on every shoot.

Final results:

Website: http://www.blackrapid.com
Author: Kerry Garrison

What’s a ball head?
A typical tripod head can be adjusted in three axis, think of these as left/right, tilt up/down, rotate left/right. To adjust your camera across these three axis you have to loosen and then tighten three separate controls. A ball head has a single friction control and then the entire head can be adjusted simultaneously across all three axis and then locked into place by tightening a single control. This can dramatically speed up the time it takes you to get your camera in the position you want. While some ball heads have a knob or dial to lock the head into position, the 322RC2 has large grip handle that you squeeze to release friction and then release to lock the head into position.

Features
The 322RC2 is made from magnesium in order to keep the weight on the unit as low as possible and is designed to keep the center of gravity over the center of the tripod for better stability. Built into the handle is a nice bubble level and a safety release pin to keep things from coming apart unexpectedly. A thumbwheel in the handle is used to adjust the friction and the unit can support camera systems weighing up to 11 pounds.

• 1/4” screw attachment type (camera)
• 3/8″ female thread attachment type (tripod)
• -90° / +3° tilt range front tilt
• -90° / +90° tilt range lateral tilt
• 11.02 lbs load capacity
• magnesium construction
• 360 ° panoramic rotation
• quick release system
• secondary safety system
• weight: 1.54 lbs

Setup
I had a nice set of Calumet legs handy so the 322RC2 was going to have a nice home on top. From the box to being secured on top of the tripod must have taken all of about 5 seconds since it just screws into place. The 322RC2 also has a movable top plate so you can position into one of three normal positions or even stand the handle upright and put the plate at the end of the handle (great for using on a monopod). Next I screwed the mount plate onto the bottom of my Canon 30D, snapped it into place, locked the handle down and I was ready to go. Total setup time was under one minute.

Usage
Squeeze, adjust, release. Yup, that’s it. Pretty simple huh? Ok, how about some more detail. Using the 322RC2 gives you one of the moments when you think to yourself that you couldn’t believe that something so simple as the tripod could be as good as it now is. Think about trying to shoot anything that is moving in two different planes (kids are a great example of this) and trying to use a three axis tripod to follow their chaotic action. With the 322RC2 you can easily follow the action through all three axis of control and lock your camera in place right where you want it.

Results
A ball head is a seriously cool accessory for a tripod and the 322RC2 may have a hard name to remember but once you use it, you will wonder how you got by without it. When you are ready for a top-notch tripod setup, find a set of legs that meet your requirements and you can’t go wrong sticking the 322RC2 ball head on top.

Author: Kerry Garrison

Are you too “Pro” to use a tripod? Think again as we discuss different tripods types and why you need to have a good tripod.

Assignment: Build a Portrait Cheat Sheet
Take images of someone rotating through 180 degrees to see how the light changes on the person’s face. Post your cheat sheets to our Flickr group.

Picks of the week

Kerry
The R-Strap camera strap
http://www.blackrapid.com

David
Drobo 2.0 Drive Enclosure
http://www.drobo.com

Your hosts this week are Kerry Garrison (http://kerrygarrison.com) and David Esquire (http://esquirephotography.com).

Notable Links:
Prophotolife.com
lensbabies.com
lensprotogo.com

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