One thing that seems to baffle a lot of new photographers is understanding the term “stop” as it pertains to a measurement of light. We see this word used over and over with regards to shutter speed, aperture, film speed, filters, lighting, and other ways that light is used. You may hear a phrase like “you should expose one side of face 1-2 stops under the lit side of the face and expose the background 1 stop under the main subject”. For many people that’s about like asking them to solve a complex calculus problem.

With the recent articles we have done on portrait lighting and the use of light meters we have had a bunch of requests to do an actual demonstration of how to use a meter in an actual real-world environment.

In this video Kerry demonstrates using a simple light meter in a product shoot.

In the beginning there was the original Lensbaby lens, a simple bellows system with push-pull focus and left/right and up/down sweet spot selection. Then came the Lensbaby 3G that allowed you to fine tune the sweet spot after locking it down so that you can easily repeat the same shot and settings.

Now, the Lensbaby Composer promises a lens that is easier to use, better control over focusing, and a selection of different optic inserts to give you a variety of different effects.

Based on comments and emails I have received there are still some people that are confused about how the three elements of exposure play together to determine how dark or bright an image is. Today I want you to think of the three elements of exposure as the three points of a triangle each having an equal effect on the final exposure of the image.

Oh Canon 5D Mk II, how doest I love thee, let me count the ways. That could pretty much sum up my impressions of the newest camera from the folks at Canon but it probably doesn’t tell you what you really need to know. I certainly don’t have the testing lab that DPReview or Popular Photography has to tell you all the little specs and test results, but as someone who is shooting all the time, I figured I would get my hands on one and see if it really is all that it is hyped up to be.

Time to change out the poll and review the results of the last one. Our last poll was about how many photos do you take per week and the numbers were actually very interesting.

* 23% shoot 101 – 250 images per week
That is a lot of people shooting a lot of images, good for you! Keep it up and post some in the forums

As part of our Photography Basics series we talked about Exposure already and this time we are going to cover the mystery of aperture. Aperture is probably the least understood setting of everything on your camera. While shutter settings are very easy to understand, to long of a shutter speed and you will get blurring, pretty simple stuff. Same with ISO, too high of ISO and you introduce digital noise. But learning how to use aperture properly can kill brain cells faster than a frat house kegger party.

MELVILLE, N.Y. (Nov. 30, 2008) – Nikon Inc. today announced the D3X, an FX-format digital SLR featuring extreme 24.5-megapixel resolution and superb low-noise capabilities, which provides professional photographers with commercial-quality image performance in a familiar and extraordinarily versatile D-SLR form factor. In conjunction with the groundbreaking Nikon FX-format D3, the D3X tops off a collection of flagship level, rugged, professional caliber digital single lens reflex cameras engineered to excel in all types of professional photographic disciplines from photojournalism and sideline sports, to commercial in-studio applications.

Kerry and David talk about how to add some spice to your shots, some of the ideas covered include:

* shooting from different angles
* changing your depth of field
* dissect other people’s work
* Look at EXIF data on people’s images

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Move over Nikon with your piddly 780p D-Movie, Canon attacks back with a consumer grade camera that can do 1080p! The new SX10 IS features a 10 megapixel CMOS sensor, face detection, motion detection, and a plethora of outstanding features.

Canon’s update to the wildly popular full frame EOS 5D is here, and it’s better than ever. The EOS 5D Mark II has a stunning 21.1-megapixel full-frame CMOS sensor with DIGIC 4 Image Processor, a vast ISO Range of 100-6400 (expandable to ISO L: 50, H1: 12800 and H2: 25600), plus EOS technologies like Auto Lighting Optimizer and Peripheral Illumination Correction.

We have done a number of articles with different flash heads but we have never gone into the detail of how to set them up and make them work, this results in emails that we sit and explain all the details to people. So today I am going to go through how to setup these studio flashes and connect them to your camera to get the results you want.