Pretec CF 233X and 333X CF cards use metal housing and ruggedized construction to provide extensive ruggedness making the card resistant to impact and shock – at least 10 times more durable than a typical CF card. With the green concept of reuse, recycle and reduce in mind, Pretec 64GB CF cards can be configured or reused to make a 256GB SATA or IDE SSD, the highest capacity 2.5†SSD in the world so far, by using Pretec Q-SATA, a patent-pending technology of flexible, scalable and modular SATA/PATA design based on up to 4 CF cards. This technology provides ultimate flexibility and ease of use, especially for those needing both CF cards and SSDs.

Pretec 233X and 333X CF cards will be demonstrated together with high performance digital cameras from Leaf, a business unit of Eastman Kodak and a world-renowned industry leader in providing cutting edge digital photography solutions, whose AFi professional camera was recently awarded “Product of the Year†at the Photoforum exhibition in Russia. The new Leaf AFi-II system delivers the fastest shooting speeds of any camera in its class, with a practically unlimited burst depth. These speeds are enabled by advanced communication and CF technologies and Leaf Capture software. “Leaf and Pretec share a similar vision -to offer cutting edge technologies and unique products with unparalleled performance and to provide our customers with exceptional quality and satisfaction,†said Seth Greenberg, Leaf Marketing Director. “We are pleased to have chosen Pretec as our exclusive storage partner at Photokina 2008 and to witness the excitement as Pretec breaks the CF card speed and capacity world records.â€

Pretec 233X 64GB and 333X 32GB CF cards with suggested retail price of $399 and $630 are slated to start delivery by Photokina 2008, and 233X 100GB and 333X 50GB are expected to start shipping by the end of 2008.

About Pretec
Pretec™ (http://www.pretec.com) offers a complete spectrum of small form factor memory cards and card readers such as CF, SD/MMC, USB Flash Drive, and wireless communication devices for digital imaging, mobile communication, and industrial flash markets. As the 2nd company in the world to offer CF cards since 1995 and the company to create CF I/O and SD I/O cards since 1998, Pretec has consistently demonstrated the highest capacity flash cards in the world: such as CF 3GB, 6GB, 12GB, 16GB, 24GB, 48GB and SD 4GB, SDHC 8GB and 16GB; the fastest flash card in the world: such as CF 80X and 333X, SD 133X, USB 166X, and SSD (IDE/SATA) 400X. With more than 200 patents granted or filed, Pretec has also been offering the smallest USB flash drive in the world with unique technology: such as i-Disk Tiny (“Best Gear of 2003†by TIME Magazine) and i-Disk Diamond; the most reliable flash card in the world: such as rugged PCMCIA, rugged CF card, and i-Disk Bulletproof, a water-proof, fire-proof, and bullet-proof USB flash drive.

*For more information, please visit www.pretec.com
*Note:i-Disk, i-Disk Tiny, i-Disk Diamond and i-Disk Bulletproof are trademarks of Pretec. All other trademarks mentioned herein are recognized as the property of their respective holders

Three new lenses – The Composer^TM, The Muse^TM, and

The Control Freak^TM – feature the Lensbaby Optic Swap System

On September 23, 2008, Lensbaby, LLC (formerly known as Lensbabies, LLC) is launching an entire new system of selective focus lenses at the Photokina tradeshow in Cologne, Germany (Hall 5.2 C021).

Three new Lensbaby lenses – The Composer^TM, The Muse^TM and The Control Freak^TM, – make up the new line of products.  Each features the new Lensbaby Optic Swap system. The new Muse and the new Control Freak replace the current Original, Lensbaby 2.0, and Lensbaby 3G lenses, which will be phased out immediately.  With the Composer, Lensbaby introduces a completely new lens, based on a ball and socket configuration that delivers smooth selective focus photography with unparalleled ease of use and greater precision.

All Lensbaby lenses provide photographers with a new way to control depth of field by bringing one area of a photo into sharpest focus with that Sweet Spot^TM surrounded by graduated blur. By bending the Lensbaby lens, the photographer moves the sharp area around the photo for customized creative effects.

The Composer

The new Composer retains its position after being bent and is easy to use even with one hand.  Photographers do not squeeze the lens to focus, but can simply tilt the lens to a desired angle and then focus with a barrel focusing ring.  The Composer stays in the desired bent position without requiring a locking mechanism and features the new Lensbaby Optic Swap System.  The Composer’s barrel focusing ring has a unique design that becomes more sensitive (requiring greater rotation to move the optic in and out) as you approach infinity, making it easer to focus on subjects from 10 feet to infinity.

“The Composer introduces a new level of ease and precision to selective focus photography,” said Craig Strong, Lensbaby president and co-founder.  “We developed the Composer because our photographers are interested above all in creating powerful, interesting photos. With its greatly enhanced ease of use and more reliable results, the Composer will make it more intuitive for photographers to realize their personal creative visions.”
The Muse replaces the Original Lensbaby and Lensbaby 2.0 lenses while being very similar in appearance and functionality. Photographers will still focus by compressing the lens and move the sweet spot by bending the flexible lens tubing.  The key update for the Muse is its new Lensbaby Optic Swap System.

The Control Freak

The Control Freak updates the Lensbaby 3G by adding the Lensbaby Optic Swap System.  With The Control Freak, photographers compress to focus, bend to move the sweet spot, and then push a button to lock the lens in place.  Once locked, photographers can adjust the fine focus with a barrel focusing ring and fine tune the tilt by rotating its three metal posts.

“While we expect the new Composer, with its smooth and precise operation, to be our most popular lens, we continue to offer the Muse and the Control Freak because each photographer has their own shooting style. The Muse is for photographers who shoot fast and loose and The Control Freak is best for shooters who have a step-by-step approach,” said Strong.

All three lenses – the Composer, Muse, and Control Freak – feature the Lensbaby Optic Swap System and will ship with one optic installed. Additional optics are available as optional accessories.  When a photographer wants to change the optic in their Lensbaby, they will simply pop the optic out and drop in a different optic using an Optic Swap Tool supplied with the new optic.  Each optic has different features and image qualities, allowing photographers to choose the look that fits their creative style.

Optic Swap System

At launch, the Lensbaby Optic Swap System will include four interchangeable optic options:

1)      Double Glass: A 50mm multi-coated optical glass doublet that is the same optic that was in the Lensbaby 2.0 and Lensbaby 3G lenses. Retail price: US$85.00

2)      Single Glass: a 50 mm, updated, uncoated optical glass singlet similar to the optic that was used in the Original Lensbaby. At f/2, the Single Glass Optic is one full stop brighter (2x as bright) than the previous Original Lensbaby Optic. Retail price: US$35.00

3)      Plastic: a 50 mm f/2 plastic singlet that maximizes blur and diffusion in a dreamy way that Holga^TM and Diana^TM camera lovers will especially appreciate. Retail price: US$35.00

4)      The Pinhole/Zone plate: an optic cup with an f/177 aperture hole to allow for pinhole photography and an f/19 Zone plate opening.  Users can slide a toggle inside the optic to change to back and forth between Pinhole and Zone plate mode, allowing further artistic exploration.  Retail price: US$35.00

The first three optics listed above are all 50mm fixed focal length.  They all feature magnetically levitating interchangeable aperture disks that allow aperture settings from f/2 to f/22.

The Single Glass, Plastic, and Pinhole/Zone plate optics will be sold individually as well as in an Optic Boxed Set to retail for $95.00.

Lensbaby President and Co-Founder, Craig Strong, stated, “Lensbaby photographers tend to be very creative. The new Lensbaby Optic Swap system will give photographers greater freedom to take photos that reflect their unique visions.”

Strong continued, “With the new Composer lens and the Lensbaby Optic Swap System, photographers will be able to choose a lens body that fits their bending style: fast and loose, smooth and precise, or step by step. Then photographers can choose an optic that expresses their individual artistic vision.”

Product Pricing and Specs:

The Composer – Smooth and Precise

• Priced at US$270
• Ships with the Double Glass optic installed (a multi-coated optical glass doublet)
• Features the Lensbaby Optic Swap system
• Focal Length: 50mm
• Focus Type: Manual
• Features a unique barrel focusing ring that becomes more sensitive (requiring greater rotation to move the optic in and out) as you approach infinity, making it easier to focus on subjects from 10 feet to infinity.
• Aperture Type: Interchangeable levitating aperture disks
• Apertures: f/2, f/2.8, f/4, f/5.6, f/8, f/11, f/16, f/22
• Minimum Focus: about 18″ (46cm) / Maximum Focus: Infinity
• Size/Weight: 2.5″ (6.35cm) high x 2.5″ (6.35cm)  wide  / 5.5 oz (155.9g)

The Muse – Fast and loose

• Priced at US $150 with the Double Glass optic installed; US $100 with the Plastic optic installed
• Ships with either the Double Glass optic installed or the Plastic optic installed.
• Features the Lensbaby Optic Swap system
• Focal Length: right around 50mm
• Focus Type: Manual…Fingertip, actually
• Aperture Type: Interchangeable levitating aperture disks
• Aperture: f/2, f/2.8, f/4, f/5.6, f/8
• Minimum Focus: approximately 12″ (30 cm) / Maximum Focus: Infinity and beyond
• Size/Weight: 2″ (5.08cm) high x 2.5″ (6.35cm) wide / 3.7 oz. (104.9g)

The Control Freak – Step-by-step

• Priced at US$270
• Ships with the Double Glass Optic installed
• Features the Lensbaby Optic Swap system
• Focal Length: 50mm
• Focus Type: Manual/Fingertip, with barrel fine focus
• Aperture Type: Interchangeable levitating aperture disks
• Aperture: f/2, f/2.8, f/4, f/5.6, f/8, f/11, f/16, f/22
• Minimum Focus: approximately 12″ (30 cm) / Maximum Focus: Infinity
• Size/Weight: 3″ (7.62cm) high x  3″ (7.62cm) wide / 5.7 oz. (161.6 grams)

About Lensbaby

Lensbaby, LLC (formerly Lensbabies, LLC) is a Portland, Oregon based manufacturer and marketer of award-winning selective focus SLR camera lenses.  Lensbaby was launched in February 2004 by Craig Strong, a professional photographer and the inventor of the patented Lensbaby selective focus SLR lens.  Lensbaby sells to photographers all over the world through its website, www.lensbaby.com, by calling 877-536-7222 / 971-223-5662, at tradeshows, in leading photo retailers and through a growing global network of international distributors.

# # # #

Photokina
http://www.photokina-cologne.com/

Nikon D-90
http://imaging.nikon.com/products/imaging/lineup/digitalcamera/slr/d90/index.htm

Canon 50D
http://www.usa.canon.com/consumer/controller?act=ModelInfoAct&fcategoryid=139&modelid=17499

New Canon DSLR
http://www.canon.com/moon/en/

Nik Software Announces Sharpener Proâ„¢ 3.0
http://cameradojo.com/2008/09/04/nik-software-announces-sharpener-pro%E2%84%A2-30/

Wolverine ESP Digital Photo Album and Multimedia Player
http://cameradojo.com/2008/09/02/wolverine-esp-digital-photo-album-and-multimedia-player/

R-Strap Camera Strap Review
http://cameradojo.com/2008/09/04/r-strap-camera-strap-review/

Capturing a sense of motion
http://cameradojo.com/2008/08/31/capturing-a-sense-of-motion-with-shutter-speed/

Camera Dojo Lightroom Presets
http://cameradojo.com/lightroom-presets/

You can listen to this podcast now using our player widget in the right hand sidebar

This podcast is also available on iTunes.

Canon Sites
http://www.canon.com/moon/en/
http://www.canon.co.uk/

]]> http://cameradojo.com/2008/09/05/canon-readies-new-pro-level-dslr/feed/ 3 canon_moon canon_future http://cameradojo.com/2008/08/26/canon-announces-eos-50d/ http://cameradojo.com/2008/08/26/canon-announces-eos-50d/#comments Tue, 26 Aug 2008 12:07:08 +0000 KerryG http://cameradojo.com/?p=669 As expected, the replacement for the EOS 40D has been announced just prior to Photokina. The new EOS 50D is the top end of the “prosumer” market and has a number on improvements over the 40D which is just about a year old. Let’s get right into it and see what this new camera is all about.

External
The body itself is almost identical to the 40D in size, shape, and controls with the exceptions being that there is now a silver bezel on top of the mode dial, an icon in the LCD on the top of the camera will indicate when Highlight Tone Priority is enabled, a new Type C HDMI video port on the side are the only things besides the 50D logo that are noticeable.

Features

The official feature list is show here, we will dig into more of these later on:

• New 15.1 Megapixel CMOS sensor with improved noise reduction, wide range ISO 100-3200 (H1: 6400, H2: 12800), 14-bit conversion for smooth color tones and gradations.
• Next generation DIGIC 4 Image Processor for faster processing, 6.3 fps up to 90 JPEGS using UDMA CF cards; 60 consecutive JPEGS or 16 RAW using standard CF cards.
• 3.0-inch Clear View LCD (920,000 dots/VGA) with multiple coatings for improved viewing and smudge-resistant protection.
• Enhanced Live View shooting includes Face Detection Live mode.
• 9 cross-type high-precision sensors for accurate target subject acquisition and diagonal center cross-type AF point with f/2.8 and faster lenses.
• New Lens Peripheral Illumination Correction setting to automatically even the brightness across the image.
• Updated EOS Integrated Cleaning System with a fluorine coating for better resistance to dust.
• Creative Auto goes a step beyond full auto with on screen setting display.
• HDMI (High Definition Multimedia Interface) output for displaying full high-resolution images on a High Definition TV.
• Compatible with over 60 Canon EF/EF-S lenses and most EOS System accessories.

The new sensor

As expected, a new sensor is built into the 50D that improves the light gathering ability by using bigger micro lenses over each pixel. Effectivily this will give you 1 to 1.5 stop of better noise reduction allowing you to shoot at ISO 3200 and have images that have noise that is closer to what ISO 1600 looks like on the 40D. Like the previous 20,30,40, the 50D is an APS-C sized sensor giving is a 1.6x crop factor and delivers images at 4752w x 3168h pixels. The integrated cleaning system is also claimed to work better than the one built into the 40D.

The new processor
The next generation of the Digic processor, the Digic IV is debuted in the 50D. This new processor is claimed to be 30% faster than the Digic III and provides a plethora of new features.

• Full size RAW (15.06 megapixels), sRAW1 (7.12 megapixelss) and sRAW2 (3.76 megapixels)
• Three levels of High ISO Noise Reduction
• Three increments of Auto Lighting Optimizer
• Peripheral Illumination Correction – This is a vignette control based on profiles of Canon lenses
• ISO 100 – 3200 is standard along with extended ISO of 6400 and 12,800
  

Better Storage

Although many of us were hoping for dual card slots, the 50D still sports a single Compact Flash slot although support of UDMA makes for faster read/write speeds.

Better LCD

The LCD on the rear has been improved with more resolution giving you 920,000 pixels which now gives you even great clarity than previous models. The Live Mode provided through the read LCD has also been improved with two types of autofocus now available including a simple quick mode that toggles the Live View off while the camera performs the focus and Live autofocus that uses contrast detection like we saw possible when using DSLR Remote Pro for tethered shooting. Like many new point and shoots, the 50D now has face detection when using the Live Mode autofocusing.

Shipping and Price

The EOS 50D is supposed to be available sometime in October at $1,399. As the camera gets closer to the release date I am sure more information will become available, especially from some of the sites that get pre-production units to test.

For a detailed hands-on preview of the 50D, check out: http://www.dpreview.com/previews/canoneos50d/

Source: http://www.usa.canon.com

• Open to all photographers, worldwide
• September 22-27, 2008
• Cologne, Germay

Go to www.thinktankphoto.com/photokina to enter!