Getting Started
Most cameras, including newer point and shoot cameras will let you shoot in full manual mode. The problem with going manual is that if you don’t have your settings “just right” you can end up with an image that is too dark or too light. Without a basic understanding of the different settings, it can be difficult to get a good shot. However, with a basic understanding of the three variables even the most newbie photographer can learn to take better pictures by getting away from the automatic settings.

ISO Speed
The ISO speed is equivalent to the ISO speed we used to use on film cameras, this describes the light sensitivity of the film that is being used. The higher the ISO speed, the more light the sensor can pick up. For example, if your camera is set to ISO 800 you can take a well exposed image in a darker room than you could with ISO 100. By definition you would always want to run your camera in the highest ISO speed possible. While this may sound like a good idea, the downside is that the higher the ISO speed, the more “noise” will be introduced to the image, thus degrading the image quality. In most cases, you will get excellent results by using ISO 200-400 outdoors and 400-800 indoors. This does not take into account your camera model as some cameras do better than others at the higher ISO settings.

Shutter Speed

Medium Shutter Speed to Show Movement

The shutter speed is one of the easiest settings to understand as it simply means how fast the shutter opens and closes when you press the shutter button. The faster the shutter speed the better the camera will freeze the action of an event. This setting is represented in seconds, a fast shutter speed would be something like 1/2000^th of a second. A long shutter speed such as 1/30^th of a second or slower can result in blurry images if you don’t use a tripod. Like the other settings, the shutter speed also affects the amount of light that hits the sensor. The faster the shutter speed, the less light that comes into the camera. So while a fast shutter speed can freeze action, you need more and more light in order to prevent getting a dark picture the faster you set the shutter. When you cant get a bright enough image, you will need to slow down the shutter speed. In some cases you may want to get a motion blur such as a waterfall or freeway traffic, these shots require a very long shutter speed.

Shallow Depth of Field

Aperture
Understanding aperture is probably the most difficult setting for most people to grasp, because of this we wrote an entire article about it. The aperture is an adjustable opening in the lens that controls the amount of light that can enter the camera. The aperture setting is expressed in f stops with the largest opening having a smaller number so a wide open aperture is going to have an f-stop of around f/1.4. The aperture setting can have a big effect on the depth of field which allows one part of the image to be in focus and the rest of it being blurry which helps to highlight the subject of the photograph.

Starting Points
Without having a light meter or lots of experience how do you know what settings to start with? The way I learned was to set my ISO to what I wanted, typically 200-400 ISO outdoors and 400-800 ISO indoors, and put the camera in P mode and press the shutter half way down. Inside the viewfinder the camera will show the settings it will use to take the picture. Then you can put the camera into Manual mode and adjust the settings to match. After some practice you should be able to set some basic settings fairly close to what they need to be, then, by pressing the shutter half way down the camera will autofocus and then take a meter reading which should show in the viewfinder or on a display depending on your camera. Then you can adjust shutter speed or aperture to change the exposure to get it where you need.

Using the Histogram
If your camera will display a histogram after shooting an image, then you need to take advantage of this feature. By looking at the histogram of an image you can quickly tell if the image was properly exposed or not. With a digital SLR camera you want the histogram to be a nice curve with the curve being just to the right of center like our example one here. This is actually saying that the image is just slightly overexposed. With film, if you overexposed the image, you would lose detail so it was better to slightly underexpose. With digital, shadows will lose detail so it is better to slightly overexpose.

Practice Practice Practice
There is nothing that will beat getting out and getting behind the camera and learning how to use it well. If you plan on making photography a serious hobby or more, you will need to learn how to use manual mode for those times when the automatic or program mode settings just won’t cut it or for when you want to create an effect that you just can’t get any other way.

Get out and practice and be sure to post some comments and post some pictures to our Flickr group.

Kerry and Jules also announce their upcoming workshop on Jan 26th. For more information on the Light, Location, and Love workshop, please check out:
http://cameradojo.com/2009/12/09/light-location-love-workshop-with-jules-bianchi-and-kerry-garrison/

Be sure and check out Jules’ website at http://julescafe.com.

Don’t forget about our CameraDojo MediaSmart Server Giveaway

Show Host

Kerry Garrison
http://kerrygarrison.com Twitter Facebook FriendFeed

This podcast is also available on iTunes.

Learn to Love Lighting no matter what the situation. From formal lighting in a controlled setting to on-the-fly lighting at a wedding or on location, after this workshop you’ll know how to get the shot!

Part 1: Love Lighting Lecture

Kerry will show you the most common portrait lighting methods to achieve classic portraiture styles. You’ll learn broad lighting, short lighting, loop lighting, butterfly lighting, as well as techniques for dealing with various lighting difficulties.

Jules Bianchi has been shooting weddings for over 10 years and knows about getting the shot in any situation. In an fun and informative style, Jules will show you how to keep your cool, grab your camera, and get the shot no matter what the lighting situation. She’ll show you how to work with your clients, put them at ease, and get those natural, unposed shots she is famous for.

Part 2: Love Location & Lighting

Jules will show you how she works her magic with an entire group to get fantastic images. Follow along as Jules addresses the technical issues of lighting, but also how to help her subjects loosen up, look natural and have fun in the process! Kerry will demonstrate the techniques of formal portrait lighting using his Westcott speed lights. Take all the information you learned from the morning and put it into action! You don’t want to miss this part of the workshop!

Workshop Schedule:

Choose your own adventure! You can choose Part One, Part Two, or both!

Part 1: Lighting lecture in the classroom – $99
Part 2: Live model shoot – both indoors and out with an entire bridal party! – $99

SPECIAL! Choose BOTH part 1 & 2 and pay only $149! This is a limited offer, so sign up now!

When: Tuesday, January 26, 2010
Part 1: Noon to 4pm
Vendor Reception: 4-6pm
Part 2: 6-9pm

To sign up for the workshop, please click here

The topic should apply to any type of photographer, not just wedding photographers as everyone should try to find what separates them from others and makes themselves unique.

Be sure and check out Gene’s Tuscany Italy workshop if you can make it:

http://twitter.com/italyworkshop/

Show Hosts

Kerry Garrison
http://kerrygarrison.com
Twitter: http://twitter.com/kerrygarrison Facebook: http://www.facebook.com/profile.php?id=822369545

David Esquire
http://esquirephotography.com
Twitter: http://twitter.com/esquirephoto Facebook: http://www.facebook.com/profile.php?id=636655600

This podcast is also available on iTunes.

Show Links

David Ziser Digital Wakeup Call Seminar
http://cameradojo.com/2009/03/06/save-20-on-david-zisers-digital-wakeup-call-seminar/

Orange County Pictage User Group
http://ocpug.wordpress.com

John Mireles Links

Photographer’s Toolkit
http://photographerstoolkit.com

Ventana Photography
http://www.ventanaphotography.com
Show Hosts

Kerry Garrison
http://kerrygarrison.com
Twitter: http://twitter.com/kerrygarrison Facebook: http://www.facebook.com/profile.php?id=822369545

David Esquire
http://esquirephotography.com
Twitter: http://twitter.com/esquirephoto Facebook: http://www.facebook.com/profile.php?id=636655600

This podcast is also available on iTunes.

Candice talks to us about dealing with customers and doing things to make them feel special apply to virtually any aspect of photography.

Candice’s Contact Info

Candice’s Website (http://candicecunningham.com)
Candice on Twitter (http://twitter.com/CandiCunningham)

Show Hosts

Kerry Garrison
(http://kerrygarrison.com)

David Esquire
(http://esquirephotography.com)

This podcast is also available on iTunes.

Jim is a world reknowned photographer with an amazing carreer and is one of the few people granted the title of Explorer of Light by Canon.

Jim Divitale’s Websites

http://www.jimdivitale.com
http://www.divitalephotography.com

Show Hosts

Kerry Garrison (http://kerrygarrison.com)
David Esquire (http://esquirephotography.com)

You can listen to this podcast now using our player widget in the right hand sidebar

This podcast is also available on iTunes.

Here is this today’s episode featuring me as the guest.

Las Vegas, NV (March 2, 2009) DigitalFocus 2009 – ExposureManager (www.exposuremanager.com), a customizable full-service online sales resource for photographers, announces a new Premium Subscription service created to help increase print and merchandise sales for photographers. ExposureManager’s behind-the-scenes marketing support provides a convenient e-commerce solution for busy photographers through every step from order placement to print production and shipping of the final product.

“Traditionally, photographers interested in selling their work online were required to have a separate website in addition to their online gallery service. Now they can use ExposureManager for their entire Web presence. This will let photographers spend their time more profitably behind the camera,†said Donovan Janus, CEO of ExposureManager. “Our new premium subscription allows our users to have an individually branded homepage, a portfolio page, pricing page and more as well as advanced e-mail marketing tools.â€

With ExposureManager’s new premium subscription, photographers now have the tools they need to convert potential customers into actual customers. Starting in March, photographers will be able to:

• see the favorites and shopping cart contents of their customers

• easily send e-mail blasts to customers based on a variety of filters

• schedule automated e-mail reminders for customers who selected favorites or cart contents but who have not purchased yet

• send out automated thank you e-mails after orders have been shipped and received

• With any e-mail that gets sent out, photographers can provide a unique coupon code to further encourage their customers to return for additional purchases

  The monthly price to subscribe to ExposureManager’s premium package is $24.99 and the yearly price is $249.99. And if current subscribers upgrade to the yearly account in January, they will receive $150 worth of free print processing.

About ExposureManager

Headquartered in Torrance, California, ExposureManager was established in 2004 by Donovan Janus and Rhesa Rozendaal. ExposureManager is a full-service online sales resource that makes it easy for photographers to sell their images via their online galleries/storefronts and then fulfill those orders with their in-house processing lab. ExposureManager deducts a nominal commission as its fee from the retail price of each sale. That commission covers credit card processing fees. ExposureManager then sends a check to the account holder at the beginning of each month. For more information visit www.exposuremanager.com .

Unlike traditional tripods, Alta Pro’s Multi-Angle Central Column (MACC) System allows users to move the central column as needed from zero to 130-degree angles in variable vertical and horizontal positions. This allows more angle possibilities than any tripod on the market but its solid design maintains its stability.

Its Instant Swivel Stop-n-Lock (ISSL) System feature allows photographers to securely reposition the central column in one simple movement, in just a few seconds, with maintaining the tripod’s stability. Designed to support an array of camera types including DSLR and video cameras, camera setup is quick and easy.Alta Pro’s design also enables macro photography and special wide-angle shots with additional attachments that can be mounted to either end of the central column. Alta Pro is one of many new-for-2009 products introduced by VANGUARD at PMA 09, including :

• SBH ball heads – A lightweight line of stable magnesium alloy-constructed ball heads with tilting and ultra smooth movement, designed to support heavy equipment
• Kenline i-Pro bags – With three patents and lots of why-didn’t-I-think-of-that features, this line of soft-sided photo-video bags was designed for professional and amateur photographers by photographers
• Pampas bags – Line of durable and convenient sling-style, soft-sided camera and accessories bags for on-the-go photography
• Endeavor, Spirit, and Sereno binoculars – Industry-leading protective coatings, enhanced durability and special features are uniquely designed for an array of professionals

Alta Pro Multi Angle

Kenline Bags

Source: Vanguard USA

Updates for award-winning Photoshop plug-ins include new features, improved effects and added support for Adobe Photoshop CS4, Lightroom 2 and Apple Aperture 2.1

Portland, OR – February 23, 2009 – onOne Software, Inc., a leading developer of time-saving software solutions for professional and advanced amateur photographers, today announced the immediate availability of Plug-in Suite 4.5 and FocalPoint 1.1.  Plug-In Suite 4.5 is the latest version of onOne Software’s Photoshop^® plug-in collection, which combines the recently announced FocalPoint 1.1, Genuine Fractals 6 Professional Edition, PhotoTools 2 Professional Edition and PhotoFrame 4 Professional Edition in addition to Mask Pro 4 and PhotoTune 2.2.

“Plug-In Suite 4.5 represents a significant upgrade for our users as four of the six products have been recently updated,” said Craig Keudell, president of onOne Software.  “Despite the large amount of new content, Plug-In Suite 4.5 is a free upgrade for registered Plug-In Suite 4 owners, a testament to onOne’s dedication to providing value for its customers.”

Plug-In Suite 4.5 includes full versions of the following onOne Software products:

NEW! Genuine Fractals 6 Professional Edition can resize digital images over 1000% with no loss of detail or sharpness. Genuine Fractals 6 now includes texture control presets, a gallery wrap feature, batch processing, tiling for small format printers, and support for Lightroom 2 and Aperture 2.1.

NEW! PhotoTools 2 Professional Edition features professional-grade photographic effects created by onOne Software, Kevin Kubota and Jack Davis.  These effects may be previewed, stacked and blended together just like filters over a camera lens while the built-in batch processing engine improves productivity. PhotoTools 2 includes a new effects library, many new effects, the ability to paint effects in or out, video support within Photoshop CS3/CS4 Extended, and support for Lightroom 2 and Aperture 2.1.

NEW! PhotoFrame 4 Professional Edition contains 1000+ realistic film edges, backgrounds, textures, adornments and even complete layouts making it the fastest way to create flush-mount albums, scrapbooks and edge effects. PhotoFrame 4 now includes a new frame library, new design elements, output options, and integration with Lightroom 2 and Aperture 2.1.

NEW! FocalPoint 1.1 simulates selective focus or tilt-shift lenses, helping photographers blur and/or vignette an image to focus a viewer’s attention.  Support for Lightroom 2 and Aperture 2.1 has been added to the new FocalPoint 1.1.

Mask Pro 4.1 creates high-quality masks and selections even from tough subjects like hair and glass, making it easy to place a subject in a new background.

PhotoTune 2.2 provides professional quality color correction in an easy-to-use interface. PhotoTune 2.2 includes ColorTune for general color correction and SkinTune for color correcting skin tones accurately.

Availability and Pricing

Plug-In Suite 4.5 is now available to new users for $499.95 – a savings of $799.75 compared to purchasing the products separately. Registered users of Plug-in Suite version 4 will automatically receive a free upgrade to version 4.5 via a downloadable software update.  Existing users of Plug-in Suite version 1, 2 or 3 can upgrade to Plug-In Suite 4.5 for only $199.95. Registered owners of any other product from onOne Software can upgrade for $399.95. For more information on the Plug-In Suite 4.5, please visit http://www.ononesoftware.com.

About onOne Software

onOne Software, Inc. is a leading developer of time-saving software solutions for professional and advanced amateur photographers. Our products allow photographers to spend more time behind the camera and less time behind the computer screen. They include a wide range of easy-to-use plug-in enhancements for Adobe^® Photoshop^®, Photoshop Elements, Photoshop Lightroom^®, and Apple Aperture. Founded in 2005, onOne Software, Inc. is a privately held company located in Portland, Oregon.

onOne Software blog: http://www.ononesoftware.com/blog
onOne Exchange: http://www.ononeexchange.com

#   #   #   #

© 2009 onOne Software. All rights reserved. onOne Software and the onOne Software logo are registered trademarks in the United States, and all are the property of onOne Software. Adobe and Photoshop are registered trademarks of Adobe Systems, Inc. All other trademarks are property of their respective owners.

[podcast format="video"]/podcasts/WPPI2009_part2.m4v[/podcast]

Pictage Lite provides the same interface and tools as the full version of Pictage, including an all-new image upload tool, but is limited on features that busier professionals need to help streamline their businesses.

The following chart shows the differences between Pictage Pro and Pictage Lite:

[podcast format="video"]/podcasts/PictageLite_Announcement.m4v[/podcast]

Source: Pictage

Want to make your shooting easier so you do less cropping in post production? CropLines has the answer with engraved focus screens for 8×10, Rue of thirds, school portrait, or other designs so that you can nail your image in-camera.

Many photographers use or are considering flash brackets so that you can keep your accessory flash above your camera regardless of whether or not you have your camera in its vertical or horizontal position. The Reporter Flash Ring is one of the simplest flash brackets I have ever seen Instead of a series of hinges and brackets, the Reporter Flash Ring has a rong around the lens that doesn’t move and the flash slides around on the ring on a set of rollers. The design is simple and effective.

While not everyone wants their own photobooth, if you are looking to make you own, check out the new photobooth software from TOFURIOS. Their photobooth software is the best I have seen so far.

Stay tuned, more to come!

Jason gives some great tips for wedding photographers for getting to know all of the people personally that will generate the most sales for you.

Jason is also giving away a 1 year membership (or extension to existing members) to a lucky listener. To enter the contest, you have to go to http://pictage.com/blog and find the post about photographer Joanne Bartone, find the song she listens to the most on her iPod. Send your answer in an email to podcast@cameradojo.com with the subject “Pictage Contest”. All entries must be in by Feb. 21 2009.

Pictage: http://pictage.com

Show Hosts

Kerry Garrison (http://kerrygarrison.com)
David Esquire (http://esquirephotography.com)

This podcast is also available on iTunes.

Vu’s background in video production as well as marketing combines to give you an interesting perspective in how you should be looking at this medium for use in your own business.

Vu and his brother Lan give regular seminars and workshops and will be doing some really cool things at WPPI. Listen to the show to find out more about the WPPI event.

Vu Bui – http://vubui.com

The Bui Brothers – http://thebuibrothers.com

Show Hosts

Kerry Garrison (http://kerrygarrison.com)
David Esquire (http://esquirephotography.com)

This podcast is also available on iTunes.

Watsonville, CA (PRWEB) January 26, 2009 — ExpoImaging Inc. (www.ExpoImaging.net), developer and marketer of innovative camera accessories, including the Ray Flash Ring Light Adapter, ExpoDisc Digital White Balance Filter and the ExpoAperture2 Depth-of-Field Guide, today announced that it is now the exclusive U.S. distributor of Honl Photo Professional Products.

Developed by veteran photojournalist David Honl, The Honl Photo Speed System is a collection of lightweight, durable and affordable light modifiers for shoe-mount flashes including an assortment of grids, snoots, reflectors, gobos and gels. With retail prices ranging from $9.95 to $29.95, these practical tools were designed to universally fit all shoe-mount flashes without the use of annoying adhesives. As photographers increasingly take advantage of the power and flexibility of modern portable shoe-mount flashes, the Honl Photo Speed System allows them to affordably bring studio-style lighting effects into the field.

“With more than two decades of professional experience, David Honl’s work has been published worldwide,” said Erik Sowder, president of ExpoImaging. “David developed and field tested the Speed System while traveling on assignment under very challenging conditions. We firmly believe that there are no similar products available that are more practical or easy-to-use. And we are pleased that David recognized our sales and marketing success and chose ExpoImaging to be his exclusive U.S. distributor. We look forward to representing these innovative and unique lighting products.”

The Honl Photo Speed System consists of:
· The Honl Speed Strap: a simple, non-slip velcro strap that wraps around the flash head and attaches and removes in seconds. The Speed Strap avoids rubber bands, tape and sticky residue, and universally fits any shoe-mount flash. The Speed Strap provides a large wraparound surface area to quickly attach Speed Grids, Speed Gobos/Bounce Cards, Speed Snoots or Honl Gels. The Honl Speed Strap retails for $9.95.

· Honl Photo Speed Grids (patent pending): weighting just 3 oz and available in 1/4-inch and 1/8-inch grid, the honeycomb-like cells narrow the beam of light from a portable flash unit, producing a small circle of light on a subject. Perfect for dramatic lighting effects, Speed Grids fit any shoe-mount and most handle-mount portable strobes and attach quickly and easily to a Speed Strap. Honl Photo Speed Grids retail for $29.95.

· The Honl Photo Speed Gobo/Bounce Card: a versatile gobo made of black ballistic nylon on one side and white polymer on the other. The black side can be used to keep light from flaring into a lens when using a flash as a background or hair light. The white side can be used as a bounce card. Utilizing two gobos, photographers can create a barn door setup. The Honl Speed Gobo/Bounce Card attaches quickly with a Speed Strap. The Honl Photo Speed Gobo/Bounce Card retails for $14.95.

· The Honl Photo Speed Snoot/Reflector (patent pending): available as a 5-inch “Shorty” or 8-inch “Regular”, this snoot is constructed of black, ballistic nylon with a gray interior that produces a soft falloff. The snoot can be shaped to concentrate the light from a shoe-mount flash for dramatic cinematic lighting or opened-up to use as a flash bouncer/reflector. Ideal in a variety of settings, from basic portraits to dramatic background lighting, the Speed Snoot/Reflector attaches and removes in seconds using a Speed Strap. The Honl Photo Speed Snoot/Reflector retails for $29.95.

· The Honl Photo Gel Kit: colors strobes to correct for tungsten, fluorescent or daylight lighting environments or adds artistic color effects to images. These superior quality gels are pre-cut and have attached strips of velcro to secure quickly to a Speed Strap, and can be used in conjunction with Honl Snoots, Gobos and Grids. The usable gel area is 2.5 inches by 4 inches (approx. 64mm by 102mm) and can be trimmed to fit individual strobes. The Honl Photo Gel Kit retails for $29.95.

“We feel fortunate for the opportunity to partner with ExpoImaging,” said David Honl. “We chose to work with ExpoImaging because they’re good at marketing and they have a great reputation in the industry. We look forward to a long and mutually beneficial business relationship.”

The addition of the Honl Photo line further solidifies ExpoImaging’s position as a leading supplier of unique and exciting products that meet the needs of photographers at all levels.

Honl Photo Professional Speed System Products are now available at photo dealers nationwide and online by visiting www.ExpoImaging.net.

About ExpoImaging, Inc.

ExpoImaging Inc. markets and develops innovative camera accessories and is the pioneer in digital white balance filters. Ray Flash: The Ring Light Adapter, Honl Photo Speed System, ExpoDisc Digital White Balance Filters, and the ExpoAperture2 Depth-of-Field Guide are available at select photography dealers worldwide, or online at www.ExpoImaging.net.

###
David Griffin
Matter Communications — Providence
401-351-9504 (direct)
508-648-1176 (mobile)
dgriffinmatter (AIM)
david@matternow.com
www.matternow.com

From Scarlett:
“I had so much fun last year shooting a sizzlin’ bride and groom session in the glamorous lights of Vegas with Ross of Flosites.com and his bride Leysa, and this year, I want to give you the same opportunity for some rockstar portfolio pieces too! For those attending WPPI this year, I’m hosting a stylish photoshoot in Vegas again. Lyndsay, who won my “I Want to Spend A Day With Scarlett” contest will be the model with her hot husband as we shoot around the city that never sleeps! ”

To join in on the photoshoot, the session fee is $199 and we’ll shoot on Monday, February 16 at 7pm. To sign up, send Scarlett an email at scarlett@scarlettlillian.com! This a FIRST COME, FIRST SERVE event, and WILL sell out, so by emailing, you are agreeing to reserve your spot by paying the registration fee!

One of the sponsors, Pocket Wizard, will be at the workshop filming an exclusive BEHIND THE SCENES video of Scarlett and all of you participating in the workshop! So bring your inner rock star and get ready to be on camera! Seriously, you won’t want to miss this!

One lucky winner will get a chance to win a FREE spot in the workshop, so let’s do another CONTEST! The winner will ALSO win a pair of Pocket Wizards, AND the 1st, 2nd, & 3rd place winners will all win a Trendy Camera Strap, and Camera Dojo Powertools & Dojo Wedding Tools Lightroom presets! Woo hoo!!

You guys got so creative with the “I Want To Spend A Day A With Scarlett” contest, but this time, let’s call it, “I Want To Shoot With Scarlett in Vegas!”

THE RULES:

1. You have to be in the pic. You are welcome to have others in the picture as well!
2. The pic has to say somewhere “I Want to Shoot With Scarlett In Vegas” whether holding a sign or photoshopped or whatever.
3. Get creative as you want, and try to tie in something Vegas into it! You can dress up like Elvis, or reenact Britney’s quickie Vegas wedding, or show me your winning hand at poker, or whatever you want!
4. Once voting is opened up, you will want to blog/Facebook/Twitter about your contest entry and direct people to come vote for you here on my blog!

Because WPPI is quickly approaching, the DEADLINE for contest entries is next Monday, February 2 when the Finale of my video blog premieres!! Then we’ll have my blog readers vote on the winning photo to award the winner! There is limited availability for the workshop to keep the group intimate for learning and getting the best shots, so for those interested, go ahead and sign up now, and if you win, I’ll refund your session fee!

Thanks to these amazing sponsors! Check them out!!!

Trendy Camera Straps (Scarlett will be hanging out at their booth, more details later on how you can come say hi!)
Pocket Wizard
Camera Dojo
Modern Photographers

“Hey Guys,

I got a question for ya. Sorry the answer to this might already be on your site somewhere but I’d just thought I would msg you instead. I was wondering if you had any suggestions for photography books either having to do w/ business or the technical side of things. I’ve read Professional Wedding Photography by damien lovegrove and am in the process of reading understanding exposure bryan peterson. I have fast track photography on order..

Maybe one to do w/ posing??? Its weird I study photography all day long everyday.. but when it comes down to being w/ the couple it’s like I forget everything I ever learned and freeze. Then i want to slap myself because I could have done this or this shot but was having a brief moment of anxiety. I suppose posing and things will come with practice and the more I do it but I really thought I would have the hang of it by now. Any suggestions? ”

Yes Heather, David and I both have a list of suggestions for you.

David’s Picks

• Jerry Ghionis’ Pic Pockets $80
  These are small reference cards that show a specific scene, then on the back it goes into detail as to how the shot was taken.
  https://www.theicesociety.com/?page=72
• Bambi Cantrell’s Cue Cards $100
  These are stacks of cards demonstrating different poses and ideas to give you recommendations for setups.
  http://cantrellportrait.com/extra/online_store.php
• John Mireles Look Book $75
  More like a paint swatch sampler, the look book contains a wide variety of common poses to help you from getting into a rut or just for inspiration if you need some.
  http://photographerstoolkit.com/lookbook

Kerry’s Picks

• Photographing People – Rotovision $26.00
  Excellent book on posing and lighting setups and each shot includes a 3D drawing showing exactly how the set was designed with the placement of lighting, subject, reflectors, camera, etc.
  Photographing People: Portraits, Fashion, Glamour
• Posing for Portrait Photography: A Head-to-Toe Guide by Jeff Smith – $21
  This is  great book that goes through the correct placement of each section of the body from head to toe with plenty of example images to help make the point.
  Posing for Portrait Photography
• Professional Portrait Posing: Techniques and Images from Master Photographers by Michelle Perkins $23.72
  This book goes through the particular styles of a handful of professional photographers to show their distinct styles for posing and lighting subjects.
  Professional Portrait Posing: Techniques and Images
• The Moment it Clicks – Joe McNally $39.59
  Joe is a master of lighting and this book, while designed as a book on lighting, uses almost exclusively human subjects so it also is an excellent book for posing.
  The Moment it Clicks

• R-Strap Camera Strap Courtesy of BlackRapid
• Fast Track Photographer Audiobook courtesy of Esquire Photography
• Dojo Wedding Tools Presets for Lightroom
• Dojo Power Tools Presets for Lightroom

All together this is about a $200 prize package.

Example from Roberto Valenzuela

Example of Converging Lines from Roberto Valenzuela

Contest Rules

Please get this right so you do not get disqualified. To enter your image into the contest, upload it to your Flickr account. You will need to be a member of the Camera Dojo Flickr Group and then you can add your image to the Group photo pool. You must tag your image with the words Contest and Lines. This will allow me to find them easily.

You must only upload images that you took yourself. We will post the winner’s pictures on CameraDojo.com but you will retain all copyright to the image. We suggest you have a watermark on your images as well. The deadline for entries is Feb 28th 2009 and the winner will be named on the following podcast.

Here are a few other examples:

Current Entries

“Lost That Spare Tire” from PeptidBond. He will receive a new R-Strap from BlackRapid. They also announce the next contest “converging lines”. More info about this new contest will be posted tomorrow.

Later, Kerry sat with Master Photographer David Ziser. David is a high end wedding photographer who has recently made the switch from JPEG to RAW and discusses the reasons for making the switch.

David has also recently switched to the new Canon 5D Mk II and discusses the new camera and how video will play a role in wedding photography.

Be sure and check out David’s website at http://digitalprotalk.blogspot.com and watch for news on his upcoming seminar.

Show Hosts

Kerry Garrison (http://kerrygarrison.com)
David Esquire (http://esquirephotography.com)

This podcast is also available on iTunes.

What is a RAW image?

By RAW, I mean an image that is shot with your camera image quality set to RAW mode which stores the actual sensor data for the scene that was shot. This is different than a JPEG image that is a rendered image of the RAW data that has different effects applied to it by the camera such as sharpening, saturation, and contrast. A good quality JPEG image can look incredibly good and can be printed at large sizes and will look great. A RAW image will need some form of software program to convert the RAW data to something usable. The most popular programs for this today are Lightroom, Photoshop, Aperture, Capture One (Nikon), and Digital Photo Professional (Canon).

Is there a technical difference?

Anyone that tries to tell you there is no difference in image quality between a RAW image and a JPEG is simply mistaken or ill-informed. From a purely technical perspective, a RAW image will always give you a better image. A RAW image simply has more data, for each pixel there is at least twice as much data on older cameras like my 30D and as much as eight times as much data with newer cameras that have more bit depth. This means that a RAW image has the ability to have a greater tonal range than a JPEG. A RAW image will also then have greater latitude than a JPEG image, giving you the ability to process the image to recover shadows and highlights more than you can if you started with the JPEG. Since white balance settings are applied when an image is saved as a JPEG, shooting in RAW will allow you to adjust the white balance during post processing without sacrificing any image data.

This is not an opinion, it is a pure technical fact. So let’s accept that this is true and that RAW has a distinct technical advantage over a JPEG saved from the camera. I don’t think we need to debate that RAW has an inherent technical advantage and I think some people get caught up in this. I think the real issue is whether or not you need the advantages of RAW versus the negative reasons for using RAW that we will look at later.

Getting down with the downside of RAW

The big debate over RAW vs JPEG is whether or not the pros outweigh the cons so let’s look at the cons and see what the downside of using RAW images is:

• Increased file size
  This is probably the biggest issue there is. RAW images are considerably larger files than their corresponding JPEG images. With my 30D, a RAW file will typically be around 5mb while a fine quality JPEG will be around 1.5mb. As the megapixel count goes up, the files get downright huge with RAW images from a new Canon 5D MkII being around 22mb each. If you are shooting lots of images, at a wedding for example, then the larger size of RAW files will be a significant hit. Since the files are larger, they will require more horsepower from your computer to process. For the same number of images, you will need more flash card storage.
• Specialized software needed to process
  If you can call Photoshop, Lightroom, or Aperture specialized software, then yes, you will need something like this or use the software that came with your camera. If you use something other than these programs then you may have issues dealing with RAW files. For a brand new camera, you may have to wait for updated versions of these programs before they can recognize your files. This also means that if your camera is discontinued in the future, there is no guarantee that your camera’s format will always be supported (this is a good reason to use DNG files, but that’s for another article).
• RAW workflow is different than a JPEG workflow
  Is it? If you are already using Aperture, Lightroom, or Adobe Bridge for processing JPEG’s, then there is little to no change in your workflow. Two years ago, before tools like Lightroom and Aperture, working with RAW images was such a pain that RAW was said to mean “really awful workflow”. Since many of us are using Lightroom and Aperture now, there is little to no changes at all for working with RAW files other than they take longer per image to download off a CF card.
• RAW images in third party tools don’t look as good as the JPEGs
  This has been a real serious problem for a while as only the camera manufacturers really have the secret sauce for decoding their RAW images properly. Adobe has pretty much solved this issue with Lightroom 2.2 and the inclusion of camera profiles that setup the RAW processor to match the settings used to create the JPEG images in your camera.

Again, we are looking at facts here and not opinions, but it is important to understand that there is a downside to using RAW files even if I personally feel that the negatives are typically blown a bit out of proportion with the exception of the increased file size which can be a really significant issue for heavy shooters.

The non-destructive workflow

One of the biggest advantages of shooting RAW is that it inherently provides you today with a non-destructive workflow. What it means is that there is no image degradation between saves and any given step in the editing process can be removed. If we are using any of the three most popular tools today (Photoshop, Aperture, or Lightroom) then when we edit a JPEG, and make our changes, those changes are permenant, and because we just re-saved our image as a JPEG some compression has occured, every time we do this we lose some image quality. Sure you can make multiple copies along the way so you can go back to previous versions, but that negates the whole point of JPEG’s saving disk space. I personally work in Lightroom and I can take my RAW images and apply as many edits to them as I want but these changes are simply stored as a set of instructions to Lightroom, thus the original image is never modified. This also allows me to make virtual copies of an image so I can have a color, B&W, Sepia, or dozens of different versions of an image and take up only a trivial amount of disk space since it is only storing the steps to make the changes and isnt storing a new copy of the image itself and again, no matter what I do, there is no image quality lost at all during the post-production process.

Is anyone still using JPEG these days?

If nobody was shooting JPEG anymore than I wouldn’t have so many questions about it but are any real professionals shooting JPEG and the answer is yes.

Carlos Baez is a wedding photographer from Florida, this is someone who makes his living delivering top quality images to high paying clients and yet Carlos shoots JPEG because he can consistently deliver great images without the extra overhead of RAW files. Carlos is an expert at lighting and understanding exposure so he doesn’t rely on post processing to get his images right.

Ken Rockwell is a huge advocate for shooting in JPEG mostly because a lot of people use it as an excuse to not get the image right in camera. Although he has an article about this (http://www.kenrockwell.com/tech/raw.htm). I have posted a link to his article because he does make a few valid points but I think he does go over the top a little on some of the negatives while I do agree that many people use RAW without either knowing why or using it to correct their mistakes from not knowing how to use their camera properly.

Pros against JPEG

It’s only fair that I point out a few pros who have made the switch to RAW and some of their reasons for doing so.

Scarlett Lillian from Florida has been shooting RAW since she started shooting weddings but then tried going to JPEF to save disk and CF card space. After really giving it a try, she finally switched back to RAW because she felt she just wasn’t getting the color and skin tones from the JPEG files that she was when she was using RAW. She uses Photoshop with Bridge as her workflow tool.

David Ziser is, without a doubt, one of the biggest names in wedding photography and recent convert to the RAW side. David’s big switch came when he started using Lightroom for his workflow and then discovered that the images he was getting with Lightroom and RAW files simply gave him a better image than starting with JPEG. David details his experience in a post on his site, although he also make a case for use JPEG for less critical shots that will never be printed at larger than 5×7. Anything destined for the album or enlargements he suggests shooting in RAW and the filler shots can safely be shot in JPEG to conserve space.

Rick Miller who is a Senior Solutions Engineer at Adobe does a segment when he is demoing Lightroom where he shows a picture of his girlfriends dog that is a white curly haired dog. Rick took a picture of the dog that when the rest of the scene is properly exposed, the dog is overexposed. Saved as a JPEG, the details in the dogs fur are completely lost and unrecoverable. The same image shot in RAW is able to use tools like recovery and exposure control to regain all of the detail in the dog’s fur. This demonstrates how even a shot that is technically correct for the rest of the scene may still suffer from being shot in JPEG.

RAW or JPEG — Which is for you?

Since I am far more likely to forget to change my camera from JPEG back to RAW when I need to, I simply leave it on RAW and take the disk space penalty. With a large wedding costing me around 10-12gb of space, it isn’t that big of an issue. If I upgrade this year to a 50D or 5D MkII and I move to having 30-40gb of space per wedding, I may have to rethink this strategy. What I like about shooting RAW for weddings is that in the thick of things, if you do make a small error in exposure or white balance, it is far easier to correct it afterwards. I don’t use this as a crunch, but it is a safety net.

To decide If you should stick with JPEG all you need to do is to take a close look at your images and compare them with what you can get from a product like Lightroom and then decide if your images are good enough or if any improvements that you get from using the RAW image are noticeable and worthwhile.

What do some other photographers say?

Mark Teskey “RAW only. Shooting JPEG is like working without backing up files or a second body/flash. There’s no safety net with JPEG.”

JE Images “RAW all the way. if I need to tweak anything then I have full access to all the info..”

Denise Clay “[I shoot] RAW – I used the best film I could that matched the job in film days, why not do the same now with the best digital file?”

MrsBoesch “I shoot JPG. It takes up less space on my hard drive, and I am of the opinion that you should try to “get it right” the 1st time”

So what are you to make of this?

There is certainly a case to be made that higher quality final images can be made from using RAW files and that shooting in RAW provides a technical safety net (even if you dont need it because you are wicked good). The main issues of working with RAW for me are the non-destructive workflow and the ability to have multiple virtual copies of an image without eating up more disk space. I do believe that almost all of the main complaints about RAW have been more than satisfied with current software leaving the issue of disk space and storage being the only real issue, albeit a signifigant issue for some people.

In the end, the only thing that matters is that you are happy with the images that you are delivering and if you are shooting for clients, that they are happy with the images you are delivering. If you are shooting in JPEG and are happy with your images and you see no compelling reason to switch, then don’t. If someone like Carlos Baez can shoot a wedding in JPEG and he makes a LOT more per wedding than I do, I am not going to tell him he is wrong for shooting in JPEG. On the flip side, if you are shooting in RAW and the disk space is killing you and you are good enough that your images require basically no tweaks for color, white balance, exposure, fill light, highlight recovery, or saturation, then you may be a good candidate for shooting in JPEG. It all comes down to a personal choice. There is no right or wrong answer to this debate, its just a question of what works for you in order for you to deliver the best quality images to your clients.

Author: Kerry Garrison

Links from the show

Roberto’s website (http://www.robertovalenzuelaphotography.com)
WPPI Master Class (http://www.wppionline.com/tradeshow/show2009/speakers.taf?pgm=master)
WPPI Article (http://www.wppionline.com/newsletter/Dec08/member-month.tml)

Show Hosts

Kerry Garrison (http://kerrygarrison.com)
David Esquire (http://esquirephotography.com)

This podcast is also available on iTunes.

1. DIY Photography
   (http://www.diyphotography.net)
   Udi does a terrific job at bringing alternative ways of lighting, shooting, and creating light modifiers to people without unlimited budgets.
2. John Nack’s Blog
   (http://blogs.adobe.com/jnack/)
   John is the product manager for Photoshop and almost every day has a new blog entry with something interesting or cool to look at.
3. Photo Business News
   (http://photobusinessforum.blogspot.com/)
   John Harrington writes several times a week with news and information relevant to the business of photography. This is one of my must-read blogs every week.
4. Strobist
   (http://www.strobist.blogspot.com/)
   David Hobby has several posts a week that specialize in talking about working with small accessory flash units and getting the most out of them. This is definitely one of the best sites if you are into lighting.
5. Lightroom Journal
   (http://blogs.adobe.com/lightroomjournal/)
   This is the official blog from Adobe for Photoshop Lightroom. All official Lightroom news is posted here.
6. Lightroom Killer Tips
   (http://lightroomkillertips.com)
   Matt Kloskowski posts excellent tips and presets several times a week for Lightroom users.
7. Digital Pro Talk
   (http://digitalprotalk.blogspot.com/)
   This is the home of David Ziser, one of the top wedding photographers in the world. David is one of the most prolific bloggers around and posts awesome shooting and lighting tips virtually every day. He posts so much that its hard to keep up with all of his posts. This is another must-read site.
8. Flash Flavor
   (http://flashflavor.com/)
   Matt Adcock takes some of the most amazing photos you will see anywhere and is simply an inspiration to go through and see what he is doing and how he does it.
9. Digital Photography School
   (http://digital-photography-school.com/blog/)
   This site from Darren Rowse is chock full of good tips and tutorials with new content on a regular basis.
10. Rob Galbraith DPI
    (http://www.robgalbraith.com)
    Rob always has good information and is often the first with breaking news.
11. TWIP
    (http://twipphoto.com/)
    Although known more for their podcast than their blog, the This Week in Photography blog has a new post every day. Maybe someday CameraDojo will get mentioned on their show (hint hint) – wow, CameraDojo got mentioned on their site today!
12. Photoshop Insider
    (http://scottkelby.com)
    Another site with several new posts every week from Scott as well as regular guest bloggers.
13. 1001 Noisy Cameras
    (http://www.1001noisycameras.com)
    With new info more often than you change your underwear, 1001 Noisy Cameras may never win a design excellence award but certainly is at the top of most lists of useful and informative sites.
14. Pro Photo Life
    (http://www.prophotolife.com)
    This site from Jim Talkington amazes me that I don’t see it on most “top sites” lists like this. Jim does regular video tutorials and the wealth of content on his site is awesome. If you aren’t visiting this site every week, you are missing out on some fantastic stuff.
15. PhotoJojo
    (http://photojojo.com)
    You don’t even have to remember to go to PhotoJojo, this is a twice a week newsletter that is emailed to you with cool stuff in every email. Sign up and never miss it.
16. Photo Walk Pro
    (http://www.revellphotography.com/blog/)
    Jeff Revell’s site is another often-0verlooked site since many people think it is just about photo walking. Jeff also does a good amount of tips and tutorials for shooting and for working with Photoshop.
17. The Pioneer Woman
    (http://thepioneerwoman.com/photography/)
    Ree Drummond must be the most amazing woman on the planet, with multiple blogs about her life including photography, cooking, home and garden, and more she is a non-stop blogging phenomenon. While her sites appeal mostly to women, her photography stuff appeals to everyone.
18. Lighting Essentials
    (http://www.lighting-essentials.com)
    This is another excellent site for tutorials on lighting. Don Giannatti is an awesome photographer and is bringing his knowledge and experience into this website.
19. DPReview
    (http://dpreview.com)
    If you just have to know everything there is to know about camera bodies and lenses, DPReview is the encyclopedia of all camera knowledge when it comes to specs and unbiased technical reviews.
20. AllTop
    (http://photography.alltop.com/)
    Alltop.com is the brainchild of Guy Kawasaki and the photography section is filling up with a great list of photography sites. Bookmark this page there and never have a lack of reading material.

While there are dozens of other sites out there that are all worthy of being on any list like this, I decided I was going to stick to the top 20 sites that I personally use. Please add your own favorites into the comments.

Links from the show

Photography Mentor (http://photographymentor.com)
Robert Evans (http://robertevans.com)
Engage Film (http://engagingfilms.com)
Robert’s Twitter (http://twitter.com/RobertEvans)
Issuu (http://issuu.com)

Show Hosts

Kerry Garrison (http://kerrygarrison.com)

This podcast is also available on iTunes.