I think screen protectors are way overpriced.  You can pay $10 to $15 for a piece of plastic film smaller than the palm of your hand.  That just doesn’t seem right.  Fortunately, I happen to have a box full of old Palm Pilot screen protectors laying around and I usually just cut one of them to the size of my camera’s screens.  They are durable, scratch resistant and provide decent protection.  I bought several dozen of these in a single ebay auction, so I didn’t feel ripped off at paying $14.99 for a clear piece of sticky plastic, as many companies charge for their “custom cut” screen protectors.

Overview

While at the PMA tradeshow in March ’08, I met with a Giottos distributor named Bill Hodges, who was very enthusiastic about their products.  Bill showed me an product line that I was not familiar with in the Giottos lineup… the AEGIS Pro Optical Glass Screen Protectors.  Unlike the simple plastic films you can buy for $10 to $15, these Giottos screen protectors are $24 to $45.  Now, I have never been comfortable paying $15 for a piece of plastic film smaller than a playing card, so what could possibly make me spend two to three times that amount to protect my camera screens?

To answer that question, let’s look at some specs on this product.

AEGIS SP 80 series
• Transmission 420~680 nm: T≥98%
• High translucent, optical glass sheet made from Schott glass in Germany.
• Both sides 12 layers coated, from “LEYBOLD” Germany
• 12 Layers improve LCD backlight transmission while reducing reflections or glare
• Elite Schott glass protects and clarifies LCD images
• Includes Micro-Fiber Cleaning Cloth
• Available for digital cameras and DSLR’s including Canon, Nikon and Fujifilm
• Adds no significant weight or bulk to the camera body
• Resistant to acid and alkali prolonging the life of the LCD
• Easily applied using pre attached 3m double sided tape
• No air bubbles
• Glass surface reaches 8-9 and the elastic pressure is 4kg/cm2 to help it withstand impacts
• Removable and replaceable if it gets scratched or damaged

I have found that most LCD screen protectors fall into one of two categories; the plastic stick-on film sheet or the flip-up sun shade housings.  Stick-on sheets are prone to peeling off, bubbling, and have little to no beneficial optical qualities while LCD hoods/screen shades & covers are bulky and cumbersome while only minimally preserving the LCD image.

Setup

The Giottos AEGIS Glass Screen Protectors are very different from the start. The package has an interesting pull-up transparent tab that has the outline size of the screen protector that you can lay over your camera screen to confirm the size. With 12 layers of Anti-Reflective coating, plus being made of glass, they protect the LCD panel from not only abrasions and scratches , but impact too.  The multi-layer coating supposedly improves clarity and color quality as well as the life of the LCD.

I picked up two of these screen protectors; one for my Canon 5D Mark II and one for my Canon G9.  The two models I picked up were obviously different as the screen sizes of the displays on the two cameras are just a little different.  So, I started with the SP8301L for the 50D and 5D Mark II.

So, enough of all the marketing hype… what is the user experience?  What is this thing really like?  Well, first, the application to the camera screen was fairly simple.   Since it is rigid, it is easy to move around and pre-position.  There were no air bubbles to worry about, but not just because you are applying a rigid piece of glass, but because the glass is actually suspended above the screen surface by a fraction of a millimeter.  The only sticky surface is around the edges of the protector, and the thickness of the sticky substrate suspends the glass above the screen.

Installation

There is protective plastic on both sides of the glass sheet.  I cleaned my screen well with a micro-fiber cloth, peeled away the bottom film first, then lined the glass up with the screen.  My first shot was not perfect, so I used a fingernail to peel it up and re-apllying it.  Not too challenging.  Once in place, I rubbed it down with a cloth and peeled away the top protective layer.  The fit to the 5D II is perfect.

Usage

Checking at the final result, it looks great.  The protective cover has the Giottos logo in the black trim around the outside edge which covers the Canon logo.  This is the most visible thing you will notice every day  But as you can see by the photo it simply looks like part of the camera.  The surface of the Schott Glass is a little more reflective than the anti-reflective coating on the original screen surface, but you only notice this when the camera screen is off. Once it is on, the picture is bright and clear.  I actually find it much easier to see in bright sunlight than it was before the Giottos screen cover was on.

One More Time

Next, I installed my second screen protector over my Canon G9 screen – model SP 8300.  This was a little tougher as the screen fit was not as perfect as the one for the 5D Mark II.  The cover for the G9 was actually a couple on millimeters shorter on the vertical dimension than the Canon G9 screen.  This caused me to lift and re-seat the cover a couple of times to get it to where I could best see the camera’s screen through the glass.  Now, the end result is absolutely fine and the screen is 100% visible, but the Canon logo at the top is only partially covered.  This is a very small detail, as I guess I was expecting absolute perfection here.  However, I am completely happy with the end product.  With the small body of a camera like the G9, you tend to touch the screen more and it seems more prone to being bumped or scuffed by being laid on the screen, so I think this application is even more crucial than putting it on my pro body.

Protector in place	Removing film cover
With Protector Installed

Results

I have now tested both of my cameras outside in sunlight, in the shade, in the dark, in about every possible situation.  I have to say that I have no real complaints at all.  About the only criticism one might have is that the new screen is a bit more reflective than the original surface, but it isn’t bothering me.  After reading some reviews online, I see that there are various complaints about size, reflectivity and the screen not sticking.  I have to say that I do not see any of these issues with my two experiences.

Summary

The only reason to really put a protector of this sort over your camera’s screen is to protect the original screen and protect the value of your camera.  Let’s face it… these cameras are electronics.  In today’s market, electronics are the fastest depreciating item you can buy (outside of a home – but that’s another story).  To keep the value of your camera, you need to keep it looking new.  But you don’t want to have to look through some bubbled, misty looking piece of plastic film the whole time you use your camera.  So, is it worth a little more to invest in a quality piece of glass like this?  I think so.

Also announced is the smc PENTAX DA 15mm F4 ED AL Limited ultra wide-angle lens for PENTAX Digital SLR Cameras.  This latest model in PENTAX’s acclaimed Limited Lens series inherits all the attributes of this renowned product line including high quality image reproduction and high grade aluminum lens barrel finish, while providing users with a unique ultra wide-angle perspective. The lens will ship in April 2009 for $649.95 USD, while the PENTAX X70 will ship in April 2009 for $399.95 USD.

These PENTAX products will be displayed at PMA – The Worldwide Community of Imaging Associations Trade Show from March 3-5, 2009 in Las Vegas. More information is available here: www.pentaximaging.com and product images are available here: http://www.pentaximaging.com/press/pressfiles.html.

PENTAX Imaging Company is an innovative leader in the production of digital SLR and compact cameras, lenses, flash units, binoculars, scopes, and eyepieces.  For almost 90 years, PENTAX has developed durable, reliable products that meet the needs of consumers and businesses.  With headquarters in Golden, Colorado, PENTAX Imaging Company is a division of Hoya Corporation.

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PENTAX X70 FACT SHEET

Versatile 24X optical Megazoom lens accommodates a range of subjects

Within a compact, lightweight body, the X70 features a high magnification optical 24X zoom lens offering a focal-length coverage between a wide-angle 26mm to a super telephoto 624mm (in the 35mm format). This is ideal for wide-angle scenic shots or group photos, as well as getting closer to the action at a sporting event.  Coupled with the Intelligent Zoom function, the X70 zoom range may be extended to approximately 150 times (for a focal length of an astonishing approximately 3900mm in the 35mm format) without compromising the optical performance of the zoom lens.

High image quality

With 12.0 megapixels, a high-performance imaging engine, and the high quality PENTAX Megazoom lens, the X70 delivers super clear, high quality images in any shooting mode. Images at 12.0 megapixels are also suitable for printing at most large print sizes including 8×10, 11×17 and even larger poster size prints.

Large, easy-to-view 2.7 inch color LCD monitor

The PENTAX X70 features a large, bright 2.7 inch color LCD monitor with approximately 230,000 dots of resolution. An Anti-Reflection coating helps minimize glare from sunlight for more effective outdoor viewing. Also, the X70 comes with an electronic viewfinder for easy image composition and review in the brightest lighting conditions. You can also access the camera’s menus and other functions via the electronic viewfinder, so you will always be able to change settings no matter how bright it is outdoors.

Compact, lightweight design

The compact, lightweight design of the X70, one of the smallest and lightest cameras in it’s class, make it easy to transport and use.  However, the small size does not mean features are compromised.  The X70 includes a full range of automatic and manual features and functions.

Reliable Shake Reduction for sharp, blur-free images

The X70 incorporates an “image sensor shift” Shake Reduction system to assure sharply focused, blur-free images even under demanding photographic conditions  such as when shooting at full telephoto or when shooting a sunset or indoor scenes with very low light. By accurately detecting the amount of camera shake using a high-performance gyro sensor and shifting the CCD image sensor vertically and horizontally at high speed, the X70 offers an outstanding camera-shake compensation effect, equivalent to approximately three shutter steps.

High-speed Continuous Shooting mode to capture the decisive moment

The X70 lets the photographer capture the subject continuously at a maximum speed of approximately 11 images per second and up to 21 images in succession.* Coupled with the Auto-Tracking AF mode that keeps a fast-moving subject in focus all the time, the X70 is sure to capture that once in a lifetime, decisive moment in sharp focus. The X70 is perfect for shooting sports action and active children and pets.

* When the continuous-shooting mode is selected, the image size is fixed at 5M (2592 x 1944 pixels).

Fast Face Detection AF&AE captures up to 32 faces in focus in approx. 0.03 seconds

The X70 Face Detection function is effective for capturing casual snapshots of people by optimizing the focusing and exposure of up to 32 faces in a single image in approximately 0.03 seconds. The X70 also offers other user-friendly functions including Smile Capture which automatically releases the shutter the instant it detects the subject’s smile, and Blink Detection which warns the photographer when the subject’s eyes are closed at the moment of capture.

Movie capture in high-definition TV image quality with anti-shake protection

The X70 captures high quality movie clips, equivalent in image quality to that of high-definition TV (1280 x 720 pixels) at 15 frames per second. The X70 also features Movie SR mode,** which effectively minimizes annoying camera shake during movie capture. The X70 can also record video at 848×480, VGA and QVGA resolutions at 30 frames per second, for full video capture flexibility. As a result, the photographer enjoys high-quality, blur-free movie shooting with minimal effort.

** When the Movie SR mode is selected, the angle of view becomes narrower than normal shooting.

Multi-mode exposure system

The X70 offers a choice of four exposure modes: Programmed AE, in which the camera automatically selects the optimal combination of aperture and shutter speed for a given subject and Aperture Priority AE, Shutter Priority AE and full Metered Manual modes, in which photographers are free to select either (or both) aperture and shutter speed to suit their photographic needs.

Auto Picture mode for the automatic selection of seven different shooting modes

The X70 features the advanced PENTAX Auto Picture mode, which automatically selects the most appropriate shooting mode for a given subject or scene by detecting the subject’s lighting, movement and other conditions. This user-friendly mode not only makes the right mode choice for the photographer (from Landscape, Portrait, Night Scene, Night Scene Portrait, Flower, Sport and Standard modes), but also features an Auto Macro mode, which automatically switches the camera’s focus range to macro in close-range applications.

Auto sensitivity control up to a high ISO of 6400

The X70 comes equipped with an Auto Sensitivity Control function, which automatically shifts the sensitivity level in relation to the subject’s lighting condition and the lens focal-length setting. This allows the photographer to use a high shutter speed in dimly lit locations, such as night scenes or indoor sports events to effectively minimize camera shake and subject blur. The auto sensitivity control range can be set between ISO 50 and ISO 6400, and is range adjustable.

Additional Features

• Image Format Choice proportions of 4:3, 3:2, 16:9 or 1:1.
• Scene mode palette for easy selection from 20 scenes, including a new Baby mode for accurate exposure and skin tones when taking pictures of babies.
• Overexposure compensation function to prevent blown out (or clipped) highlights.
• A Super Macro mode may be used to shoot as close as 0.4 inches (one centimeter) away from a subject for stunning close-up details.
• Digital Wide mode quickly stitches 2 images together for an extra wide-angle image (equivalent to 20mm in the 35mm format).
• World time clock displays standard time in 75 cities in 28 time zones around the world for extra convenience when on the road.
• Frame Composite mode (with 90 built-in image frames) offers fun and creative ways to style up your shots.
• Approximately 33.6MB of built-in memory. Also compatible with SD and SDHC memory cards.
• Red-eye reduction function corrects for red eyes as the result of flash photography. Red-eye reduction can be applied during capture, or as a post-capture filter.