This week we go back to the basics and talk about composition with our good friend Roberto Valenzuela.
Roberto talks about composition and gives the following guidelines:

Choose a selective focusing technique
Placement and composition of your main …

Elmsford NY – December 29, 2009 – PocketWizard launched the newest and most advanced firmware for the MiniTT1 Transmitter and FlexTT5 Transceiver. ControlTL™ Firmware Version 5.0 for Canon incorporates several new features, many performance improvements …

Kerry and Jules talk about lighting and the differences between controlled studio lighting and on-the-fly lighting such as engagements and weddings.
Kerry and Jules also announce their upcoming workshop on Jan 26th. For more information on …

Every once in a while a shoot comes up with specific requirements and your job is to figure out how to get the shot that they want. Today I needed to shoot some Digium interface cards for 888VoipStore.com. The challenge was that I wanted to get a vertical shot with a reflection underneath.

If you have been a fan of Camera Dojo for a while you will have seen mentions of Breeze Systems’ DSLR Remote Pro. DSLR Remote Pro at its basics is a tool for doing tethered shooting, so what right? The Canon EOS Utility can do that, so why would we want to spend close to $100 for software that comes free with your camera? Let’s take a fresh look at what all DSLR Remote Pro can do for you.

In this video Kerry walks through the process of doing a typical product shoot. This tutorial uses the Westcott Spiderlite TD-5 constant lights. Constant lights are great for product shots because you can easily get your lighting setup and see exactly in the viewfinder what you will get when you press the shutter.

With the recent articles we have done on portrait lighting and the use of light meters we have had a bunch of requests to do an actual demonstration of how to use a meter in an actual real-world environment.

In this video Kerry demonstrates using a simple light meter in a product shoot.

As we continue our series on portrait lighting we now need to look at the different types of classic portrait lighting and see the effect it has on someone so we can decided when to use each type. By choosing the proper lighting for a particular person, we can help them to look their best by making them appear to be thinner or wider or to accent or minimize certain facial features.

One of the dyeing arts is that of portraits using classic styles of lighting ratios. Many new photographers are completely unfamiliar with how to do portrait lighting and so they don’t even try leaving the current trend of wedding photography to be that of photo-journalism instead of being a mix of styles including traditional portraits. In this article we are going to try to teach you the typical lighting ratios that are used in portraiture.

Kerry and David start off with discussing some high school grad night party jobs they have been doing recently and how they went after that market.

Later, the guys discuss the use of a light meter and how it can help you get your exposures fast and accurately in-camera and save you time in post-production.