Kerry and Jules talk about lighting and the differences between controlled studio lighting and on-the-fly lighting such as engagements and weddings.
Kerry and Jules also announce their upcoming workshop on Jan 26th. For more information on …

With the recent articles we have done on portrait lighting and the use of light meters we have had a bunch of requests to do an actual demonstration of how to use a meter in an actual real-world environment.

In this video Kerry demonstrates using a simple light meter in a product shoot.

As we continue our series on portrait lighting we now need to look at the different types of classic portrait lighting and see the effect it has on someone so we can decided when to use each type. By choosing the proper lighting for a particular person, we can help them to look their best by making them appear to be thinner or wider or to accent or minimize certain facial features.

One of the dyeing arts is that of portraits using classic styles of lighting ratios. Many new photographers are completely unfamiliar with how to do portrait lighting and so they don’t even try leaving the current trend of wedding photography to be that of photo-journalism instead of being a mix of styles including traditional portraits. In this article we are going to try to teach you the typical lighting ratios that are used in portraiture.

Kerry and David start off with discussing some high school grad night party jobs they have been doing recently and how they went after that market.

Later, the guys discuss the use of a light meter and how it can help you get your exposures fast and accurately in-camera and save you time in post-production.

If you are in southern California and would like to learn more about portrait lighting, then you should attend our Mini-Workshop on June 28th. This workshop will help you learn the basics of portrait lighting and then give you hands-on experience with constant lights and several models to help fine-tune your skills.

Canon’s new EOS Rebel T1i is packed with features, both refined and new. In addition to its admirable performance with an all-new 15.1 Megapixel Canon CMOS sensor, DIGIC 4 Image Processor, a 3.0-inch Clear View LCD with anti-reflective and scratch-resistant coating, and compatibility with the EOS System of lenses and Speedlites, the EOS Rebel T1i adds remarkable Full HD video capture at resolutions up to 1920 x 1080.

Kerry talks to Jim Divitale about using speciality lenses like the Lensbaby Composer in commercial shoots. Jim talks about how to tell clients about the effects, how to prepare for a shoot, and the comparision between the effect of of a Lensbaby versus a Tlt-Shift and 4×5 View camera.

Studio strobes are expensive and when you need lots of light but when you want to use them on location somewhere you have to find electrical outlets and possibly use long unwieldy extensions cords. But what happens when there is no power available at all? Using a generator is not recommended unless you can find one with a true sine wave inverter and even then, the peak times of the strobes when recycling can put an excessive strain on the generator. Innovatronix has a solution with their Explorer XT portable power source.

Kerry and David discuss some of the cool finds from the PMA 2009 show (see CameraDojo.com for video highlights). The guys also announce the details for the next photo contest that will begin this week called Exciting Lighting, the winner will get a free seat at David Ziser’s Digital Wakeup Call tour. Complete details for the new contest will be posted this coming week.