While the Canon EOS 5D Mark II has been getting all the hype since it’s release. However, the 50D which came out about the same time has been getting virtually zero publicity because of it’s bigger brothers full-frame sensor and video capabilities. So let’s take a good look at the EOS 50D and see if it is really worth an upgrade or if its just a minor refresh of the previous 40D.

I have heard the phrase “I don’t need no stinking light meter” more times than I can count, your LCD display and histogram are all you need for a perfect exposure right? Would you be surprised if I told you that your camera was lying to you? We first need to know why our LCD and histogram is wrong before we can believe that using a light meter will be of benefit.

Canon’s new EOS Rebel T1i is packed with features, both refined and new. In addition to its admirable performance with an all-new 15.1 Megapixel Canon CMOS sensor, DIGIC 4 Image Processor, a 3.0-inch Clear View LCD with anti-reflective and scratch-resistant coating, and compatibility with the EOS System of lenses and Speedlites, the EOS Rebel T1i adds remarkable Full HD video capture at resolutions up to 1920 x 1080.

Based on comments and emails I have received there are still some people that are confused about how the three elements of exposure play together to determine how dark or bright an image is. Today I want you to think of the three elements of exposure as the three points of a triangle each having an equal effect on the final exposure of the image.

Oh Canon 5D Mk II, how doest I love thee, let me count the ways. That could pretty much sum up my impressions of the newest camera from the folks at Canon but it probably doesn’t tell you what you really need to know. I certainly don’t have the testing lab that DPReview or Popular Photography has to tell you all the little specs and test results, but as someone who is shooting all the time, I figured I would get my hands on one and see if it really is all that it is hyped up to be.

As part of our Photography Basics series we talked about Exposure already and this time we are going to cover the mystery of aperture. Aperture is probably the least understood setting of everything on your camera. While shutter settings are very easy to understand, to long of a shutter speed and you will get blurring, pretty simple stuff. Same with ISO, too high of ISO and you introduce digital noise. But learning how to use aperture properly can kill brain cells faster than a frat house kegger party.

MELVILLE, N.Y. (Nov. 30, 2008) – Nikon Inc. today announced the D3X, an FX-format digital SLR featuring extreme 24.5-megapixel resolution and superb low-noise capabilities, which provides professional photographers with commercial-quality image performance in a familiar and extraordinarily versatile D-SLR form factor. In conjunction with the groundbreaking Nikon FX-format D3, the D3X tops off a collection of flagship level, rugged, professional caliber digital single lens reflex cameras engineered to excel in all types of professional photographic disciplines from photojournalism and sideline sports, to commercial in-studio applications.

We are beginning a series we are going to call photography basics to help explore the basics of digital photography. While the focus is on digital photography, all of the concepts will apply whether you are shooting film or digital. In this first installment we are going to look at how to control exposure by manipulating the different settings on the camera such as ISO, Shutter, and Aperture. Upcoming installments will focus on other areas such as depth of field, motion control, and specific shooting scenarios.

Although you may think that no two situations are alike, the fact is that there are quite a few constants that you can rely on to give you a good starting point. The sun is one of these things you can count on to be consistent. Of course there are things that affect the sun’s output like the time of day, haze, fog, and clouds, but on a bright sunny day the light output is very consistent and knowing the camera settings for this condition will give you a guideline to make adjustments. This is where the “sunny 16″ rule comes into play.

Move over Nikon with your piddly 780p D-Movie, Canon attacks back with a consumer grade camera that can do 1080p! The new SX10 IS features a 10 megapixel CMOS sensor, face detection, motion detection, and a plethora of outstanding features.