Articles tagged with: canon
Canon has released firmware Version 1.0.7 for the EOS 50D DSLR. This new firmware incorporates the following changes:
Corrects a phenomenon where captured images may tend to appear somewhat magenta depending on the shooting scene.
If the …
Over the past few weeks Kerry has upgraded from a 30D to a 50D and David upgraded from a 40D to a 5D Mk II. In this episode the guys discuss the new cameras and some of the features that they are really digging about the new gear.
While the Canon EOS 5D Mark II has been getting all the hype since it’s release. However, the 50D which came out about the same time has been getting virtually zero publicity because of it’s bigger brothers full-frame sensor and video capabilities. So let’s take a good look at the EOS 50D and see if it is really worth an upgrade or if its just a minor refresh of the previous 40D.
While the Canon EOS 5D Mark II was a revolution in the fact that it supported full motion, full definition HD video recording, one of the major drawbacks with the video mode was the lack of control over the camera’s settings. Not that the lack of manual control made the video unusable, but for such a high-end camera, photographers wanted more control over the different settings.
South Burlington, VT – Through-the-shoe communications allow PocketWizard radios, with version 4.250 ControlTL firmware, to significantly boost the performance of the High Speed Sync (HSS) feature of Canon Speedlite flashes. This means more light (which equals greater working distance), faster recycling times and more flashes per battery set when shooting in Canon’s HSS/FP Flash mode.
Canon’s new EOS Rebel T1i is packed with features, both refined and new. In addition to its admirable performance with an all-new 15.1 Megapixel Canon CMOS sensor, DIGIC 4 Image Processor, a 3.0-inch Clear View LCD with anti-reflective and scratch-resistant coating, and compatibility with the EOS System of lenses and Speedlites, the EOS Rebel T1i adds remarkable Full HD video capture at resolutions up to 1920 x 1080.
Kerry talks to Jim Divitale about using speciality lenses like the Lensbaby Composer in commercial shoots. Jim talks about how to tell clients about the effects, how to prepare for a shoot, and the comparision between the effect of of a Lensbaby versus a Tlt-Shift and 4×5 View camera.
During a wedding shoot one day I noticed that my flash was only firing occasionally. After the initial panic, I quickly figured out that if I held the flash with a little counter-clockwise tension, then the flash worked fine. At the first break, I tried my backup camera and it was doing the same thing. When I got home, I checked it against my daughter’s 20D and it worked fine, and it also seemed that the hot shoe on my cameras was loose compared to hers.Another symptom of this is that the flash will switch from E-TTL mode into TTL mode and the exposure will usually be very overexposed.
I have always been a proponent of keeping my cameras looking brand new. A big piece of keeping your camera new is protecting the screens. This has been an age-old issue that affects all modern, digital cameras from point and shoots to professional SLRs. With typical protectors seeming overprices at $10 to $15 for a piece of plastic film smaller than the palm of your hand, why would you spend quite a bit more than that for the Giottos Camera Screen Protectors? We needed to try these out and see if they were worth the extra cost.
We kick off PMA 2009 with a little video montage and an interview with Trek-Tech (http://trek-tech.com). PMA is the largest photography trade show in the US and happens once a year. This year the show is in Las Vegas, NV and is quite huge! While you have the big companies like Canon, Nikon, Sony, etc showing their current product lines, you also have tons of smaller companies with innovating products that are looking for distributors or retail stores to carry their products.
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