GoPro Announces Wi-Fi Remote Control and Video Streaming

2x More Powerful in Every Way, The HD HERO2 Democratizes Professional Image Capture and Broadcast with Support for Remote Control and Live Video Streaming from Virtually Anywhere to the Web.

GoPro today announced the release of its new HD HERO2® camera. Twice as powerful as GoPro’s original HD HERO camera, the HD HERO2 enables consumers and professionals to capture and broadcast their lives’ most exciting moments in professional quality 1080p HD video and 11 megapixel photos. The new HD HERO2 is now available at GoPro.com, specialty retailers around the world, and at Best Buy for MSRP $299.99

• 2x Sharper lens
• Megapixels: 11, 8, 5 MP wide (170º) FOV, medium (127º) FOV, narrow (90º) FOV
• 10 photos in 1 sec
• TimeLapse every 0.5, 1, 2, 10, 30,60
• LED Lights: 4 (on all sides)
• Inputs: Mini-HDMI port, Composite port, USB, SD, HERO port, 3.5mm External Stereo Mic port

WiFi BacPac

New LCD
Ok, its got a higher resolution display, nothing to complain about here, I couldn’t care less about an articulated screen even though it potentially could come in handy in some situations. For the improvements in the screen I will go ahead and mark this down as a nice improvement.

New Multi-Dial Control
Canon, in their infinite wisdom, has decided that we need to hold our cameras differently now. After five generations of bodies having the exact same back layout they are going to change it and screw us all up for a while while we have to retrain years of muscle memory and knowing exactly where our controls are. Changes like this are ok in the lower end consumer camera, I am calling this one a fail.

On-The-Go-Image-Resizing
For wedding photographers that try to get a slideshow up and running at a reception from shots taken at the ceremony, this is pretty cool. Otherwise why do I need my camera doing my work for me? Then again, I only shoot in RAW anyway. Calling this one a wash unless you have a specific need for it.

Stupid Camera Tricks
In comes the Point & Shoot effects, soft focus, B&W, Toy Camera, Miniature….yawn…I can do that on my camera phone, I don’t need to do that in my DSLR. Fail.

Video
Yes, the 60D can do HD video. No surprise here, all new DSLR’s can do this. Not a win because it’s expected in any camera now. For older camera owners this may be a small win for you if you want to shoot some manual focus video.

Speedlite Command Mode
First seen on the 7D, the 60D can now control remote speedlites. Although this feature is somewhat limited compared to actually placing a 580EX II on top of your camera, it is still a win for the 60D.

Electronic Level Display
Have trouble getting a level image? The Electronic Level display shows you in the camera if you shot is level or not. I have wanted this feature since it was introduced in the 7D.

With a price point of $1,099, the 60D sure seems like a great deal, I just can’t wrap my head around whether its any better to get the 60D versus the 7D or maybe even wait to see if there will be a 5D Mk II replacement soon. The 60D sure has some interesting features but also changes some things around that some people may not appreciate.

Here’s Canon’s current consumer dSLR lineup, plus the 50D, for comparison:

Below is the complete press release:

Canon’s New EOS 60D Digital SLR Camera Unleashes The Creative Potential Of Digital Photography And EOS Full HD Video With New In-Camera Imaging Features

New EOS 60D Offers a Vari-Angle LCD Screen, EOS Full HD Video Recording, In-Camera RAW Processing and Creative Filters and 18-Megapixel Resolution Among Class-Leading Specs

LAKE SUCCESS, N.Y., August 26, 2010 – High-quality digital capture and skillful post-processing go hand-in-hand for superior end results, and more control over in-camera image processing means less time editing and more time shooting. At the same time, the overwhelming popularity of Full HD video recording with other current EOS Digital SLRs has led to customer requests for more advanced features such as manual audio level control and flexible LCD screens. Canon U.S.A., Inc., a leader in digital imaging, delivers all of these features and more with the new EOS 60D Digital SLR Camera. For the first time on an EOS camera, the EOS 60D DSLR boasts a three-inch Vari-Angle Clear View LCD screen, EOS Full HD video recording with manual overrides including audio level control, and in-camera functionality for RAW image processing plus Creative Filters to manipulate images after taking them. Designed primarily for advanced amateurs, the EOS 60D replaces the EOS 50D and boasts a broad array of new features that make it easier for photographers to add personal creativity to their images. Whether it’s capturing an overhead shot on the Vari-Angle screen at a graduation ceremony, or converting a color image to black and white for a nostalgic look, Canon is delivering in-camera features and functions that empower advanced photographers to capture, display and print the images they want.

“The EOS 60D has been designed to offer the image-capture and the Full HD video features customers are looking for as they continue to expand their photographic skills. The exciting new features of the EOS 60D make using a DSLR camera more attractive and easier than ever before. We want everyone to experience the great image quality a Canon DSLR can offer with features and functions that they will appreciate and use,” stated Yuichi Ishizuka, executive vice president and general manager, Consumer Imaging Group, Canon U.S.A.

For the first time in the history of the Canon EOS System, the new 60D camera features a large Vari-Angle 3-inch Clear View LCD screen with 1,040,000 dot/VGA resolution plus anti-reflective and smudge-resistant coatings for bright clear viewing from any angle. The new LCD screen is ideal for composing low-angle or overhead shots whether capturing still images or Full HD video clips.

Another first for the EOS system is the EOS 60D camera’s new Multi-Control Dial, which places a Multi-Controller and Set button inside the Quick Control Dial. This new control layout streamlines camera navigation for vertical as well as horizontal shooting and enables a cleaner camera design. Responding to customer requests, the EOS 60D also features a locking mode dial, which makes camera operation more secure by preventing inadvertent changes to the photographer’s selected shooting mode.

While the photography mantra of “get it right in the camera” still stands true, Canon’s new EOS 60D gives advanced photographers an edge with new in-camera features that enable users to enhance their images without a computer even after they have been shot. For the first time ever in an EOS camera, the EOS 60D features in-camera processing of RAW image files, new reduced resolution image copies, and post-processing creative image filters for exceptional flexibility in digital image rendering.

• In-camera RAW image processing features include Picture Style, White Balance (WB), Color Space, High-ISO Noise Reduction, Peripheral Illumination Correction, linear distortion correction and chromatic aberration correction. These powerful in-camera editing tools will allow photographers in the field to produce optimized images on the spot and generate JPEG files at various resolution and compression settings for immediate sharing, without affecting the original RAW data.
• Another great new feature for photographers-on-the-go is Canon’s new image resizing function. After capturing full resolution or smaller JPEG images, the camera can generate lower-resolution copies using menu commands. New lower-resolution settings include 1920 x 1280 for optimal display on HD televisions, or 720 x 480, ideal for immediate uploading to social networking and other photo sharing web sites. The original high resolution files remain unaffected by the image resizing function.
• Available for the first time in an EOS camera are Canon’s new creative image filters. Familiar to Canon PowerShot users, these fun photo effects help make a great image more dynamic, even after it has been shot. Canon provides four artistic filters that allow photographers to capture an image and then create and manipulate a digital copy of it.
• The Soft Focus effect filter helps dramatize an image and smooth over shiny reflections.
• The Grainy Black and White filter can give a different nostalgic perspective to any shot.
• Canon’s “Toy Camera” filter deliberately adds vignetting and color shift for a creative option when shooting a colorful scene.
• Users can also make a scene appear like a small-scale model, simulating the look from a tilt-shift lens, with Canon’s Miniature Effect filter, great when shooting any scene from a high vantage point.

Each of these filters can be applied to a captured still image in-camera to create a second “filtered” JPEG version, leaving the original RAW or JPEG file unaffected.

Another addition to the camera’s Live View function is Canon’s new Aspect Ratio feature whereby the Live View screen can display cropping lines for 1:1, 16:9 or 4:3 aspect ratios in addition to the standard 3:2 ratio. These cropping lines make it easier to compose images in Live View, and they can help to expedite printing when using Canon’s supplied Digital Photo Professional software. Custom aspect ratios are also applied to JPEG images whether captured directly in-camera or created with the EOS 60D’s in-camera RAW image processing function.

In addition to its new still capture capabilities, the EOS 60D features Full HD video capture at 1920 x 1080 resolution with selectable frame rates of 24p, 25p or 30p. Native 24p recording helps videographers achieve a more cinema-style look for their footage without the need for post-processing. The EOS 60D builds upon the great video capabilities Canon has introduced in recent DSLR cameras and packs them into a camera photo enthusiasts will love. Full HD video capture, along with selectable cinematic frame rates for both NTSC (National Television System Committee) and PAL (Phase Altering Line) standards, will help the EOS 60D to be the camera of choice among film students and photography students alike.

The new EOS 60D camera’s movie mode also includes manual controls for exposure as well as manual audio levels in 64 steps, much like the latest firmware update for the EOS 5D Mark II HD-SLR. Users can set audio levels on the rear menu screen before shooting begins; once recording is initialized, audio adjustments are not possible. In addition, Canon has added an electronic Wind Filter to the audio controls within the movie shooting menu.

Canon has also included an in-camera movie editing feature, allowing users to shorten a video file by clipping segments from the beginning or the end, removing unwanted portions without outside software. This feature can dramatically accelerate workflow by reducing the time needed to upload video clips to a computer for further editing and assembly. The EOS 60D also includes Canon’s Movie Crop mode, which allows users to achieve 7x magnification when shooting SD video. Unlike the digital zoom feature found in many compact digital cameras, Canon’s Movie Crop mode crops the image directly from the CMOS sensor at full SD resolution to preserve image quality and still provide additional telephoto power.

Providing access to the right lens for any given shooting scenario, the EOS 60D DSLR camera is compatible with more than 60 Canon EF and EF-S lenses. The EOS 60D DSLR’s video functions are supported by two key proprietary Canon technologies, a DIGIC 4 Imaging Processor and a large APS-C-sized CMOS sensor capturing fine detail and color with an amazing cinematic depth of field. The Canon EOS 60D allows for three video recording modes – Full HD and HD in a 16:9 aspect ratio and Standard Definition (SD) in a 4:3 aspect ratio, all at selectable frame rates. The EOS 60D Digital SLR camera will record Full HD at 1920 x 1080 pixels in selectable frame rates of 24p (23.976), 25p, or 30p (29.97); 720p HD recording at 50p or 60p (59.94) and SD video at frame rates of 50p or 60p (59.94). The EOS 60D features a dedicated button to initiate live view for both video and still shooting. Once engaged, the same dedicated button will start and stop video recording.

Along with the adjustable LCD screen, the new EOS 60D DSLR features a class-leading 18-megapixel Canon CMOS sensor, a proprietary DIGIC 4 Imaging Processor, a 9-point Autofocus system and Canon’s exclusive iFCL Metering System (Intelligent Focus, Color, Luminance) giving it the power of a professional-level camera. Capable of capturing fast action, the 60D DSLR can shoot full resolution still images up to 5.3-frames per second (fps). The EOS 60D records its images and video clips to the photographer’s choice of SD, SDHC or new extended capacity SDXC memory cards.

The 9-point AF system on the new EOS 60D features f/5.6-sensitive cross-type focusing on all nine focusing points. Like the EOS 7D, the center AF point is a hybrid of standard cross-type and special diagonally-shaped “X” cross, with high-precision sensitivity for f/2.8 and larger aperture lenses. Complementing the AF system, Canon’s iFCL metering system, identical to that on the EOS 7D and Rebel T2i, takes color information into account and includes a 63-zone dual-layer metering sensor that reads both illumination and color for consistent results in all lighting conditions, keeping exposure levels stable from shot to shot, even as the light source changes.

Photographers will enjoy shooting in low light thanks to the EOS 60D DSLR’s wide ISO range from 100-6400 (adjustable in 1/3-step increments from ISO 100-6400 and expandable to 12,800) allowing it to capture beautiful images without flash during family milestone events such as wedding ceremonies, while still being equipped with a built-in pop-up flash for shooting the cake cutting ceremony and reception. The EOS 60D’s pop-up flash features a built-in Integrated Speedlite Transmitter for control of up to two groups of off-camera EOS Speedlites without the need for an external transmitter, providing an economical solution for multi-flash shoots.

Making accurate composition more convenient, the EOS 60D’s optical viewfinder provides 96 percent coverage along with Canon’s built-in single axis Electronic Level Display, which utilizes the exposure level scale below the picture area to let the photographer know when the camera is level. The Electronic Level Display is also visible on the camera’s LCD screen in both Live View and Movie modes. An artificial horizon display illustrates horizontal roll, allowing the photographer to know when the camera is in a fixed level position. The entire camera has been durability-tested to 100,000 exposures making the EOS 60D a reliable as well as a powerful imaging tool.

The Canon EOS 60D Digital SLR camera is scheduled to be delivered to U.S. dealers toward the end of September, and will be sold in a body-only configuration at an estimated retail price of $1,099.00ⁱ. It will also be offered in a kit version with Canon’s EF-S 18-135mm f/3.5-5.6 IS USM zoom lens at an estimated retail price of $1,399.00ⁱⁱ. The Canon BG-E9 battery grip is scheduled to be available toward the end of September and sell at an estimated retail price of $270.00ⁱⁱⁱ.

Canon U.S.A., Inc., is a leading provider of consumer, business-to-business, and industrial digital imaging solutions. Its parent company, Canon Inc. (NYSE:CAJ), a top patent holder of technology, ranked fourth overall in the U.S. in 2009†, with global revenues of US $35 billion, is listed as number six in the computer industry on Fortune Magazine’s World’s Most Admired Companies 2010 list, and is on the 2009 BusinessWeek list of “100 Best Global Brands.” Canon U.S.A. is committed to the highest levels of customer satisfaction and loyalty, providing 100 percent U.S.-based consumer service and support for all of the products it distributes. At Canon, we care because caring is essential to living together in harmony. Founded upon a corporate philosophy of Kyosei – “all people, regardless of race, religion or culture, harmoniously living and working together into the future” – Canon U.S.A. supports a number of social, youth, educational and other programs, including environmental and recycling initiatives. Additional information about these programs can be found at www.usa.canon.com/kyosei. To keep apprised of the latest news from Canon U.S.A., sign up for the Company’s RSS news feed by visiting www.usa.canon.com/rss.

† Based on weekly patent counts issued by United States Patent and Trademark Office.

All referenced product names, and other marks, are trademarks of their respective owners.

Availability, prices, and specifications of all products are subject to change without notice. Actual prices are set by individual dealers and may vary.

ⁱ Pricing subject to change at any time. Actual prices are determined by individual dealers and may vary.

ⁱⁱ Pricing subject to change at any time. Actual prices are determined by individual dealers and may vary.

ⁱⁱⁱ Pricing subject to change at any time. Actual prices are determined by individual dealers and may vary.

• Content Aware Fill/Healing
• Merge to HDR Pro
• Noise Reduction Improvements
• Refine Edges Improvements
• Puppet Warp
• Lens Correction Improvements
• Brush Engine Enhancements
• Mini Bridge

Bryan also mentions some major enhancements to the sharpening tool which hasn’t been mentioned anywhere else before.

Call in to leave a question for future shows at (888) 436-8647

Show Host

Kerry Garrison

http://kerrygarrison.com Twitter Facebook FriendFeed

This podcast is also available on iTunes.

• Apple’s iPad – http://apple.com
• New Drobo FS – http://drobo.com
• Zosh.com – http://zosh.com
• OpSound.org – http://opsound.org
• Lightroom 2.7 – http://adobe.com
• Lightroom 3.0 Beta 2 – http://labs.adobe.com
• Adobe CS5 Launch – http://adobe.com
• Selecting a Printer and much more!

Call in to leave a question for future shows at (888) 436-8647

Show Host

Kerry Garrison
http://kerrygarrison.com Twitter Facebook FriendFeed

This podcast is also available on iTunes.

There are many cool features to talk about here.  Let’s look at them one at a time. The first and most obvious of new features is the display on the front of the drive.  This is called the “Smart display custom e-label”, and it is a very cool new feature.  Those who are familiar with the newest line of My Book Elite 1TB, 1.5TB & 2TB and My Book Studio 1TB, 1.5TB & 2TB recently introduced for the desktop will be familiar with this new feature.  It allows you to both label the drive with a 12 character description and to monitor the status of the drive, including available space and security status… even when the drive is unplugged!  And this label lasts for up to 6 months without plugging the drive in.  The next time you plug it in, it recharges itself for up to another 6 months.  With the price of drives these days, I find that I often store client projects on a drive on a shelf for 6 months, a year, sometimes more.  With the e-label system, it is easy to see which projects you are storing.  And the WD SmartWare software that is included makes changing the label (among other things) really simple.

The next feature to discuss is interface/connectivity.  This drive is the Mac drive for a couple of reasons… most importantly being the connection options.  This drive has the option of both USB 2.0 and Firewire 800 connections directly on the drive, and Firewire 400 adapter to connect to machines without Firewire 800 connections.  This gives you just about every possible connection you could need to get to your data.  The included cables are short (15″ or less), but that is all that is needed to connect to your MacBook.

Security is the next great feature, and it ties right into the software that comes with the drive.  The WD SmartWare software mounts to the desktop the first time you connect to the drive.  Setup is easy through this very well designed application.  You can set up the drive, the label, the security and even backup options through this software.  Once you assign a password to the drive, the password is required every time you plug the drive into a Mac.  This is a great option and makes you feel good knowing that if someone acquires your drive, they will not be able to get to your data.

This screen shows the settings options for the drive.  As you can see, you simply type the label in, choose a normal or inverted display, and save the label settings.  From here, you can choose other options to set up including sleep timer, diagnostics, virtual CD and other options.  The software is clean and easy to understand.

The WD SmartWare software has built in backup software.  It analyzes your drives(s) and allows you to select which folders you wish to back up and restore.  The design is very graphical and seems very easy to grasp and understand.  With the limited time we have had this drive, there has not been the time needed to dig into the use of this application.  But we do intend to look more at it at a future date.

The next feature to talk about is performance.  We wanted to get a feel of just how fast this drive is for backup and use.  We did some basic speed tests around the FireWire 800 and USB connectors, and we compared it to another commercial, portable USB drive that we commonly use.  It was a simple test where we drug a folder full of 450 different 20 to 40MB RAW photos to the drives and tested the performance.  This folder was 11GB in size, and should represent a typical copy that photographers would go through in backing up their data.  The results were good and about as we would expect.

The testing was not “milspec” or overly thorough, but very real world.  We took this new WD My Passport 640GB drive and tested both of it’s connectors and then tested a year old 120GB external drive that has served us very well over the past year.  This is about as real world as we can get in this amount of time.  Yea, yea, not a fair comparison to an older drive, etc., but the numbers are still true and comparable.  And beyond these numbers, I think we are chasing too small of details.

The WD My Passport Studio drive is small, but large in storage.  It is versatile and comes with great software.  It has features offered on no other drives available today (e-label).  It comes with a 3 year warranty backed by one of the largest and most reputable drive manufacturers on the market today.  What else could you want in a drive to trust your valuable photos and video?

Available March 1st, 2010 at retail stores like Best Buy, and click the links here to see reviews of this product and purchase the 320GB, 500GB or 640GB My Passport Studio.

Score Card (scale of 1 to 5)

You can visit Western Digital’s website here.

Kerry and Jules also announce their upcoming workshop on Jan 26th. For more information on the Light, Location, and Love workshop, please check out:
http://cameradojo.com/2009/12/09/light-location-love-workshop-with-jules-bianchi-and-kerry-garrison/

Be sure and check out Jules’ website at http://julescafe.com.

Don’t forget about our CameraDojo MediaSmart Server Giveaway

Show Host

Kerry Garrison
http://kerrygarrison.com Twitter Facebook FriendFeed

This podcast is also available on iTunes.

Learn to Love Lighting no matter what the situation. From formal lighting in a controlled setting to on-the-fly lighting at a wedding or on location, after this workshop you’ll know how to get the shot!

Part 1: Love Lighting Lecture

Kerry will show you the most common portrait lighting methods to achieve classic portraiture styles. You’ll learn broad lighting, short lighting, loop lighting, butterfly lighting, as well as techniques for dealing with various lighting difficulties.

Jules Bianchi has been shooting weddings for over 10 years and knows about getting the shot in any situation. In an fun and informative style, Jules will show you how to keep your cool, grab your camera, and get the shot no matter what the lighting situation. She’ll show you how to work with your clients, put them at ease, and get those natural, unposed shots she is famous for.

Part 2: Love Location & Lighting

Jules will show you how she works her magic with an entire group to get fantastic images. Follow along as Jules addresses the technical issues of lighting, but also how to help her subjects loosen up, look natural and have fun in the process! Kerry will demonstrate the techniques of formal portrait lighting using his Westcott speed lights. Take all the information you learned from the morning and put it into action! You don’t want to miss this part of the workshop!

Workshop Schedule:

Choose your own adventure! You can choose Part One, Part Two, or both!

Part 1: Lighting lecture in the classroom – $99
Part 2: Live model shoot – both indoors and out with an entire bridal party! – $99

SPECIAL! Choose BOTH part 1 & 2 and pay only $149! This is a limited offer, so sign up now!

When: Tuesday, January 26, 2010
Part 1: Noon to 4pm
Vendor Reception: 4-6pm
Part 2: 6-9pm

To sign up for the workshop, please click here

The Canon EOS 500D (Digital Rebel T1i) and the Nikon D5000, two recently-released flagship products, are supported in combination with numerous lenses. The Sony Alpha range is now fully covered, with the addition of the A200 and A300 models. From Pentax, the K-m and K200 are now covered – by popular demand! And because DxO Optics Pro is especially suitable for correcting the images from the powerful zooms fitted to bridge cameras, DxO Labs is adding support for the Fuji S100fs, a highly-regarded model in that particular range.

DxO Labs regularly updates the range of cameras and lenses covered so there’ll be a version of DxO Optics Pro to match your needs, so you’ll be able to correct and enhance every one of your photos – simply and automatically.Take your shots with no constraints – then correct them with just one click!

See the official update page at DxO Labs (link).

The E-P1 is a 12.3 megapixel camera with interchangeable lenses based on the new Micro Four Thirds format. Unlike most DSLR’s with Live View, the Live View system on the E-P1 has a fully functional Autofocus system.

The E-P1 uses a body-based image stabilization system which moves the sensor to compensate for movement versus lens-based systems like most other DSLR’s. This means that any lens you put on the system will take advantage of image stabilization.

E-P1 Features

• Live View Autofocus

  With the seamless precision and simplicity of a point-and-shoot, the E-P1’s Live View Autofocus system displays the images to be shot in complete focus on the camera’s bright LCD the moment the shutter button is pressed half way down.

• Multiple Exposure

  Multiple Exposure makes heightened creativity an easily-obtained objective. Two frames can be combined, and portions of one can be combined with those of another in any of the shooting modes. Images can be combined in playback mode or directly on the LCD through the use of the new TruePic V Image Processor.

• Micro Four Thirds Mount

  The Micro Four Thirds Mount on the E-P1 provides many key benefits, including the effectiveness of a digitally designed image sensor, an ultra-compact design, and expandability and compatibility with all Micro Four Thirds Lenses and Four Thirds System Lens via the MMF-1 Adapter.

• Art Filters

  A series of six built-in Art Filters for replicating countless striking and dramatic effects can be easily activated for both still and video imaging. The innovative Art Filters include Pop Art, Soft Focus, Pale & Light Color, Light Tone, Grainy Film and Pin Hole.

• 12.3 megapixel

  The E-P1’s powerful 12.3 megapixel Live-MOS sensor packs a powerful high-quality imaging punch for such a compact camera, allowing you to capture more detail than ever before.

• TruePic V Image Processor

  In addition to more detail, the image sensor, combined with the next-generation TruePic V Image Processor, delivers excellent dynamic range, accurate color fidelity and reduced noise, all the way up to 6400 ISO.

• In-body Image Stabilization

  The camera’s In-body Image Stabilization system compensates for up to 4 shutter speed steps with any of the system’s interchangeable lenses.

• Mechanical Image Stabilization

  Mechanical Image Stabilization automatically compensates for camera shake in low-light situations or when using a telephoto lens.

• Electronic Image Stabilization

  Electronic Image Stabilization compensates for camera shake while shooting in the movie mode.

• MF Assist

  For accurate manual focusing, MF Assist can be enabled during S-AF + MF operation. With it you can zoom in on the central part of the image by up to five times by turning the focus ring.

• Perfect Shot Preview

  With Perfect Shot Preview, you can preview and select various photographic effects before you take the shot.

• Digital Leveler

  The camera’s Digital Leveler function is a highly functional and practical feature for such specialized requirements as architectural photography and other similar needs.

• Dust Reduction System

  A Dust Reduction System assures spot-free images. Every time you turn on the camera, the patented Supersonic Wave Filter silently vibrates, flinging and collecting dust so that it cannot interfere with the picture imaging at any time.

• 19 automatic scene modes

  There are 19 automatic scene modes available, including Night-Scenes, Portraits and Landscapes. Edits can be made in the camera after the pictures are shot using the handy ePortrait Mode.

• ePortrait

  The ePortrait mode is also useful for smoothing out the facial features of your subjects, which is a tremendous plus for High Definition playback.

• Face Detection

  A Face Detection function reduces the chance of blurry faces when shooting groups of people—up to eight subjects at once—even if they’re moving while you’re pressing the shutter button.

• Shadow Adjustment Technology

  Shadow Adjustment Technology corrects for extreme light variations with high-tech efficiency. It can also be used in post-editing.

• Aspect Ratios

  The E-P1 lets you select one of four Aspect Ratios (4:3, 3.2, 16.9 and 6.6) that help frame your images to whatever proportions you’d like, for everything from conventional enlargements to viewing on widescreen monitors.

• iAuto

  iAuto identifies your shooting intent (such as macro or action photography) and instantly adjusts the camera settings to achieve the best results.

• Slideshows

  Slideshows have never been easier or more fun to create. The E-P1’s enhanced playback functions allow you to employ effective fade-in/fade-out techniques, add captivating musical soundtracks, and much more.

• ultra-compact body

  The E-P1 is the definition of state-of-the-art optical engineering in an ultra-compact body. It weighs just 11.8 ounces and measures just 4.75” (W) x 2.75” (H) x 1.43 (D), giving it the facility to slip into pockets or purses and to take with you anywhere.

• M. ZUIKO lenses

  The accompanying Olympus M. ZUIKO lenses are small, lightweight, powerful and precision engineered.

• Four Thirds System Lens Adapter

  Other Four Thirds Format lenses can also be used on the E-P1 with an available MMF-1 Four Thirds System Lens Adapter, including extreme wide-angle fisheye and super-telephoto lenses. This further increases your range of creative options.

• sound recording

  The sound recording function of the E-P1 helps you capture all the nuances of any sounds being recorded. The system is capable of recording and playing back WAV files, and of adding the most professional-sounding narration to digital slide shows.

• background music

  There are also five separate background music files to choose from that you can add to your still images or video productions.

• SDHC media cards

  The E-P1 is capable of recording video to SDHC media cards to accommodate large files. (SDHC Class 6 cards are recommended.) Videos, stills and high-fidelity audio can also be output via HDMI cable-direct to any HD television.

• Full manual control

  Full manual control for all programs and functions, including Aperture and Shutter Speed Priority, is at your fingertips whenever it is needed or preferred. Full automatic control is also a button-press away.

• Live Control

  Live Control, an advanced camera management system, allows you to see the image being shot and the camera’s controls all at once, on the bright, colorful, high definition 3-inch HyperCrystal LCD. HyperCrystal LCDs offer many times the contrast of conventional LCD monitors, and also provide a wide viewing angle of 176º.

Summary

At prices starting at $899 with a lens, the E-P1 is certainly more costly than the best point and shoots but with interchangeable lenses and great features and image quality, it may well become the walk-around camera for Pros and high-end consumers.

For more information, go check out the Olympus E-P1 product page at:

http://www.olympusamerica.com/cpg_section/product.asp?product=1461&page=overview#/product-views

Portland, OR – May 26, 2009- onOne Software, Inc., a leading developer of time-saving software solutions for professional and advanced amateur photographers, today announced a free, Lite version of PhotoTools 2 Standard Edtion. PhotoTools 2 Standard Edition is a flexible yet powerful plug-in for Adobe^® Photoshop^® CS2, CS3 and CS4 that utilizes the power of Photoshop Actions to provide a range of imaging tools including effects, corrections and production automation in a full-featured interface.

Based on the exact same feature set as PhotoTools 2 Standard Edition, PhotoTools 2 Lite includes 14 of the most popular effects found in both PhotoTools 2 Standard Edition and PhotoTools 2 Professional Edition.  The 14 effects available in PhotoTools 2 Lite range from reproducing classic photographic effects like Bleach Bypass and Cross Process, to reproducing film stock such as Kodachrome® and Velvia®, to modern effects including automatic skin smoothing.

“We are excited to offer this free version of PhotoTools 2 as a way for new users to experience the product’s elegant workflow and effects,” said Craig Keudell, president of onOne Software. “PhotoTools 2 Lite is a way for onOne to give back to the photographic community and allow everyone to easily add a professional look to their photographs.”

Availability and Pricing

PhotoTools 2 Lite is offered at no cost and is only available as an electronic download direct from onOne Software.  To receive the product, users should visit www.ononesoftware.com/pt2lite and request a free download with a valid email address.  For users who wish to access the full database of effects that come with the Standard or Professional Editions of PhotoTools 2, they will need to purchase a copy of the Standard or Professional Edition. PhotoTools 2 Professional and Standard editions are available for $259.95 and $159.95 respectively and may be ordered immediately from onOne Software at www.ononesoftware.com

About onOne Software

onOne Software, Inc. is a leading developer of time-saving software solutions for professional and advanced amateur photographers. Our products allow photographers to spend more time behind the camera and less time behind the computer screen. They include a wide range of easy-to-use plug-in enhancements for Adobe^® Photoshop^®, Photoshop Elements, Photoshop Lightroom^®, Apple Aperture and now the iPhone. Founded in 2005, onOne Software, Inc. is a privately held company located in Portland, Oregon.

Company Contact: Mike Wong, onOne Software, mwong@ononesoftware.com, 503-968-1468 x 121 or Megan Banman, mbanman@ononesoftware.com, 503-968-1468 x132

General press inquiries: press@ononesoftware.com
Online press center: http://www.ononesoftware.com/press/
onOne Software blog: http://www.ononesoftware.com/blog
onOne Exchange: http://www.ononeexchange.com

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© 2009 onOne Software. All rights reserved. onOne Software and the onOne Software logo are registered trademarks in the United States, and all are the property of onOne Software. All other trademarks are property of their respective owners.

So, what can you do with these? Here are some images from some of our beta testers:

Photo courtesy of Sipper Photography

Photo courtesy of Sipper Photography

Photo Courtesy of Black Diamond Productions

Photo Courtesy of Black Diamond Productions

To order these or other Lightroom presets, check out our Dojo Tools page (link).

Canon’s new EOS Rebel T1i is packed with features, both refined and new. In addition to its admirable performance with an all-new 15.1 Megapixel Canon CMOS sensor, DIGIC 4 Image Processor, a 3.0-inch Clear View LCD with anti-reflective and scratch-resistant coating, and compatibility with the EOS System of lenses and Speedlites, the EOS Rebel T1i adds remarkable Full HD video capture at resolutions up to 1920 x 1080. An HDMI port allows for quick connections to high definition TVs and monitors for easy viewing of your stills and video. The entire operation is simple and easy even if you are a beginner. You’ll have uncompromised EOS Digital performance with power and flexibility right in the palm of your hand.

• New 15.1 Megapixel CMOS sensor with DIGIC 4 Image Processor for faster processing of fine detail and natural color reproduction, 14-bit A/D conversion for smooth color tones and gradations.
• Full HD video capture at 1920 x 1080 resolution with HDMI output for HD viewing of stills and video.
• Live View Function for stills (Quick, Live and Face Detection AF modes) and video.
• 3.0-inch Clear View LCD (920,000 dots/VGA) monitor with anti-reflective and scratch-resistant coatings for improved viewing and smudge protection.
• Auto Lighting Optimizer for superior highlight-shadow control.
• Wide range ISO setting 100-3200 (ISO expansion: 6400, 12800).
• Creative Auto goes a step beyond auto allowing control over frequently-changed settings.
• Compatible with over 60 Canon EF/EF-S lenses and most EOS System accessories.

Suggested Retail Price: $899.99

Website: http://www.usa.canon.com

Top Ten Contest Entries

Nashville Train Station (link)
The Link (link)
Millenium Bridge (link)
Nicholson Viaduct (link)
The Road Goes on Forever (link)
Gothic Walkway (link)
Quase Infinito (link)
Golden Beach Dock (link)
DC Metro (link)
Her first day on the job (link)

And the winner is……

LShadrack's The Link

LShadrack’s entry, The Link is our contest winner. This killer shot of a bridge in Kansas City played well with the theme of the contest, nailed the symetry of structure, was exposed well, and made for an excellent image. Congrats!

Show Hosts

Kerry Garrison (http://kerrygarrison.com)
David Esquire (http://esquirephotography.com)

This podcast is also available on iTunes.

Las Vegas, NV (March 2, 2009) DigitalFocus 2009 – ExposureManager (www.exposuremanager.com), a customizable full-service online sales resource for photographers, announces a new Premium Subscription service created to help increase print and merchandise sales for photographers. ExposureManager’s behind-the-scenes marketing support provides a convenient e-commerce solution for busy photographers through every step from order placement to print production and shipping of the final product.

“Traditionally, photographers interested in selling their work online were required to have a separate website in addition to their online gallery service. Now they can use ExposureManager for their entire Web presence. This will let photographers spend their time more profitably behind the camera,” said Donovan Janus, CEO of ExposureManager. “Our new premium subscription allows our users to have an individually branded homepage, a portfolio page, pricing page and more as well as advanced e-mail marketing tools.”

With ExposureManager’s new premium subscription, photographers now have the tools they need to convert potential customers into actual customers. Starting in March, photographers will be able to:

• see the favorites and shopping cart contents of their customers

• easily send e-mail blasts to customers based on a variety of filters

• schedule automated e-mail reminders for customers who selected favorites or cart contents but who have not purchased yet

• send out automated thank you e-mails after orders have been shipped and received

• With any e-mail that gets sent out, photographers can provide a unique coupon code to further encourage their customers to return for additional purchases

  The monthly price to subscribe to ExposureManager’s premium package is $24.99 and the yearly price is $249.99. And if current subscribers upgrade to the yearly account in January, they will receive $150 worth of free print processing.

About ExposureManager

Headquartered in Torrance, California, ExposureManager was established in 2004 by Donovan Janus and Rhesa Rozendaal. ExposureManager is a full-service online sales resource that makes it easy for photographers to sell their images via their online galleries/storefronts and then fulfill those orders with their in-house processing lab. ExposureManager deducts a nominal commission as its fee from the retail price of each sale. That commission covers credit card processing fees. ExposureManager then sends a check to the account holder at the beginning of each month. For more information visit www.exposuremanager.com .

Unlike traditional tripods, Alta Pro’s Multi-Angle Central Column (MACC) System allows users to move the central column as needed from zero to 130-degree angles in variable vertical and horizontal positions. This allows more angle possibilities than any tripod on the market but its solid design maintains its stability.

Its Instant Swivel Stop-n-Lock (ISSL) System feature allows photographers to securely reposition the central column in one simple movement, in just a few seconds, with maintaining the tripod’s stability. Designed to support an array of camera types including DSLR and video cameras, camera setup is quick and easy.Alta Pro’s design also enables macro photography and special wide-angle shots with additional attachments that can be mounted to either end of the central column. Alta Pro is one of many new-for-2009 products introduced by VANGUARD at PMA 09, including :

• SBH ball heads – A lightweight line of stable magnesium alloy-constructed ball heads with tilting and ultra smooth movement, designed to support heavy equipment
• Kenline i-Pro bags – With three patents and lots of why-didn’t-I-think-of-that features, this line of soft-sided photo-video bags was designed for professional and amateur photographers by photographers
• Pampas bags – Line of durable and convenient sling-style, soft-sided camera and accessories bags for on-the-go photography
• Endeavor, Spirit, and Sereno binoculars – Industry-leading protective coatings, enhanced durability and special features are uniquely designed for an array of professionals

Alta Pro Multi Angle

Kenline Bags

Source: Vanguard USA

Enter to win a copy of Adobe Photoshop Lightoom! Go to the Lightroom product page and find the six word tagline and fill in the blanks:

Simplify photography from _______ to _____

Send your entry to contest@cameradojo.com with the subject: Lightroom Contest, in the body of the email have the completed tagline, your name, and twitter name if you use twitter. The winner will be drawn and announced (via twitter) on March 20th.

Here are the links mentioned in the show:

Lightroom Journal (http://blogs.adobe.com/lightroomjournal)
John Nack’s Blog (http://blogs.adobe.com/jnack/)
Lightroom Suggestion form (http://www.adobe.com/cfusion/mmform/index.cfm?name=wishform)
Dear Adobe (http://dearadobe.com)

Show Hosts

Kerry Garrison (http://kerrygarrison.com)
David Esquire (http://esquirephotography.com)

You can listen to this podcast now using our player widget in the right hand sidebar

This podcast is also available on iTunes.

Also announced is the smc PENTAX DA 15mm F4 ED AL Limited ultra wide-angle lens for PENTAX Digital SLR Cameras.  This latest model in PENTAX’s acclaimed Limited Lens series inherits all the attributes of this renowned product line including high quality image reproduction and high grade aluminum lens barrel finish, while providing users with a unique ultra wide-angle perspective. The lens will ship in April 2009 for $649.95 USD, while the PENTAX X70 will ship in April 2009 for $399.95 USD.

These PENTAX products will be displayed at PMA – The Worldwide Community of Imaging Associations Trade Show from March 3-5, 2009 in Las Vegas. More information is available here: www.pentaximaging.com and product images are available here: http://www.pentaximaging.com/press/pressfiles.html.

PENTAX Imaging Company is an innovative leader in the production of digital SLR and compact cameras, lenses, flash units, binoculars, scopes, and eyepieces.  For almost 90 years, PENTAX has developed durable, reliable products that meet the needs of consumers and businesses.  With headquarters in Golden, Colorado, PENTAX Imaging Company is a division of Hoya Corporation.

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PENTAX X70 FACT SHEET

Versatile 24X optical Megazoom lens accommodates a range of subjects

Within a compact, lightweight body, the X70 features a high magnification optical 24X zoom lens offering a focal-length coverage between a wide-angle 26mm to a super telephoto 624mm (in the 35mm format). This is ideal for wide-angle scenic shots or group photos, as well as getting closer to the action at a sporting event.  Coupled with the Intelligent Zoom function, the X70 zoom range may be extended to approximately 150 times (for a focal length of an astonishing approximately 3900mm in the 35mm format) without compromising the optical performance of the zoom lens.

High image quality

With 12.0 megapixels, a high-performance imaging engine, and the high quality PENTAX Megazoom lens, the X70 delivers super clear, high quality images in any shooting mode. Images at 12.0 megapixels are also suitable for printing at most large print sizes including 8×10, 11×17 and even larger poster size prints.

Large, easy-to-view 2.7 inch color LCD monitor

The PENTAX X70 features a large, bright 2.7 inch color LCD monitor with approximately 230,000 dots of resolution. An Anti-Reflection coating helps minimize glare from sunlight for more effective outdoor viewing. Also, the X70 comes with an electronic viewfinder for easy image composition and review in the brightest lighting conditions. You can also access the camera’s menus and other functions via the electronic viewfinder, so you will always be able to change settings no matter how bright it is outdoors.

Compact, lightweight design

The compact, lightweight design of the X70, one of the smallest and lightest cameras in it’s class, make it easy to transport and use.  However, the small size does not mean features are compromised.  The X70 includes a full range of automatic and manual features and functions.

Reliable Shake Reduction for sharp, blur-free images

The X70 incorporates an “image sensor shift” Shake Reduction system to assure sharply focused, blur-free images even under demanding photographic conditions  such as when shooting at full telephoto or when shooting a sunset or indoor scenes with very low light. By accurately detecting the amount of camera shake using a high-performance gyro sensor and shifting the CCD image sensor vertically and horizontally at high speed, the X70 offers an outstanding camera-shake compensation effect, equivalent to approximately three shutter steps.

High-speed Continuous Shooting mode to capture the decisive moment

The X70 lets the photographer capture the subject continuously at a maximum speed of approximately 11 images per second and up to 21 images in succession.* Coupled with the Auto-Tracking AF mode that keeps a fast-moving subject in focus all the time, the X70 is sure to capture that once in a lifetime, decisive moment in sharp focus. The X70 is perfect for shooting sports action and active children and pets.

* When the continuous-shooting mode is selected, the image size is fixed at 5M (2592 x 1944 pixels).

Fast Face Detection AF&AE captures up to 32 faces in focus in approx. 0.03 seconds

The X70 Face Detection function is effective for capturing casual snapshots of people by optimizing the focusing and exposure of up to 32 faces in a single image in approximately 0.03 seconds. The X70 also offers other user-friendly functions including Smile Capture which automatically releases the shutter the instant it detects the subject’s smile, and Blink Detection which warns the photographer when the subject’s eyes are closed at the moment of capture.

Movie capture in high-definition TV image quality with anti-shake protection

The X70 captures high quality movie clips, equivalent in image quality to that of high-definition TV (1280 x 720 pixels) at 15 frames per second. The X70 also features Movie SR mode,** which effectively minimizes annoying camera shake during movie capture. The X70 can also record video at 848×480, VGA and QVGA resolutions at 30 frames per second, for full video capture flexibility. As a result, the photographer enjoys high-quality, blur-free movie shooting with minimal effort.

** When the Movie SR mode is selected, the angle of view becomes narrower than normal shooting.

Multi-mode exposure system

The X70 offers a choice of four exposure modes: Programmed AE, in which the camera automatically selects the optimal combination of aperture and shutter speed for a given subject and Aperture Priority AE, Shutter Priority AE and full Metered Manual modes, in which photographers are free to select either (or both) aperture and shutter speed to suit their photographic needs.

Auto Picture mode for the automatic selection of seven different shooting modes

The X70 features the advanced PENTAX Auto Picture mode, which automatically selects the most appropriate shooting mode for a given subject or scene by detecting the subject’s lighting, movement and other conditions. This user-friendly mode not only makes the right mode choice for the photographer (from Landscape, Portrait, Night Scene, Night Scene Portrait, Flower, Sport and Standard modes), but also features an Auto Macro mode, which automatically switches the camera’s focus range to macro in close-range applications.

Auto sensitivity control up to a high ISO of 6400

The X70 comes equipped with an Auto Sensitivity Control function, which automatically shifts the sensitivity level in relation to the subject’s lighting condition and the lens focal-length setting. This allows the photographer to use a high shutter speed in dimly lit locations, such as night scenes or indoor sports events to effectively minimize camera shake and subject blur. The auto sensitivity control range can be set between ISO 50 and ISO 6400, and is range adjustable.

Additional Features

• Image Format Choice proportions of 4:3, 3:2, 16:9 or 1:1.
• Scene mode palette for easy selection from 20 scenes, including a new Baby mode for accurate exposure and skin tones when taking pictures of babies.
• Overexposure compensation function to prevent blown out (or clipped) highlights.
• A Super Macro mode may be used to shoot as close as 0.4 inches (one centimeter) away from a subject for stunning close-up details.
• Digital Wide mode quickly stitches 2 images together for an extra wide-angle image (equivalent to 20mm in the 35mm format).
• World time clock displays standard time in 75 cities in 28 time zones around the world for extra convenience when on the road.
• Frame Composite mode (with 90 built-in image frames) offers fun and creative ways to style up your shots.
• Approximately 33.6MB of built-in memory. Also compatible with SD and SDHC memory cards.
• Red-eye reduction function corrects for red eyes as the result of flash photography. Red-eye reduction can be applied during capture, or as a post-capture filter.

Stretch your Lensbaby vision to the max with the new 0.42x Super Wide Lens, which converts your Lensbaby lens’s focal length from 50mm to 21mm. Specifically designed for compatibility with the Lensbaby Optic Swap System, this 0.42x is lighter and sharper than any other comparable product on the market. The 0.42x has an inherent macro capability, letting you as close as 2.75” (7cm) from the front of the lens. Click here to learn more, to see sample photos, and to order.

Lensbaby Double Glass Optic with Lensbaby 0.42x
Super Wide Lens
Lensbaby Double Glass Optic only
photo by Keri Friedman

• Nikon D3X
• Olympus E-30

This update also includes preliminary support for the recently announced Epson R-D1x (and R-D1xG).

The Lightroom 2.3 update includes several bug fixes.

FIXES originally provided in the Lightroom 2.3 Release Candidate

• In the Windows 64-bit version of Lightroom an sFTP upload process could cause Lightroom to crash.
• Slideshows could return to the first image randomly during playback.
• A memory leak could cause Lightroom to crash while attempting to process files with local adjustments.
• Canon EOS 5D Mk II sRAW files could process with artifacts in Lightroom 2.2.
• Lightroom 2.2 could cause disc burning to fail for Windows customers.

FIXES new to the final version of Lightroom 2.3

• Attempting to undo(CTRL-Z) a single step in Lightroom 2.2 on Windows could cause a series of previous actions to be undone.

Lightroom 2.3 now provides language support for the following additional languages:

• Chinese (Simplified)
• Chinese (Traditional)
• Dutch
• Italian
• Korean
• Portuguese (Brazilian)
• Spanish
• Swedish

Updates for award-winning Photoshop plug-ins include new features, improved effects and added support for Adobe Photoshop CS4, Lightroom 2 and Apple Aperture 2.1

Portland, OR – February 23, 2009 – onOne Software, Inc., a leading developer of time-saving software solutions for professional and advanced amateur photographers, today announced the immediate availability of Plug-in Suite 4.5 and FocalPoint 1.1.  Plug-In Suite 4.5 is the latest version of onOne Software’s Photoshop^® plug-in collection, which combines the recently announced FocalPoint 1.1, Genuine Fractals 6 Professional Edition, PhotoTools 2 Professional Edition and PhotoFrame 4 Professional Edition in addition to Mask Pro 4 and PhotoTune 2.2.

“Plug-In Suite 4.5 represents a significant upgrade for our users as four of the six products have been recently updated,” said Craig Keudell, president of onOne Software.  “Despite the large amount of new content, Plug-In Suite 4.5 is a free upgrade for registered Plug-In Suite 4 owners, a testament to onOne’s dedication to providing value for its customers.”

Plug-In Suite 4.5 includes full versions of the following onOne Software products:

NEW! Genuine Fractals 6 Professional Edition can resize digital images over 1000% with no loss of detail or sharpness. Genuine Fractals 6 now includes texture control presets, a gallery wrap feature, batch processing, tiling for small format printers, and support for Lightroom 2 and Aperture 2.1.

NEW! PhotoTools 2 Professional Edition features professional-grade photographic effects created by onOne Software, Kevin Kubota and Jack Davis.  These effects may be previewed, stacked and blended together just like filters over a camera lens while the built-in batch processing engine improves productivity. PhotoTools 2 includes a new effects library, many new effects, the ability to paint effects in or out, video support within Photoshop CS3/CS4 Extended, and support for Lightroom 2 and Aperture 2.1.

NEW! PhotoFrame 4 Professional Edition contains 1000+ realistic film edges, backgrounds, textures, adornments and even complete layouts making it the fastest way to create flush-mount albums, scrapbooks and edge effects. PhotoFrame 4 now includes a new frame library, new design elements, output options, and integration with Lightroom 2 and Aperture 2.1.

NEW! FocalPoint 1.1 simulates selective focus or tilt-shift lenses, helping photographers blur and/or vignette an image to focus a viewer’s attention.  Support for Lightroom 2 and Aperture 2.1 has been added to the new FocalPoint 1.1.

Mask Pro 4.1 creates high-quality masks and selections even from tough subjects like hair and glass, making it easy to place a subject in a new background.

PhotoTune 2.2 provides professional quality color correction in an easy-to-use interface. PhotoTune 2.2 includes ColorTune for general color correction and SkinTune for color correcting skin tones accurately.

Availability and Pricing

Plug-In Suite 4.5 is now available to new users for $499.95 – a savings of $799.75 compared to purchasing the products separately. Registered users of Plug-in Suite version 4 will automatically receive a free upgrade to version 4.5 via a downloadable software update.  Existing users of Plug-in Suite version 1, 2 or 3 can upgrade to Plug-In Suite 4.5 for only $199.95. Registered owners of any other product from onOne Software can upgrade for $399.95. For more information on the Plug-In Suite 4.5, please visit http://www.ononesoftware.com.

About onOne Software

onOne Software, Inc. is a leading developer of time-saving software solutions for professional and advanced amateur photographers. Our products allow photographers to spend more time behind the camera and less time behind the computer screen. They include a wide range of easy-to-use plug-in enhancements for Adobe^® Photoshop^®, Photoshop Elements, Photoshop Lightroom^®, and Apple Aperture. Founded in 2005, onOne Software, Inc. is a privately held company located in Portland, Oregon.

onOne Software blog: http://www.ononesoftware.com/blog
onOne Exchange: http://www.ononeexchange.com

#   #   #   #

© 2009 onOne Software. All rights reserved. onOne Software and the onOne Software logo are registered trademarks in the United States, and all are the property of onOne Software. Adobe and Photoshop are registered trademarks of Adobe Systems, Inc. All other trademarks are property of their respective owners.

MiniTT1 – Canon

The smallest PocketWizard radio ever, the MiniTT1™ Transmitter locks onto the camera’s hot shoe supporting an on-camera flash with its own hot shoe while working with remote PocketWizard units. Remotes can be one or more PocketWizard FlexTT5™ Transceivers connected to Canon E-TTL II flashes or any PocketWizard Receiver for triggering flash or remote cameras.

Flex TT5 – Canon

The dedicated FlexTT5™ Transceiver, with its built in hot-shoe and ControlTL™ firmware, is the perfect addition to Canon E-TTL II flash systems.  The FlexTT5 takes the existing benefits of Canon wireless systems beyond the boundaries of infrared technology.  When paired with the Mini TT1™ Transmitter or another FlexTT5 Transceiver, a whole new world of wireless flash freedom opens up.  The FlexTT5 is also the perfect Transceiver for your manual triggering needs and works with all MultiMAX channels and many of the MultiMAX advanced functions.

The following video was taken on the show floor at WPPI 2009:

[podcast format="video"]/podcasts/PocketWizards_wppi09.m4v[/podcast]

For more information, go to http://pocketwizard.com

The widest tilt-shift lens in Canon’s lineup, the new TS-E 17mm f/4L lens expands shooting possibilities exponentially on EOS Digital cameras. Designed with UD glass to minimize and compensate for chromatic aberrations, with specially coated aspherical elements for the highest possible glare-free image quality, this tilt-shift lens offers an angle of view of 93°. New TS revolving lets users freely combine tilting and shifting within the range of +/- 90° in the direction of movement. The lens also has an improved tilt & shift knob with an enhanced range of movement of up to +/- 6.5° and revolving lenses for better operability, it uses a circular aperture for beautiful out-of-focus areas and has an SWC lens coating to control ghosting and flare to a far greater degree than with earlier coating technologies.

TS-E 17mm f/4L

TS-E 24mm f/3.5L II

Pictage Lite provides the same interface and tools as the full version of Pictage, including an all-new image upload tool, but is limited on features that busier professionals need to help streamline their businesses.

The following chart shows the differences between Pictage Pro and Pictage Lite:

[podcast format="video"]/podcasts/PictageLite_Announcement.m4v[/podcast]

Source: Pictage

YOU WILL LEARN…

• 32 ways to use your on and off-camera flashes for creative and dramatic effects.
• 10 of the best camera settings and lens choices for creating striking images on every job.
• 7 ways to use the new DSLR video capabilities to transform your product offerings.
• 10 “Magic Bullet” techniques to make your digital workflow nearly effortless, highly efficient, and fun with today’s top software from Adobe Lightroom, NIK, and LumaPix: FotoFusion.
• 20 new product and solid marketing ideas targeted to today’s customers to add substantially to your bottom line.

PROGRAM BONUS:

• Tour Handbook including: program notes, photography, marketing and more
• 2 Hour DVD with extended program content
• $100 Rebate from American Color Imaging
• 1 year membership to WPPI and Rangefinder magazine, a $99 value
• FREE 3 month membership to DigitalProTalkPlus.com, a $45 value

$2,500 in Door Prizes at EACH location and 4 Grand prizes totaling $20,000

If you sign up now, the price is only $59!! At the door the price is $79 which is still an amazing deal.

Go visit the Digital Wakeup Call website for additional information and to sign up. This event is most likely going to sell out in every city so I highly recommend you get registered as soon as possible.

Watsonville, CA (PRWEB) January 26, 2009 — ExpoImaging Inc. (www.ExpoImaging.net), developer and marketer of innovative camera accessories, including the Ray Flash Ring Light Adapter, ExpoDisc Digital White Balance Filter and the ExpoAperture2 Depth-of-Field Guide, today announced that it is now the exclusive U.S. distributor of Honl Photo Professional Products.

Developed by veteran photojournalist David Honl, The Honl Photo Speed System is a collection of lightweight, durable and affordable light modifiers for shoe-mount flashes including an assortment of grids, snoots, reflectors, gobos and gels. With retail prices ranging from $9.95 to $29.95, these practical tools were designed to universally fit all shoe-mount flashes without the use of annoying adhesives. As photographers increasingly take advantage of the power and flexibility of modern portable shoe-mount flashes, the Honl Photo Speed System allows them to affordably bring studio-style lighting effects into the field.

“With more than two decades of professional experience, David Honl’s work has been published worldwide,” said Erik Sowder, president of ExpoImaging. “David developed and field tested the Speed System while traveling on assignment under very challenging conditions. We firmly believe that there are no similar products available that are more practical or easy-to-use. And we are pleased that David recognized our sales and marketing success and chose ExpoImaging to be his exclusive U.S. distributor. We look forward to representing these innovative and unique lighting products.”

The Honl Photo Speed System consists of:
· The Honl Speed Strap: a simple, non-slip velcro strap that wraps around the flash head and attaches and removes in seconds. The Speed Strap avoids rubber bands, tape and sticky residue, and universally fits any shoe-mount flash. The Speed Strap provides a large wraparound surface area to quickly attach Speed Grids, Speed Gobos/Bounce Cards, Speed Snoots or Honl Gels. The Honl Speed Strap retails for $9.95.

· Honl Photo Speed Grids (patent pending): weighting just 3 oz and available in 1/4-inch and 1/8-inch grid, the honeycomb-like cells narrow the beam of light from a portable flash unit, producing a small circle of light on a subject. Perfect for dramatic lighting effects, Speed Grids fit any shoe-mount and most handle-mount portable strobes and attach quickly and easily to a Speed Strap. Honl Photo Speed Grids retail for $29.95.

· The Honl Photo Speed Gobo/Bounce Card: a versatile gobo made of black ballistic nylon on one side and white polymer on the other. The black side can be used to keep light from flaring into a lens when using a flash as a background or hair light. The white side can be used as a bounce card. Utilizing two gobos, photographers can create a barn door setup. The Honl Speed Gobo/Bounce Card attaches quickly with a Speed Strap. The Honl Photo Speed Gobo/Bounce Card retails for $14.95.

· The Honl Photo Speed Snoot/Reflector (patent pending): available as a 5-inch “Shorty” or 8-inch “Regular”, this snoot is constructed of black, ballistic nylon with a gray interior that produces a soft falloff. The snoot can be shaped to concentrate the light from a shoe-mount flash for dramatic cinematic lighting or opened-up to use as a flash bouncer/reflector. Ideal in a variety of settings, from basic portraits to dramatic background lighting, the Speed Snoot/Reflector attaches and removes in seconds using a Speed Strap. The Honl Photo Speed Snoot/Reflector retails for $29.95.

· The Honl Photo Gel Kit: colors strobes to correct for tungsten, fluorescent or daylight lighting environments or adds artistic color effects to images. These superior quality gels are pre-cut and have attached strips of velcro to secure quickly to a Speed Strap, and can be used in conjunction with Honl Snoots, Gobos and Grids. The usable gel area is 2.5 inches by 4 inches (approx. 64mm by 102mm) and can be trimmed to fit individual strobes. The Honl Photo Gel Kit retails for $29.95.

“We feel fortunate for the opportunity to partner with ExpoImaging,” said David Honl. “We chose to work with ExpoImaging because they’re good at marketing and they have a great reputation in the industry. We look forward to a long and mutually beneficial business relationship.”

The addition of the Honl Photo line further solidifies ExpoImaging’s position as a leading supplier of unique and exciting products that meet the needs of photographers at all levels.

Honl Photo Professional Speed System Products are now available at photo dealers nationwide and online by visiting www.ExpoImaging.net.

About ExpoImaging, Inc.

ExpoImaging Inc. markets and develops innovative camera accessories and is the pioneer in digital white balance filters. Ray Flash: The Ring Light Adapter, Honl Photo Speed System, ExpoDisc Digital White Balance Filters, and the ExpoAperture2 Depth-of-Field Guide are available at select photography dealers worldwide, or online at www.ExpoImaging.net.

###
David Griffin
Matter Communications — Providence
401-351-9504 (direct)
508-648-1176 (mobile)
dgriffinmatter (AIM)
david@matternow.com
www.matternow.com

“Lost That Spare Tire” from PeptidBond. He will receive a new R-Strap from BlackRapid. They also announce the next contest “converging lines”. More info about this new contest will be posted tomorrow.

Later, Kerry sat with Master Photographer David Ziser. David is a high end wedding photographer who has recently made the switch from JPEG to RAW and discusses the reasons for making the switch.

David has also recently switched to the new Canon 5D Mk II and discusses the new camera and how video will play a role in wedding photography.

Be sure and check out David’s website at http://digitalprotalk.blogspot.com and watch for news on his upcoming seminar.

Show Hosts

Kerry Garrison (http://kerrygarrison.com)
David Esquire (http://esquirephotography.com)

This podcast is also available on iTunes.

PX System Pricing:
$249 PX Transmitter
$249 PX Receiver

JrX System Pricing:
$99 JrX Transmitter + JrX Receiver Basic Kit
$129 JrX Transmitter + JrX Receiver Studio Kit
$69 JrX Transmitter Individual
$59 JrX Receiver Basic Individual
$89 JrX Receiver Studio Individual
$50 Aftermarket Software Upgrade (Basic -> Studio)

For more information and a video showing the new products, please visit: http://radiopopper.com/blog/

With Extreme 24.5-Megapixel Resolution, Processed Image Files Exceeding 138 MB, Five Frame-per-Second Burst Speed and Nikon Core Technologies, the D3X Ushers in a New Level of Image Quality

MELVILLE, N.Y. (Nov. 30, 2008) - Nikon Inc. today announced the D3X, an FX-format digital SLR featuring extreme 24.5-megapixel resolution and superb low-noise capabilities, which provides professional photographers with commercial-quality image performance in a familiar and extraordinarily versatile D-SLR form factor. In conjunction with the groundbreaking Nikon FX-format D3, the D3X tops off a collection of flagship level, rugged, professional caliber digital single lens reflex cameras engineered to excel in all types of professional photographic disciplines from photojournalism and sideline sports, to commercial in-studio applications.

The foundation of the enhanced performance of the D3X is its FX-format, 24.5-megapixel (6048 x 4032) CMOS sensor providing commercial, high fashion, fine art and landscape photographers with the extreme resolution, dynamic range, color depth, detail and sharpness that clients demand. Whether creating catalogs, magazine covers, billboards or gallery prints, the large 5.49-micron pixel size and high signal to noise ratio produces vibrant images with breathtaking image fidelity while reducing lost highlights and shadows, and ensuring smoother tone reproduction with minimized noise. With full resolution shooting speeds of up to five frames-per-second (fps), and 14-bit files, that when processed are approximately 138 MB, the D3X offers today’s photographic artists an extreme level of performance and versatility ready for demanding assignments in the studio or on location.

“In 2007, the 12.1-megapixel FX-format D3 delivered groundbreaking digital SLR image quality, coupled with incomparable high ISO, low noise performance and high-speed handling. In doing so, the D3 broke photographic barriers, enabling photographers to work in ways never before possible,” said Edward Fasano, general manager for Marketing, SLR Systems Products at Nikon Inc. “Now, the new 24.5-megapixel FX-format D3X D-SLR provides the extreme resolution and high dynamic range capabilities needed to meet the extraordinary needs of photographic disciplines such as high fashion, commercial advertising and fine art. The D3X delivers this remarkable capability while fitting seamlessly within the Nikon system, taking full advantage of Nikon’s world-renowned collection of NIKKOR lenses and Speedlights.”

Image Quality Takes Center Stage
To re-emphasize the importance of image quality above all else, the D3X delivers an incredible level of digital SLR performance to provide photographers with extremely high resolution, exceptional dynamic range, phenomenal total gradation and outstanding color reproduction. Image files can be recorded as TIFF, JPEG or NEF (RAW) formats in either 12- or 14-bit compressed or uncompressed formats, and recorded to UDMA compatible CompactFlashâ„¢ cards for optimum speed. Photographers can save image files directly to the dual card slots as overflow, backup, or as separate file formats to different cards. Building on the D3X’s flexibility, users have the creative option to shoot in the 5:4 crop mode with 20.4-megapixel resolution, the ideal format for creating 8 x 10-inch portraits. While using DX-format lenses, faster continuous shooting of up to seven frames per second can be achieved at a resolution of 10.5 megapixels.

The exceptionally low noise of the D3X is essential to any professional commercial application, and it provides photographers with an ISO range of 100 to 1600, expandable to 50 (Lo-1) and 6400 (Hi-2). The ultra smooth tones and lack of grain at ISO 1600 as well as at low sensitivity settings result in smooth, natural skin tones and exacting detail that, before the D3X, required larger and far costlier studio-bound camera systems.

Advanced Technologies, Meticulously Executed
In a commercial setting or on location, imaging professionals need high performance in both speed and processing. The Nikon D3X can shoot at up to five fps at full resolution or up to seven fps in DX crop mode, allowing photographers to catch the split-second difference in a model’s expression or capture all of the action in a sequence. Just like the D3, the D3X achieves a start-up time of a mere 0.12 seconds and a shutter release time lag of 0.04 seconds.

The D3X’s speed, as well as high levels of performance, leverages Nikon core technologies including a newly enhanced EXPEED™ Image Processing System, specially designed for the D3X to provide superior image quality, faster processing speeds and lower power consumption. This advanced system is able to achieve extremely precise color reproduction for a broad spectrum of hues, in addition to vivid saturation and smooth gradation. What’s more, Nikon’s advanced noise processing function is engineered to minimize noise at all sensitivities and operate seamlessly without interfering with other image color parameters.

The D3X also features Nikon’s exclusive Scene Recognition System, which continuously analyzes information from the 1,005-pixel RGB light sensor, to further refine auto exposure, auto white balance and autofocus calculations. This results in flattering portraits and awe-inspiring landscapes that portray accurate color and fine details. Nikon’s exclusive 3D Color Matrix Metering II helps ensure accurate exposures, even in the most challenging lighting conditions. Instantly evaluating each scene before capture, input data from the system’s sensor is automatically referenced against an internal database of more than 30,000 images derived from actual photographs to calculate correct exposure values. Active D-Lighting, used in combination with 3D Matrix Metering II, helps to determines proper exposure, and creates realistic contrast while compensating for lost shadows and highlights. Prior to shooting, users can choose from Extra High, High, Normal, Low or Off settings, as well as an Auto mode.

Additionally, the D3X features Nikon’s exclusive Multi-CAM 3500FX focus module, with 51 AF points, 15 cross type sensors and 36 horizontal sensors that easily track and lock onto moving subjects, delivering the same fast and accurate AF performance that helped make the D3 immediately successful. Users can select any of the AF points, making it easy to consistently attain accurate focus right on a subject’s eyes, frame after frame. Additionally, three AF-area modes – Single point, Dynamic-area AF and Auto-area AF – are available to maximize the use of the 51 focus points by selecting the most suitable one to match subject conditions. AF is also available in one of two Live View modes optimized for the studio, including a phase detection handheld mode and a tripod mode. This feature allows the user to zoom in up to 27x on the LCD screen to ensure critical focus. While in Live View, the graphic indication of a virtual horizon is also available, making it easier than ever to confirm camera orientation.

To further ensure each photographer’s ability to balance their personal style, Nikon’s Picture Control System enables users to adjust their images to pre-set parameters such as Standard, Neutral, Vivid and Monochrome that apply tweaks to image sharpening, tone compensation, brightness, overall tone and saturation. Photographers have creative control over these image parameters with the use of up to nine available customizable presets.

Synchronizing Both Form and Function
Engineered for real-world functionality, the D3X retains a rugged shell with moisture, dust and shock resistance that has become a hallmark of flagship Nikon D-SLRs, while preserving the usability and ergonomics that allow the camera to remain an extension of the photographer’s vision. Attention to detail goes so far as to include a self-diagnostic shutter system that is tested to exceed 300,000 cycles for maximum durability and longevity. The camera’s body also maintains the resilient magnesium alloy construction and form factor of the D3, promoting consistent Nikon system synergy.

A bright and accurate viewfinder offers 100 percent coverage with 0.7x magnification. The body also houses Nikon’s acclaimed 3.0-inch super density LCD screen, now relied upon by so many photographers. The high-resolution 920,000-dot screen is viewable at wide angles up to 170 degrees, and will allow photographers to quickly zoom in to confirm critical focus. Users can also output the video signal to an external display via HDMI to allow client viewing. Thanks to incredibly efficient internal circuitry, the D3X can capture up to 4400* shots per single charge of the camera’s Lithium ion battery.

System Strength Withstands the Test of Time
The D3X is fully compatible with Nikon’s Creative Lighting System (CLS) to give photographers a mobile lighting solution that is easy to manage. To further enhance mobility, the D3X is compatible with Nikon’s GP-1 GPS receiver to gather information such as latitude, longitude, altitude and date of shooting. Photographers can easily shoot tethered via USB, or use the WT-4a wireless transmitter to send images wirelessly when speed and mobility are essential. D3X users will also enjoy the system strength of more than 50 genuine NIKKOR lenses that provide outstanding sharpness and high resolution across a broad range of focal lengths.

Price and Availability
The Nikon D3X will be available at Nikon Authorized Professional Dealers starting December 2008, and will be available for an estimated selling price of $7999.95.**

* Based on CIPA Standards
** Estimated selling price listed is only an estimate. Actual prices are set by dealers and are subject to change at any time.

One lucky listener will will a Shapeshifter backpack by going to http://thinktankphoto.com/shapeshifter and finding out the name of the other photographer who has done a review of the Shapeshifter. Send your answers along with your name, phone number, and address to podcast@cameradojo.com. Only one entry person. All entries must be received by midnight on November 30th 2008. The winner will be drawn on December 1st.

Show Hosts

Kerry Garrison (http://kerrygarrison.com)

This podcast is also available on iTunes.

The Red system is completely modular so you start off with the brain that you want (ranging in price from $2,500 – $55,000) and add other modules like recording blocks, viewfinders, LCD displays, handles, batteries, etc. to build the exact camera system you want. Depending on the speed you want, you can choose brains that can do 1-30 FPS up to 1-100 fps.

As you can see from the specs, these are not just DSLR still cameras but are also uber-high quality motion cameras with shows like Jumper and Sanctuary being shot on Red cameras already.

While typical readers of Camera Dojo may never use these cameras it is worth noting where the industry is going as technology being developed at the top end of the spectrum does flow down to the devices that we can afford over time.

for more information, please visit the Red website at http://red.com.

Show Links
http://canon-usa.com

http://thinktankphoto.com

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• It can be compressed to 3 inches in width once your equipment is removed.
• Dedicated neoprene pockets for 2 pro size DSLR’s, 70-200 2.8, 24-70 2.8, wide angle 2.8, and strobes.
• Holds up to a 17″ laptop in rear compartment.
• Front pocket organizers for your digital essentials.
• It can carry tripods and monopods.
• The Pro Speed Belt can be attached and quickly released.

After your gear is removed, you can continue to carry your laptop and accessories, but in a much smaller package.

• 21.1 Megapixel Full-frame CMOS sensor, 14-bit A/D conversion (16,384 colors/each of 3 primary color), wide range ISO setting of 100-6400 (expandable L: 50, H1: 12800 and H2: 25600).
• Full HD Video capture at 1920 x 1080 resolution for up to 4GB per clip with HDMI output for HD viewing of stills and video.
• Next generation DIGIC 4 Image Processor for faster processing of fine detail and color reproduction as well as reduced image noise.
• High performance with 3.9 fps continuous shooting, new shutter with a durability of 150,000 cycles and improved weather-resistant body.
• Live View Function for stills (Quick, Live and Face Detection AF modes) and video.
• 3.0-inch Clear View LCD (920,000 dots/VGA) monitor with anti-reflective and scratch-resistant coatings for improved viewing and smudge protection.
• Updated EOS Integrated Cleaning System specifically designed to work with a full-frame sensor.
• Compatible with over 60 Canon EF/EF-S lenses and most EOS System accessories.

The EOS 5D Mark II features a huge, full-frame sensor. A 21.1-megapixel CMOS sensor delivers images of up to 5616 x 3744 pixels. And since it is full-frame, all lenses will deliver the angle of view they would on a 35mm camera without a conversion factor. This comes in handy especially when shooting with wide-angle lenses. For the flexibility to shoot in even the most dimly lit situations, the EOS 5D Mark II offers Canon’s highest ISO sensitivity to date, ranging from 100-6400 (expandable to ISO L: 50, H1: 12800 and H2: 25600). Thanks to improved noise reduction technologies, images shot even at highest sensitivity will be remarkably smooth.

The Canon EOS 5D is slated to ship towards the end of November 2008 at an expected street price of US$2699 in the U.S.

Photokina
http://www.photokina-cologne.com/

Nikon D-90
http://imaging.nikon.com/products/imaging/lineup/digitalcamera/slr/d90/index.htm

Canon 50D
http://www.usa.canon.com/consumer/controller?act=ModelInfoAct&fcategoryid=139&modelid=17499

New Canon DSLR
http://www.canon.com/moon/en/

Nik Software Announces Sharpener Proâ„¢ 3.0
http://cameradojo.com/2008/09/04/nik-software-announces-sharpener-pro%E2%84%A2-30/

Wolverine ESP Digital Photo Album and Multimedia Player
http://cameradojo.com/2008/09/02/wolverine-esp-digital-photo-album-and-multimedia-player/

R-Strap Camera Strap Review
http://cameradojo.com/2008/09/04/r-strap-camera-strap-review/

Capturing a sense of motion
http://cameradojo.com/2008/08/31/capturing-a-sense-of-motion-with-shutter-speed/

Camera Dojo Lightroom Presets
http://cameradojo.com/lightroom-presets/

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This podcast is also available on iTunes.

Canon Sites
http://www.canon.com/moon/en/
http://www.canon.co.uk/

]]> http://cameradojo.com/2008/09/05/canon-readies-new-pro-level-dslr/feed/ 3 canon_moon canon_future http://cameradojo.com/2008/09/04/podcast-13-current-news-and-info/ http://cameradojo.com/2008/09/04/podcast-13-current-news-and-info/#comments Fri, 05 Sep 2008 06:51:45 +0000 KerryG http://cameradojo.com/?p=729

This week I do some catching up in the news and let you know whats been going on with Camera Dojo. We have some really exciting things coming up with some interviews and tons of articles this month. In this episode I cover the latest news including:

Canon 50D Announcement
http://cameradojo.com/2008/08/26/canon-announces-eos-50d/
http://www.usa.canon.com/

Nikon D90 Announcement
http://imaging.nikon.com/products/imaging/lineup/digitalcamera/slr/d90/index.htm

http://imaging.nikon.com/products/imaging/lineup/d90/en/d-movie/ — Movie samples!

Maurice wins our local photowalk
http://cameradojo.com/2008/09/01/photowalk-winners-announced/

Wolverine ESP Digital Photo Album and Multimedia Player Review
http://cameradojo.com/2008/09/02/wolverine-esp-digital-photo-album-and-multimedia-player/

BlackRapid R-Strap Review
http://cameradojo.com/2008/09/04/r-strap-camera-strap-review/

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This podcast is also available on iTunes.

New plug-in for Photoshop® and Aperture™ incorporates
U Point® technology for precise selective sharpening

Las Vegas, NV — September 4, 2008 (Photoshop World, Booth #321) — Nik Software today announced the latest version of its popular Sharpener Pro photographic plug-in for use with Adobe® Photoshop® and Apple® Aperture™. Designed for professionals and photo enthusiasts, Sharpener Pro 3.0 is the most advanced and powerful sharpening solution for photographers, eliminating the guesswork typically required for achieving superior and consistent results.

Now featuring Nik Software’s patented U Point technology, Sharpener Pro 3.0 enables photographers to selectively sharpen objects within their images. U Point powered Control Points are easy to use and offer precise control over sharpening intensity without the need to create complicated selections and layer masks.

“Sharpener Pro 3.0 has been dramatically improved with a range of new features, including powerful creative sharpening tools, a soft proofing option, and integrated U Point technology,” said Michael J. Slater president and CEO of Nik Software. “This new version of Sharpener Pro offers the most comprehensive tools for optimally sharpening images for any output device while also offering photographers the complete control they expect,” Slater concluded.

Key Features

• New U Point Powered Control Points—Enables precise, selective sharpening control
• Updated Output Sharpening—Provides the ultimate control to create perfectly sharpened images on all devices and media types such as display, inkjet, continuous tone, half tone, and hybrid tone
• New Creative Sharpening—Enhances fine details and textures with new structure, focus, and local contrast tools for drawing attention to desired areas within the image
• New Industry-First Sharpening Soft Proof—Allows detailed inspection of sharpening results on screen before printing, eliminating costly test prints
• New Output Presets—Enables custom settings to be saved for consistent, professional results
• Updated RAW Presharpener—Retains and enhances sharp details within images without amplifying noise and other artifacts
• Updated Powerful Selective Tool (Photoshop only)—Enables the use of Photoshop’s brush tools to paint in sharpening selectively
• New Smart Filter Support (Photoshop only)—Provides compatibility with Adobe Photoshop’s Smart Objects enabling adjustments to sharpening after Sharpener Pro has been applied
• New Multi-Image Support (Aperture only)—Provides compatibility with Aperture’s multi-image support, allowing photographers to easily copy and paste settings between images to maintain consistency

Pricing and Availability

Sharpener Pro 3.0 will be available in September for electronic delivery directly from Nik Software (www.niksoftware.com) in four languages (English, French, German, and Spanish) and will be available through specialty camera retailers in October of 2008. A complete list of resellers may be found at www.niksoftware.com/resellers.

The suggested retail price of Sharpener Pro 3.0 is $199.95. Upgrades from any previous version are available for $99.95. Sharpener Pro 3.0 installs as a plug-in for either Adobe Photoshop or Apple Aperture 2.1 and is available for Windows and Macintosh operating systems, including Vista and Leopard. For more information about Sharpener Pro 3.0, including video tutorials showing the software running within Photoshop and Aperture and a free 15-day fully functional trial version, please visit www.niksoftware.com/sharpenerpro.

About Nik Software

Nik Software, Inc. is a privately held company that develops software solutions for the growing digital imaging and photography markets. Established in 1995, Nik Software has become the recognized leader in digital photographic filter development and produces award-winning technology and software products for digital photography and imaging professionals including U Point® technology (www.upoint.com), Dfine®, Viveza™, Color Efex Pro™, Silver Efex Pro™, and Sharpener Pro™ software.

Scott Kelby’s Winners
http://www.photoshopuser.com/photowalk/winners.html

Source: http://www.usa.canon.com

Features

The official feature list is show here, we will dig into more of these later on:

• New 15.1 Megapixel CMOS sensor with improved noise reduction, wide range ISO 100-3200 (H1: 6400, H2: 12800), 14-bit conversion for smooth color tones and gradations.
• Next generation DIGIC 4 Image Processor for faster processing, 6.3 fps up to 90 JPEGS using UDMA CF cards; 60 consecutive JPEGS or 16 RAW using standard CF cards.
• 3.0-inch Clear View LCD (920,000 dots/VGA) with multiple coatings for improved viewing and smudge-resistant protection.
• Enhanced Live View shooting includes Face Detection Live mode.
• 9 cross-type high-precision sensors for accurate target subject acquisition and diagonal center cross-type AF point with f/2.8 and faster lenses.
• New Lens Peripheral Illumination Correction setting to automatically even the brightness across the image.
• Updated EOS Integrated Cleaning System with a fluorine coating for better resistance to dust.
• Creative Auto goes a step beyond full auto with on screen setting display.
• HDMI (High Definition Multimedia Interface) output for displaying full high-resolution images on a High Definition TV.
• Compatible with over 60 Canon EF/EF-S lenses and most EOS System accessories.

The new sensor

As expected, a new sensor is built into the 50D that improves the light gathering ability by using bigger micro lenses over each pixel. Effectivily this will give you 1 to 1.5 stop of better noise reduction allowing you to shoot at ISO 3200 and have images that have noise that is closer to what ISO 1600 looks like on the 40D. Like the previous 20,30,40, the 50D is an APS-C sized sensor giving is a 1.6x crop factor and delivers images at 4752w x 3168h pixels. The integrated cleaning system is also claimed to work better than the one built into the 40D.

The new processor
The next generation of the Digic processor, the Digic IV is debuted in the 50D. This new processor is claimed to be 30% faster than the Digic III and provides a plethora of new features.

• Full size RAW (15.06 megapixels), sRAW1 (7.12 megapixelss) and sRAW2 (3.76 megapixels)
• Three levels of High ISO Noise Reduction
• Three increments of Auto Lighting Optimizer
• Peripheral Illumination Correction – This is a vignette control based on profiles of Canon lenses
• ISO 100 – 3200 is standard along with extended ISO of 6400 and 12,800
  

Better Storage

Although many of us were hoping for dual card slots, the 50D still sports a single Compact Flash slot although support of UDMA makes for faster read/write speeds.

Better LCD

The LCD on the rear has been improved with more resolution giving you 920,000 pixels which now gives you even great clarity than previous models. The Live Mode provided through the read LCD has also been improved with two types of autofocus now available including a simple quick mode that toggles the Live View off while the camera performs the focus and Live autofocus that uses contrast detection like we saw possible when using DSLR Remote Pro for tethered shooting. Like many new point and shoots, the 50D now has face detection when using the Live Mode autofocusing.

Shipping and Price

The EOS 50D is supposed to be available sometime in October at $1,399. As the camera gets closer to the release date I am sure more information will become available, especially from some of the sites that get pre-production units to test.

For a detailed hands-on preview of the 50D, check out: http://www.dpreview.com/previews/canoneos50d/

Source: http://www.usa.canon.com

Links from the podcast:

Apple iPhone
http://apple.com

Lightroom Enfuse
http://timothyarmes.com/lrenfuse.php

Think Tank Photo
http://thinktankphoto.com

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This podcast is also available on iTunes.