The Lightroom 2.6 update included a bug that could cause Lightroom to crash unexpectedly when encountering certain raw files from the Leica M9 camera. This bug is an unfortunate consequence of …

Lightroom 2.6 and Camera Raw 5.6 are now available as final releases on Adobe.com and through the update mechanisms available in Photoshop CS4 and Lightroom 2. These updates include camera support for the following models:

Timothy Armes has just released a new version of his wonderful LR2/Mogrify export plugin. I did a writeup on using LR2/Mogrify to do advanced watermarking in Lightroom some time ago, so I am really excited …

Lightroom 2.5 and Camera Raw 5.5 are now available as final releases on Adobe.com and through the update mechanisms available in Photoshop CS4 and Lightroom 2. These updates include camera support for the following models:

Have you ever shot with a second camera or used a second shooter and then when you imported the images into Lightroom only to find out that the time on the different cameras was way …

If you have been a fan of Camera Dojo for a while you will have seen mentions of Breeze Systems’ DSLR Remote Pro. DSLR Remote Pro at its basics is a tool for doing tethered shooting, so what right? The Canon EOS Utility can do that, so why would we want to spend close to $100 for software that comes free with your camera? Let’s take a fresh look at what all DSLR Remote Pro can do for you.

Over the past few weeks Kerry has upgraded from a 30D to a 50D and David upgraded from a 40D to a 5D Mk II. In this episode the guys discuss the new cameras and some of the features that they are really digging about the new gear.

Adobe has just pushed updates to Camera Raw and Lightroom. The main changes are support for new cameras.
Camera Raw 5.4
update June 24, 2009
This new version of the Camera Raw plug-in replaces the original one that …

Adobe has released a Release Candidate version of the upcomign Camera Raw 5.4. The main feature of the new version is support for a number of new cameras including:

Mac versus PC, RAW versus JPEG, Coke versus Pepsi, all solid battles in their own right but Adobe RGB versus sRGB is still one that confuses more people than anything else. One of the problems is that there is big name experts on both sides of this argument arguring why their side is right and the other is totally off-base. What we will try to do is to show how both affect images so that you can choose the right one for your situation.