Articles tagged with: Adjustments
Although you may think that no two situations are alike, the fact is that there are quite a few constants that you can rely on to give you a good starting point. The sun is one of these things you can count on to be consistent. Of course there are things that affect the sun’s output like the time of day, haze, fog, and clouds, but on a bright sunny day the light output is very consistent and knowing the camera settings for this condition will give you a guideline to make adjustments. This is where the “sunny 16″ rule comes into play.
As part of our Photography Basics series we talked about Exposure already and this time we are going to cover the mystery of aperture. Aperture is probably the least understood setting of everything on your camera. While shutter settings are very easy to understand, to long of a shutter speed and you will get blurring, pretty simple stuff. Same with ISO, too high of ISO and you introduce digital noise. But learning how to use aperture properly can kill brain cells faster than a frat house kegger party.
Yes, RAW vs. JPEG, the seemingly endless debate, almost as bad as Mac vs. PC or Film vs. Digital and people have been asking me to write up an article on this based on my opinion and experience and I have really put this article off for a long time as I wanted to be as unbiased in how I write this given that this is a very biased topic.
A common issue some people have is getting their images to portray a sense of movement. Today we are going to look at how adjusting our shutter speed can help achieve the desired look that we want. For this simple example we will look at a ceiling fan taken at different shutter speeds so you can see how adjusting the shutter speed through an entire typical range can help you achieve the exact look you are aiming for.
While today’s cameras do a pretty good job when in fully automatic mode, in order to make the most of your camera you should learn how to use your camera on the manual setting. To go full manual you will need to have an understanding of shutter speed, aperture settings, and ISO speed. In this article we will get you going and get you shooting like a pro.
Once in a while a product comes along that is so clever, so right, it is just a “must have” product. While at PMA, I stumbled on such a product. The SpyderCUBE by Datacolor is one of those products. Nothing it does is really new, but it does everything right, in a small package, with more features than most any competitive product on the market.
In the beginning there was the original Lensbaby lens, a simple bellows system with push-pull focus and left/right and up/down sweet spot selection. Then came the Lensbaby 3G that allowed you to fine tune the sweet spot after locking it down so that you can easily repeat the same shot and settings.
Now, the Lensbaby Composer promises a lens that is easier to use, better control over focusing, and a selection of different optic inserts to give you a variety of different effects.
Lightroom 2.3 and Camera Raw 5.3 have graduated from Adobe Labs and are now available as final releases on Adobe.com. These updates include camera support for the following models:(Previously provided in the release candidates of these updates)
Based on comments and emails I have received there are still some people that are confused about how the three elements of exposure play together to determine how dark or bright an image is. Today I want you to think of the three elements of exposure as the three points of a triangle each having an equal effect on the final exposure of the image.
Camera Raw 5.3 and Lightroom 2.3 Release Candidates are now available on Adobe Labs.(Camera Raw 5.3, Lightroom 2.3) The release includes new camera support for the following models:
* Nikon D3X
* Olympus E-30
There are several bug fixes in this update
We have seen every imaginable type of light diffuser product you can imagine and have even built different ones yourself for specific purposes all in the name of finding just the right combination of bounce and diffusion. Every device we have seen will work great in some specific situations but will not be ideal in every situation. When we saw the VerteX for the first time, while it may have looked more like a gimmick at first glance, I soon realized the potential and just had to try one out.
Focal Point is OneOne Software’s newest Photoshop plug-in that allows you to create images with selective focus and edge vignette effects. Using these techniques you can guide the viewer’s eye to the spot in the image that you want them to look at. Using an easy to use “focus bug” you can control the sweet spot, the amount and kind of blur. These types of effects have only been possible with expensive specialty lenses before. Does Focal Point deliver on the goods? We decided to try it out for ourselves and see what we thought about it.
Lightroom 2.2 is now available on Adobe.com. (Mac, Win) The release includes new camera support for the following models:
* Canon EOS 5D Mark II
* Canon PowerShot G10
* Panasonic DMC-G1**
* Panasonic DMC-FX150**
* Panasonic DMC-FZ28**
* Panasonic DMC-LX3**
* Leica D-LUX 4**
SANTA ROSA, CALIF -Think Tank Photo has launched a new design in photo backpacks, the StreetWalkerTM series. With the three new backpacks’ slim vertical profile, photographers can navigate crowded places and public transportation while still being able to access professional photographic equipment.
MELVILLE, N.Y. (Nov. 30, 2008) â€” Nikon Inc. today announced the D3X, an FX-format digital SLR featuring extreme 24.5-megapixel resolution and superb low-noise capabilities, which provides professional photographers with commercial-quality image performance in a familiar and extraordinarily versatile D-SLR form factor. In conjunction with the groundbreaking Nikon FX-format D3, the D3X tops off a collection of flagship level, rugged, professional caliber digital single lens reflex cameras engineered to excel in all types of professional photographic disciplines from photojournalism and sideline sports, to commercial in-studio applications.
Let’s face it, Adobe seriously dropped the ball on watermarking within Lightroom. Many of us got hints about potential new watermarking features for Lightroom 2.0 but were disappointed when there was nothing added. For many of us, Lightroom is the tool that we use for 90%+ of our workflow including prepping images for use on the web so the last thing we want to do is run some action in Photoshop or have to run an additional application to apply watermarks which reduces the image quality because the jpeg image has to be saved a second time.
I have had the hardest time dealing with camera bags over the years, from my first backback that got so heavy I couldn’t lug it around anymore to my uber cool Airport International 2.0 which is great for big jobs but what about when I want to go a little lighter? My old backback is too large, and my Airport International is too big, and my Modulous Speed Belt can’t hold enough nor is appropriate when traveling. So what does that leave?
It seems like we just got into our groove with Photoshop CS3 and now CS4 is out and everyone is wondering if its really a signifigant upgrade or not. I just spent the day with the folks from Adobe to get a deep dive into the entire CS4 family and let me just say, one day was not nearly enough time to learn about everything. There are very cool changes in virtually every product in the entire suite. Today we are going to go deep into Photoshop CS4 and find out what some of the new features are and try to explain in layman’s terms what each of the new features can do for you.