Articles in Shooting Tips
We have done a number of articles with different flash heads but we have never gone into the detail of how to set them up and make them work, this results in emails that we sit and explain all the details to people. So today I am going to go through how to setup these studio flashes and connect them to your camera to get the results you want.
This week we sat down with our friend David from Esquire Photography to discuss different aspects of wedding photography. What we thought was going to be a quick discussion turned into almost 90 minutes of everything from technique, to contracts, to workflow, and much more.
It’s the height of the wedding season now and people that are shooting their first weddings or considering shooting a wedding should know a few tips to make sure the day goes as smooth as possible. Since weddings are our primary income here we figured we would pass along a number of our favorite tips and tricks.
For the most part I come home from a shoot and dump the images from the CF cards onto the computer and then do my backups. Once in a while I am gone for a weekend without the benefit of a laptop and I want to make sure I have my CF cards backed up every night. For this reason I picked up a Wolverine Flashpac several years ago and have been using it ever since. Since you should always make backups as soon as possible, I can’t recommend some type of device like this enough.
I have had the opportunity to shoot with a number of other people as both the “second” photographer as well as being the primary photographer. Today I want to talk about my feelings about shooting with other people as my own experience has covered the gamut from extremely enjoyable to absolutely horrible. So while this is not a technical article by any means, it is my own opinion as to how shooting with someone else can be both a rewarding, educational, and enjoyable experience.
The home studio has been making amazing progress lately and we did some major work on it today to get it ready for it’s first test shoot. The final width comes in at twelve feet and the shooting area is fifteen feet from the main shooting wall. The back wall was painted with gloss white for high key background that will mostly be used during product shots.
I am out in Miami this week for a trade show but I am going to be out and about getting some great shots and writing up some articles about taking outdoor shots around the beach area. Just wanted to let you know we haven’t fallen off the face of the earth and I will try to post some great shots from the area this week.
One of the most useful and yet least understood tools in your digital arsenal is your camera’s histogram. Learning how to properly use and understand your camera’s histogram is the easiest way to vastly improve the amount of properly exposed photographs you take.
f you haven’t visited the L7Foto Flickr Group, we post regular assignments to help people have inspiration for taking different types of pictures. This new assignment is for you to go out and take a picture where you live that shows something unique or special about your city and shows what winter in your city is like.
f you haven’t visited the L7Foto Flickr Group, we post regular assignments to help people have inspiration for taking different types of pictures. This new assignment is for you to go out and take a picture where you live that shows something unique or special about your city and shows what winter in your city is like.
Here is another in our Mythbusting series. Today we answer the question “is using your camera in cold weather bad for your camera?” This origin of this myth is from anecdotal evidence of people having camera failures and other strange things being attributed to being used in the cold. Is this real, imagined, or a coincidence? Let’s take a look inside this myth and find out what’s really going on.
In the first of our Mythbusting series we are going to look at a common myth that you should always use the lowest ISO number possible to get the best results This is based on the knowledge that the higher the ISO number you use, the more noise (digital artifacts) will be created in your image While this is certainly true, what we are going to examine in this article is wether or not you should always shoot in the lowest ISO number your camera can handle in order to get the best images Will this myth be confirmed or busted?
