f you haven’t visited the L7Foto Flickr Group, we post regular assignments to help people have inspiration for taking different types of pictures. This new assignment is for you to go out and take a picture where you live that shows something unique or special about your city and shows what winter in your city is like.

Here is another in our Mythbusting series. Today we answer the question “is using your camera in cold weather bad for your camera?” This origin of this myth is from anecdotal evidence of people having camera failures and other strange things being attributed to being used in the cold. Is this real, imagined, or a coincidence? Let’s take a look inside this myth and find out what’s really going on.

In the first of our Mythbusting series we are going to look at a common myth that you should always use the lowest ISO number possible to get the best results This is based on the knowledge that the higher the ISO number you use, the more noise (digital artifacts) will be created in your image While this is certainly true, what we are going to examine in this article is wether or not you should always shoot in the lowest ISO number your camera can handle in order to get the best images Will this myth be confirmed or busted?

With so many lens choices to choose from, how can you possible know what kind of lens to get and if it will do what you want? In this article we will walk you through the different features of standard lenses so that you can learn how to pick out the right lens for the type of shooting you do.

While today’s cameras do a pretty good job when in fully automatic mode, in order to make the most of your camera you should learn how to use your camera on the manual setting. To go full manual you will need to have an understanding of shutter speed, aperture settings, and ISO speed. In this article we will get you going and get you shooting like a pro.

When done well, a photograph that has good control over the depth of field can add dramatically to the impact of the picture. When we are talking about depth of field, what we are referring to is a shot were the main subject of the picture is in sharp focus but other elements in the picture are blurred or out of focus. Two key terms to learn here are focal plane which is the area of the image that we want to have in sharp focus and bokeh which is the out of focus sections.

This weekend I am shooting a small wedding in Anaheim in conjunction with Esquire Photography, and with 5 days to go before the shoot I thought it would be good to go through all the preparation that goes into a shoot like this. A wedding is very different than any other shoot as there are no re-takes, no reschedules, and you can’t make any mistakes or miss any of the important shots. So how do you prepare for a wedding shoot? Simply put, planning, planning, planning!

Some of the more interesting photographs are often of ordinary things viewed from a different perspective. A blade of grass from ground level looking up, a bride and groom looked down on from a balcony, etc. What makes these different is that the person viewing the photograph is able to see things from a perspective that is not normal.

Taking pictures of moving vehicles can be challenging and quite frustrating to get good results. While getting your panning technique down is the major part of it, there is often much more to it than simply pressing the shutter at the right time. Today we head over to a local car show to snag some action shots and give you some pointers on how to get the best results possible.

We recently got the time to sit down with our good friend David Esquire of Esquire Photography in Huntington Beach California. David has been in the photography business for over 20 years shooting events such as the X-Games and doing shoots for companies such as Slim Jim, Sports Illustrated, and The Warped Tour.