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	<title>Camera Dojo - Take better pictures with our photography tutorials and podcast &#187; Shooting and Lighting Tips</title>
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	<link>http://cameradojo.com</link>
	<description>CameraDojo brings you interviews with top photographers and industry leaders as well as tutorials and the latest in photography news.</description>
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	<copyright>Copyright &#xA9; 2010 Camera Dojo - Take better pictures with our photography tutorials and podcast </copyright>
	<managingEditor>kgarrison@gmail.com (Kerry  Garrison)</managingEditor>
	<webMaster>kgarrison@gmail.com (Kerry  Garrison)</webMaster>
	<category>Photography</category>
	<ttl>1440</ttl>
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		<title>Camera Dojo - Take better pictures with our photography tutorials and podcast &#187; Shooting and Lighting Tips</title>
		<link>http://cameradojo.com</link>
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	<itunes:subtitle>Camera Dojo brings you the latest photography news as well as interviews with top photographers and industry leaders.</itunes:subtitle>
	<itunes:summary>CameraDojo brings you interviews with top photographers and industry leaders as well as tutorials and the latest in photography news.</itunes:summary>
	<itunes:keywords>Photography,Camera,Lighting,Posing,Tutorials,Photoshop,Lightroom,DSLR</itunes:keywords>
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	<itunes:author>Kerry  Garrison</itunes:author>
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		<itunes:name>Kerry  Garrison</itunes:name>
		<itunes:email>kgarrison@gmail.com</itunes:email>
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		<item>
		<title>Another Take on Perspective</title>
		<link>http://cameradojo.com/2010/08/08/another-take-on-perspective/</link>
		<comments>http://cameradojo.com/2010/08/08/another-take-on-perspective/#comments</comments>
		<pubDate>Sun, 08 Aug 2010 16:01:31 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Shooting Tips]]></category>
		<category><![CDATA[Shooting and Lighting Tips]]></category>
		<category><![CDATA[Angles]]></category>
		<category><![CDATA[perspective]]></category>
		<category><![CDATA[shooting]]></category>

		<guid isPermaLink="false">http://cameradojo.com/?p=2402</guid>
		<description><![CDATA[Last time we looked at tilting the camera and getting a little more  angle on the subject. This time lets look at shooting from an angle that  isn&#8217;t normal. Often changing to a ...]]></description>
		<wfw:commentRss>http://cameradojo.com/2010/08/08/another-take-on-perspective/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Use a simple angle to make a shot more dramatic</title>
		<link>http://cameradojo.com/2010/08/01/use-a-simple-angle-to-make-a-shot-more-dramatic/</link>
		<comments>http://cameradojo.com/2010/08/01/use-a-simple-angle-to-make-a-shot-more-dramatic/#comments</comments>
		<pubDate>Sun, 01 Aug 2010 14:22:02 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Shooting Tips]]></category>
		<category><![CDATA[Shooting and Lighting Tips]]></category>
		<category><![CDATA[Angles]]></category>
		<category><![CDATA[shooting]]></category>

		<guid isPermaLink="false">http://cameradojo.com/2010/08/01/use-a-simple-angle-to-make-a-shot-more-dramatic/</guid>
		<description><![CDATA[Here is a quick tip for you that can make a big difference in your  shots, try adding a little angle to your shots when you take them. The  following two images show ...]]></description>
		<wfw:commentRss>http://cameradojo.com/2010/08/01/use-a-simple-angle-to-make-a-shot-more-dramatic/feed/</wfw:commentRss>
		<slash:comments>8</slash:comments>
		</item>
		<item>
		<title>Understanding Light Stops</title>
		<link>http://cameradojo.com/2010/07/04/understanding-light-stops/</link>
		<comments>http://cameradojo.com/2010/07/04/understanding-light-stops/#comments</comments>
		<pubDate>Sun, 04 Jul 2010 22:05:43 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Lighting Tips]]></category>
		<category><![CDATA[Shooting Tips]]></category>
		<category><![CDATA[aperture]]></category>
		<category><![CDATA[exposure]]></category>
		<category><![CDATA[f stop]]></category>
		<category><![CDATA[light]]></category>
		<category><![CDATA[lighting]]></category>
		<category><![CDATA[shutter]]></category>
		<category><![CDATA[stop]]></category>

		<guid isPermaLink="false">http://cameradojo.com/?p=566</guid>
		<description><![CDATA[One thing that seems to baffle a lot of new photographers is understanding the term "stop" as it pertains to a measurement of light. We see this word used over and over with regards to shutter speed, aperture, film speed, filters, lighting, and other ways that light is used. You may hear a phrase like "you should expose one side of face 1-2 stops under the lit side of the face and expose the background 1 stop under the main subject". For many people that's about like asking them to solve a complex calculus problem.]]></description>
		<wfw:commentRss>http://cameradojo.com/2010/07/04/understanding-light-stops/feed/</wfw:commentRss>
		<slash:comments>24</slash:comments>
		</item>
		<item>
		<title>Top Free Android Apps for Photographers</title>
		<link>http://cameradojo.com/2010/06/28/top-free-android-apps-for-photographers/</link>
		<comments>http://cameradojo.com/2010/06/28/top-free-android-apps-for-photographers/#comments</comments>
		<pubDate>Mon, 28 Jun 2010 20:00:09 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Shooting Tips]]></category>
		<category><![CDATA[Android]]></category>
		<category><![CDATA[Apps]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[SmartPhone]]></category>

		<guid isPermaLink="false">http://cameradojo.com/?p=2318</guid>
		<description><![CDATA[While the iPhone gets a lot of press, Android-based phones are selling like hotcakes, to the tune of about 150,000 per day. That’s an awful lot of Android phones out there and the hardware is ...]]></description>
		<wfw:commentRss>http://cameradojo.com/2010/06/28/top-free-android-apps-for-photographers/feed/</wfw:commentRss>
		<slash:comments>5</slash:comments>
		</item>
		<item>
		<title>Simple One-Light Directional Portrait Lighting</title>
		<link>http://cameradojo.com/2010/06/15/simple-one-light-directional-portrait-lighting/</link>
		<comments>http://cameradojo.com/2010/06/15/simple-one-light-directional-portrait-lighting/#comments</comments>
		<pubDate>Tue, 15 Jun 2010 13:12:06 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Lighting Tips]]></category>
		<category><![CDATA[Shooting and Lighting Tips]]></category>
		<category><![CDATA[flash]]></category>
		<category><![CDATA[lighting]]></category>
		<category><![CDATA[shooting]]></category>
		<category><![CDATA[Strobes]]></category>

		<guid isPermaLink="false">http://cameradojo.com/?p=1994</guid>
		<description><![CDATA[ Lighting can often be one of the most intimidating things to learn but it doesn’t need to be that way. I think the problem is that many people get intimidated thinking they need tons ...]]></description>
		<wfw:commentRss>http://cameradojo.com/2010/06/15/simple-one-light-directional-portrait-lighting/feed/</wfw:commentRss>
		<slash:comments>4</slash:comments>
		</item>
		<item>
		<title>Mastering Your Flash 101 &#8211; Learning to Love eTTL/iTTL</title>
		<link>http://cameradojo.com/2010/06/07/mastering-your-flash-101-learning-to-love-ettlittl/</link>
		<comments>http://cameradojo.com/2010/06/07/mastering-your-flash-101-learning-to-love-ettlittl/#comments</comments>
		<pubDate>Mon, 07 Jun 2010 12:38:03 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Lighting Tips]]></category>
		<category><![CDATA[Shooting and Lighting Tips]]></category>
		<category><![CDATA[eTTL]]></category>
		<category><![CDATA[flash]]></category>
		<category><![CDATA[lighting]]></category>
		<category><![CDATA[Speedlites]]></category>

		<guid isPermaLink="false">http://cameradojo.com/?p=2163</guid>
		<description><![CDATA[ For many people the thought of taking their flash off of eTTL/iTTL mode is as intimidating as BASE jumping off a bridge, this is because they haven’t even fully mastered these automatic settings yet. ...]]></description>
		<wfw:commentRss>http://cameradojo.com/2010/06/07/mastering-your-flash-101-learning-to-love-ettlittl/feed/</wfw:commentRss>
		<slash:comments>4</slash:comments>
		</item>
		<item>
		<title>PocketWizard HyperSync &#8211; Warp Speed for Studio Strobes</title>
		<link>http://cameradojo.com/2010/06/03/pocketwizard-hypersync-warp-speed-for-studio-strobes/</link>
		<comments>http://cameradojo.com/2010/06/03/pocketwizard-hypersync-warp-speed-for-studio-strobes/#comments</comments>
		<pubDate>Thu, 03 Jun 2010 13:00:10 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Lighting Tips]]></category>
		<category><![CDATA[Shooting and Lighting Tips]]></category>
		<category><![CDATA[High Speed]]></category>
		<category><![CDATA[HyperSync]]></category>
		<category><![CDATA[PocketWizards]]></category>
		<category><![CDATA[Strobes]]></category>
		<category><![CDATA[studio]]></category>

		<guid isPermaLink="false">http://cameradojo.com/?p=1983</guid>
		<description><![CDATA[Recently we have really been focusing on using speedlites due to their flexibility and features like high speed sync. We usually don’t take our studio strobes out of the studio because with a maximum sync ...]]></description>
		<wfw:commentRss>http://cameradojo.com/2010/06/03/pocketwizard-hypersync-warp-speed-for-studio-strobes/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Mastering Your Flash 101 &#8211; High Speed Sync</title>
		<link>http://cameradojo.com/2010/05/31/mastering-your-flash-101-high-speed-sync/</link>
		<comments>http://cameradojo.com/2010/05/31/mastering-your-flash-101-high-speed-sync/#comments</comments>
		<pubDate>Tue, 01 Jun 2010 03:59:38 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Lighting Tips]]></category>
		<category><![CDATA[Shooting and Lighting Tips]]></category>
		<category><![CDATA[canon]]></category>
		<category><![CDATA[flash]]></category>
		<category><![CDATA[High Speed Sync]]></category>
		<category><![CDATA[lighting]]></category>
		<category><![CDATA[Speedlites]]></category>
		<category><![CDATA[Strobe]]></category>

		<guid isPermaLink="false">http://cameradojo.com/?p=2216</guid>
		<description><![CDATA[ One of my favorite features of speedlites is High Speed Sync. This feature allows you to work with speedlites way past your camera’s normal sync speed (1/160 – 1/250 depending on camera). By shooting ...]]></description>
		<wfw:commentRss>http://cameradojo.com/2010/05/31/mastering-your-flash-101-high-speed-sync/feed/</wfw:commentRss>
		<slash:comments>11</slash:comments>
		</item>
		<item>
		<title>Simple Yet Effective On-Location Portrait Lighting Setup</title>
		<link>http://cameradojo.com/2010/05/25/simple-yet-effective-on-location-portrait-lighting-setup/</link>
		<comments>http://cameradojo.com/2010/05/25/simple-yet-effective-on-location-portrait-lighting-setup/#comments</comments>
		<pubDate>Tue, 25 May 2010 13:42:37 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Lighting Tips]]></category>
		<category><![CDATA[Shooting and Lighting Tips]]></category>
		<category><![CDATA[exposure]]></category>
		<category><![CDATA[lighting]]></category>
		<category><![CDATA[Setup]]></category>

		<guid isPermaLink="false">http://cameradojo.com/?p=2061</guid>
		<description><![CDATA[I often get asked to do portrait shots during local charity events and getting a simple lighting setup is the key to having a successful event. If you just use on-camera flash you will get ...]]></description>
		<wfw:commentRss>http://cameradojo.com/2010/05/25/simple-yet-effective-on-location-portrait-lighting-setup/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Exposure L &#8211; Understanding the Correlation Between Shutter and Aperture</title>
		<link>http://cameradojo.com/2010/05/19/the-exposure-l-understanding-the-correlation-between-shutter-and-aperture/</link>
		<comments>http://cameradojo.com/2010/05/19/the-exposure-l-understanding-the-correlation-between-shutter-and-aperture/#comments</comments>
		<pubDate>Wed, 19 May 2010 10:00:00 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Shooting Tips]]></category>

		<guid isPermaLink="false">http://cameradojo.com/?p=2087</guid>
		<description><![CDATA[ Numerous people, myself included, have written about the exposure triangle in order to explain how you need to balance ISO, Shutter Speed, and Aperture to get a good exposure. The confusing part is that ...]]></description>
		<wfw:commentRss>http://cameradojo.com/2010/05/19/the-exposure-l-understanding-the-correlation-between-shutter-and-aperture/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Choosing a travel lens</title>
		<link>http://cameradojo.com/2010/05/17/choosing-a-travel-lens/</link>
		<comments>http://cameradojo.com/2010/05/17/choosing-a-travel-lens/#comments</comments>
		<pubDate>Mon, 17 May 2010 13:52:14 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Shooting Tips]]></category>
		<category><![CDATA[Lenses]]></category>
		<category><![CDATA[Travel]]></category>

		<guid isPermaLink="false">http://cameradojo.com/?p=1931</guid>
		<description><![CDATA[I get asked a lot about what kind of lenses to use for different situations and since I needed to select the lenses I would be traveling with here to Maui, I decided this would ...]]></description>
		<wfw:commentRss>http://cameradojo.com/2010/05/17/choosing-a-travel-lens/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Directional Lighting with On-Camera Flash</title>
		<link>http://cameradojo.com/2010/05/12/directional-lighting-with-on-camera-flash/</link>
		<comments>http://cameradojo.com/2010/05/12/directional-lighting-with-on-camera-flash/#comments</comments>
		<pubDate>Wed, 12 May 2010 08:49:45 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Shooting Tips]]></category>
		<category><![CDATA[camera]]></category>
		<category><![CDATA[flash]]></category>
		<category><![CDATA[light]]></category>
		<category><![CDATA[lighting]]></category>
		<category><![CDATA[shooting]]></category>
		<category><![CDATA[technique]]></category>

		<guid isPermaLink="false">http://cameradojo.com/?p=2010</guid>
		<description><![CDATA[ Buuuut Kerrrry…..If you use your flash ON your camera (not your pop-up flash) you can’t get directional lighting, its going to look horrible. Well…yeah, and that’s why so many people don’t like to use ...]]></description>
		<wfw:commentRss>http://cameradojo.com/2010/05/12/directional-lighting-with-on-camera-flash/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Using the PocketWizard ControlTL Wireless Flash Triggers</title>
		<link>http://cameradojo.com/2010/05/06/using-the-pocketwizard-controltl-wireless-flash-triggers/</link>
		<comments>http://cameradojo.com/2010/05/06/using-the-pocketwizard-controltl-wireless-flash-triggers/#comments</comments>
		<pubDate>Thu, 06 May 2010 08:03:19 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Lighting Tips]]></category>
		<category><![CDATA[Product Reviews]]></category>
		<category><![CDATA[DSLR]]></category>
		<category><![CDATA[flash]]></category>
		<category><![CDATA[lighting]]></category>
		<category><![CDATA[Lumodi]]></category>
		<category><![CDATA[pocketwizard]]></category>
		<category><![CDATA[shooting]]></category>
		<category><![CDATA[Strobe]]></category>

		<guid isPermaLink="false">http://cameradojo.com/?p=1981</guid>
		<description><![CDATA[ Before we can really look at whether we need a product like the PocketWizard ControlTL system, we need to understand the limitations of our existing Canon speedlite system. The Canon system has a good ...]]></description>
		<wfw:commentRss>http://cameradojo.com/2010/05/06/using-the-pocketwizard-controltl-wireless-flash-triggers/feed/</wfw:commentRss>
		<slash:comments>7</slash:comments>
		</item>
		<item>
		<title>Using PocketWizards and the Lumodi Beauty Dish</title>
		<link>http://cameradojo.com/2010/03/26/using-pocketwizards-and-the-lumodi-beauty-dish/</link>
		<comments>http://cameradojo.com/2010/03/26/using-pocketwizards-and-the-lumodi-beauty-dish/#comments</comments>
		<pubDate>Fri, 26 Mar 2010 15:46:10 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Lighting Tips]]></category>
		<category><![CDATA[Shooting and Lighting Tips]]></category>
		<category><![CDATA[canon]]></category>
		<category><![CDATA[lighting]]></category>
		<category><![CDATA[Lumodi]]></category>
		<category><![CDATA[pocketwizard]]></category>
		<category><![CDATA[technique]]></category>
		<category><![CDATA[Wireless]]></category>

		<guid isPermaLink="false">http://cameradojo.com/?p=1922</guid>
		<description><![CDATA[A number of people asked about how to trigger a flash that is behind the Lumodi Beauty Dish that I talked about a few days ago. The Canon wireless eTTL system leavesa lot to be ...]]></description>
		<wfw:commentRss>http://cameradojo.com/2010/03/26/using-pocketwizards-and-the-lumodi-beauty-dish/feed/</wfw:commentRss>
		<slash:comments>9</slash:comments>
		</item>
		<item>
		<title>David Ziser lighting demo for Westcott at WPPI 2010</title>
		<link>http://cameradojo.com/2010/03/15/david-ziser-lighting-demo-for-westcott-at-wppi-2010/</link>
		<comments>http://cameradojo.com/2010/03/15/david-ziser-lighting-demo-for-westcott-at-wppi-2010/#comments</comments>
		<pubDate>Mon, 15 Mar 2010 16:45:17 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Shooting Tips]]></category>
		<category><![CDATA[david ziser]]></category>
		<category><![CDATA[wppi]]></category>

		<guid isPermaLink="false">http://cameradojo.com/?p=1885</guid>
		<description><![CDATA[David Ziser (http://digitalprotalk.com) is certainly one of my personal mentors with his classical approach to wedding photography and lighting. At WPPI this year David was on-hand at the Westcott booth to do a lighting demonstration ...]]></description>
		<wfw:commentRss>http://cameradojo.com/2010/03/15/david-ziser-lighting-demo-for-westcott-at-wppi-2010/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Tamron Video &#8211; Autofocus functions and modes</title>
		<link>http://cameradojo.com/2010/03/10/tamron-video-autofocus-functions-and-modes/</link>
		<comments>http://cameradojo.com/2010/03/10/tamron-video-autofocus-functions-and-modes/#comments</comments>
		<pubDate>Thu, 11 Mar 2010 05:31:26 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Shooting Tips]]></category>
		<category><![CDATA[Shooting and Lighting Tips]]></category>
		<category><![CDATA[Videos]]></category>
		<category><![CDATA[Autofocus]]></category>
		<category><![CDATA[Basics]]></category>
		<category><![CDATA[DSLR]]></category>
		<category><![CDATA[Tamron]]></category>

		<guid isPermaLink="false">http://cameradojo.com/?p=1881</guid>
		<description><![CDATA[In this video, Andrew from Tamron discusses the autofocus features of modern DSLRs and the different autofocus modes that are available. You will also learn when and how to use the different types of autofocus ...]]></description>
		<wfw:commentRss>http://cameradojo.com/2010/03/10/tamron-video-autofocus-functions-and-modes/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Getting to Know Your Camera &#8211; Tamron Video</title>
		<link>http://cameradojo.com/2010/03/08/getting-to-know-your-camera-tamron-video/</link>
		<comments>http://cameradojo.com/2010/03/08/getting-to-know-your-camera-tamron-video/#comments</comments>
		<pubDate>Mon, 08 Mar 2010 17:40:39 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Shooting Tips]]></category>
		<category><![CDATA[Shooting and Lighting Tips]]></category>
		<category><![CDATA[Videos]]></category>
		<category><![CDATA[Basics]]></category>
		<category><![CDATA[Tamron]]></category>

		<guid isPermaLink="false">http://cameradojo.com/?p=1880</guid>
		<description><![CDATA[In this first video from Tamron, Andre talks about camera basics and getting to know your camera.

]]></description>
		<wfw:commentRss>http://cameradojo.com/2010/03/08/getting-to-know-your-camera-tamron-video/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Podcast #75 &#8211; Conversation with Syl Arena &#8211; LIDLIPS, Speedlites, and More</title>
		<link>http://cameradojo.com/2010/02/13/podcast-75-conversation-with-syl-arena-lidlips-speedlites-and-more/</link>
		<comments>http://cameradojo.com/2010/02/13/podcast-75-conversation-with-syl-arena-lidlips-speedlites-and-more/#comments</comments>
		<pubDate>Sat, 13 Feb 2010 17:53:23 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Lighting Tips]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[camera]]></category>
		<category><![CDATA[Digital]]></category>
		<category><![CDATA[flash]]></category>
		<category><![CDATA[lighting]]></category>
		<category><![CDATA[podcast]]></category>
		<category><![CDATA[shooting]]></category>
		<category><![CDATA[technique]]></category>

		<guid isPermaLink="false">http://cameradojo.com/?p=1824</guid>
		<description><![CDATA[In this episode I am joined by Syl Arena from Paso Robles California who is an excellent photographer and one of the people that has really been an inspiration to me in using small speedlites ...]]></description>
		<wfw:commentRss>http://cameradojo.com/2010/02/13/podcast-75-conversation-with-syl-arena-lidlips-speedlites-and-more/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
			<enclosure url="http://cameradojo.com/podpress_trac/feed/1824/0/CD_075_ConversationSylArenaLidlipsSpeedlitesMor.mp3" length="58039987" type="audio/mpeg" />
		<itunes:duration>60:23</itunes:duration>
		<itunes:subtitle>In this episode I am joined by Syl Arena from Paso Robles California who is an excellent photographer and one of the people that has ...</itunes:subtitle>
		<itunes:summary>In this episode I am joined by Syl Arena from Paso Robles California who is an excellent photographer and one of the people that has really been an inspiration to me in using small speedlites for on-location lighting. Syl gained some internet fame by ganging a dozen speedlites together to demonstrate high speed syncing techniques that can turn full daylight into night and allow how super fast shutter speeds.

Syl's new book LIDLIPS Lessons I Didn't Learn In Photo School is available on Amazon for only $13.45.

Be sure and check out Syl's websites: http://pixsylated.com and  http://speedliting.com
Autographed copies of LIDLIPS can be ordered here on PixSylated.
Here are several brand-new pages with Syl's thoughts on Speedliting gear  from Speedliting.com
Speedlite-mounted Light Modifiers
Umbrellas, Softboxes &#38; Beauty Dishes for Speedlite
E-TTL Cords, Sync Cords &#38; Hotshoe Adapters
Going Wireless: E-TTL, Optical Slaves &#38; Radio  Triggers

Show Host
Kerry Garrison 
http://kerrygarrison.com Twitter Facebook FriendFeed

This podcast is also available on iTunes.

</itunes:summary>
		<itunes:keywords>Featured, Lighting Tips, Podcasts</itunes:keywords>
		<itunes:author>Kerry  Garrison</itunes:author>
		<itunes:explicit>clean</itunes:explicit>
		<itunes:block>no</itunes:block>
	</item>
		<item>
		<title>15 Photography Books You Shouldn&#8217;t Go Without Reading</title>
		<link>http://cameradojo.com/2009/08/27/15-photography-books-you-shouldnt-go-without-reading/</link>
		<comments>http://cameradojo.com/2009/08/27/15-photography-books-you-shouldnt-go-without-reading/#comments</comments>
		<pubDate>Thu, 27 Aug 2009 15:47:07 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Lighting Tips]]></category>
		<category><![CDATA[Shooting Tips]]></category>
		<category><![CDATA[digital photography book]]></category>
		<category><![CDATA[joe mcnally]]></category>
		<category><![CDATA[photography books]]></category>
		<category><![CDATA[photography techniques]]></category>
		<category><![CDATA[Scott Kelby]]></category>

		<guid isPermaLink="false">http://cameradojo.com/?p=1578</guid>
		<description><![CDATA[There are hundreds if not thousands of photography books available and choosing one can be a daunting task. I asked around for some suggestions and even made some tweets to ask what other people thought and I came up with this list of 17 (will explain in a moment) books you shouldn't miss.]]></description>
		<wfw:commentRss>http://cameradojo.com/2009/08/27/15-photography-books-you-shouldnt-go-without-reading/feed/</wfw:commentRss>
		<slash:comments>7</slash:comments>
		</item>
		<item>
		<title>Digium Card Photo Shoot Walkthru</title>
		<link>http://cameradojo.com/2009/08/14/digium-card-photo-shoot/</link>
		<comments>http://cameradojo.com/2009/08/14/digium-card-photo-shoot/#comments</comments>
		<pubDate>Sat, 15 Aug 2009 05:46:26 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Shooting Tips]]></category>
		<category><![CDATA[Videos]]></category>
		<category><![CDATA[lighting]]></category>
		<category><![CDATA[Lightroom]]></category>
		<category><![CDATA[Photoshop]]></category>
		<category><![CDATA[reflection]]></category>

		<guid isPermaLink="false">http://cameradojo.com/?p=1556</guid>
		<description><![CDATA[Every once in a while a shoot comes up with specific requirements and your job is to figure out how to get the shot that they want. Today I needed to shoot some Digium interface cards for 888VoipStore.com. The challenge was that I wanted to get a vertical shot with a reflection underneath. ]]></description>
		<wfw:commentRss>http://cameradojo.com/2009/08/14/digium-card-photo-shoot/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>DSLR Remote Pro &#8211; Revisiting an old friend</title>
		<link>http://cameradojo.com/2009/07/20/dslr-remote-pro-revisiting-an-old-friend/</link>
		<comments>http://cameradojo.com/2009/07/20/dslr-remote-pro-revisiting-an-old-friend/#comments</comments>
		<pubDate>Mon, 20 Jul 2009 11:00:32 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Product Reviews]]></category>
		<category><![CDATA[Shooting Tips]]></category>
		<category><![CDATA[Adobe]]></category>
		<category><![CDATA[dslr remote pro]]></category>
		<category><![CDATA[lighting]]></category>
		<category><![CDATA[Lightroom]]></category>
		<category><![CDATA[live view]]></category>
		<category><![CDATA[remote]]></category>
		<category><![CDATA[tethered shooting]]></category>

		<guid isPermaLink="false">http://cameradojo.com/?p=1505</guid>
		<description><![CDATA[If you have been a fan of Camera Dojo for a while you will have seen mentions of Breeze Systems’ DSLR Remote Pro. DSLR Remote Pro at its basics is a tool for doing tethered shooting, so what right? The Canon EOS Utility can do that, so why would we want to spend close to $100 for software that comes free with your camera? Let’s take a fresh look at what all DSLR Remote Pro can do for you.]]></description>
		<wfw:commentRss>http://cameradojo.com/2009/07/20/dslr-remote-pro-revisiting-an-old-friend/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>How to properly clean your lenses</title>
		<link>http://cameradojo.com/2009/07/14/how-to-properly-clean-your-lenses/</link>
		<comments>http://cameradojo.com/2009/07/14/how-to-properly-clean-your-lenses/#comments</comments>
		<pubDate>Wed, 15 Jul 2009 05:21:21 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Shooting Tips]]></category>
		<category><![CDATA[Videos]]></category>

		<guid isPermaLink="false">http://cameradojo.com/?p=1495</guid>
		<description><![CDATA[In the forums Benjamin Trevor asked for an article on how to properly clean your lens so thanks for the suggestion and here we go. First off, the best thing to do is keep your lenses clean in the first place, always keep your front and rear caps on when not in use.]]></description>
		<wfw:commentRss>http://cameradojo.com/2009/07/14/how-to-properly-clean-your-lenses/feed/</wfw:commentRss>
		<slash:comments>10</slash:comments>
		</item>
		<item>
		<title>Video: What&#8217;s in Kerry&#8217;s Bag</title>
		<link>http://cameradojo.com/2009/07/12/video-whats-in-kerrys-bag/</link>
		<comments>http://cameradojo.com/2009/07/12/video-whats-in-kerrys-bag/#comments</comments>
		<pubDate>Sun, 12 Jul 2009 23:14:16 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Shooting Tips]]></category>
		<category><![CDATA[Videos]]></category>

		<guid isPermaLink="false">http://cameradojo.com/?p=1492</guid>
		<description><![CDATA[I get asked all the day what gear I have in my camera bag so today I put together a video of going through my camera bag and seeing everything that is in it. If ...]]></description>
		<wfw:commentRss>http://cameradojo.com/2009/07/12/video-whats-in-kerrys-bag/feed/</wfw:commentRss>
		<slash:comments>12</slash:comments>
		</item>
		<item>
		<title>Video: Walking through a typical product shoot</title>
		<link>http://cameradojo.com/2009/07/09/video-walking-through-a-typical-product-shoot/</link>
		<comments>http://cameradojo.com/2009/07/09/video-walking-through-a-typical-product-shoot/#comments</comments>
		<pubDate>Thu, 09 Jul 2009 14:07:58 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Lighting Tips]]></category>
		<category><![CDATA[Videos]]></category>
		<category><![CDATA[camera]]></category>
		<category><![CDATA[lighting]]></category>
		<category><![CDATA[Lightroom]]></category>
		<category><![CDATA[Metering]]></category>
		<category><![CDATA[shooting]]></category>
		<category><![CDATA[Spiderlite]]></category>
		<category><![CDATA[TD-5]]></category>
		<category><![CDATA[Westcott]]></category>

		<guid isPermaLink="false">http://cameradojo.com/?p=1482</guid>
		<description><![CDATA[In this video Kerry walks through the process of doing a typical product shoot. This tutorial uses the Westcott Spiderlite TD-5 constant lights. Constant lights are great for product shots because you can easily get your lighting setup and see exactly in the viewfinder what you will get when you press the shutter.]]></description>
		<wfw:commentRss>http://cameradojo.com/2009/07/09/video-walking-through-a-typical-product-shoot/feed/</wfw:commentRss>
		<slash:comments>19</slash:comments>
		</item>
		<item>
		<title>Video: Using Live View Mode for Macro Shots</title>
		<link>http://cameradojo.com/2009/07/02/video-using-live-view-mode-for-macro-shots/</link>
		<comments>http://cameradojo.com/2009/07/02/video-using-live-view-mode-for-macro-shots/#comments</comments>
		<pubDate>Thu, 02 Jul 2009 14:47:07 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Shooting Tips]]></category>
		<category><![CDATA[Videos]]></category>
		<category><![CDATA[closeup]]></category>
		<category><![CDATA[Composer]]></category>
		<category><![CDATA[focus]]></category>
		<category><![CDATA[lensbaby]]></category>
		<category><![CDATA[live view]]></category>
		<category><![CDATA[macro]]></category>
		<category><![CDATA[Tripod]]></category>

		<guid isPermaLink="false">http://cameradojo.com/?p=1471</guid>
		<description><![CDATA[One of my favorite shots at a wedding is the ring shot or close-up shots of specific details. For these shots I love to use a Lensbaby Composer. With many DSLR's it can be pretty tricky because of the warping action of the Lensbaby lens along with the small viewfinder and when using the super wide angle lens it just compounds the issue on macro shots. In the past, the best I could do was to get the focus as close as possible and then take a series of shots making slight changes to the focus each time.]]></description>
		<wfw:commentRss>http://cameradojo.com/2009/07/02/video-using-live-view-mode-for-macro-shots/feed/</wfw:commentRss>
		<slash:comments>4</slash:comments>
		</item>
		<item>
		<title>Video: Hows does aperture affect your shot</title>
		<link>http://cameradojo.com/2009/06/27/video-hows-does-aperture-affect-your-shot/</link>
		<comments>http://cameradojo.com/2009/06/27/video-hows-does-aperture-affect-your-shot/#comments</comments>
		<pubDate>Sat, 27 Jun 2009 15:36:36 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Shooting Tips]]></category>
		<category><![CDATA[Videos]]></category>
		<category><![CDATA[aperture]]></category>
		<category><![CDATA[depth of field]]></category>
		<category><![CDATA[dof]]></category>
		<category><![CDATA[exposure]]></category>

		<guid isPermaLink="false">http://cameradojo.com/?p=1474</guid>
		<description><![CDATA[Adam Mason asked us how aperture can affect your shot. To answer the question Kerry explains what aperture is and then demonstrates how it can be used to alter the look of the image you are trying to create. By learning how to use your aperture to control light and depth of field you can dramatically change the look of your photographs.]]></description>
		<wfw:commentRss>http://cameradojo.com/2009/06/27/video-hows-does-aperture-affect-your-shot/feed/</wfw:commentRss>
		<slash:comments>4</slash:comments>
		</item>
		<item>
		<title>Video: How to use a Light Meter</title>
		<link>http://cameradojo.com/2009/06/25/video-how-to-use-a-light-meter/</link>
		<comments>http://cameradojo.com/2009/06/25/video-how-to-use-a-light-meter/#comments</comments>
		<pubDate>Fri, 26 Jun 2009 04:07:26 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Lighting Tips]]></category>
		<category><![CDATA[Videos]]></category>
		<category><![CDATA[light]]></category>
		<category><![CDATA[Light Meter]]></category>
		<category><![CDATA[lighting]]></category>
		<category><![CDATA[shooting]]></category>
		<category><![CDATA[shutter]]></category>
		<category><![CDATA[stop]]></category>

		<guid isPermaLink="false">http://cameradojo.com/?p=1466</guid>
		<description><![CDATA[With the recent articles we have done on portrait lighting and the use of light meters we have had a bunch of requests to do an actual demonstration of how to use a meter in an actual real-world environment.

In this video Kerry demonstrates using a simple light meter in a product shoot.]]></description>
		<wfw:commentRss>http://cameradojo.com/2009/06/25/video-how-to-use-a-light-meter/feed/</wfw:commentRss>
		<slash:comments>15</slash:comments>
		</item>
		<item>
		<title>Classic Portrait Lighting Styles Part I</title>
		<link>http://cameradojo.com/2009/06/13/classic-portrait-lighting-styles-part-i/</link>
		<comments>http://cameradojo.com/2009/06/13/classic-portrait-lighting-styles-part-i/#comments</comments>
		<pubDate>Sun, 14 Jun 2009 02:22:36 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Lighting Tips]]></category>
		<category><![CDATA[camera]]></category>
		<category><![CDATA[exposure]]></category>
		<category><![CDATA[light]]></category>
		<category><![CDATA[lighting]]></category>
		<category><![CDATA[Meter]]></category>
		<category><![CDATA[Portrait]]></category>
		<category><![CDATA[ratios]]></category>
		<category><![CDATA[shadows]]></category>

		<guid isPermaLink="false">http://cameradojo.com/?p=1429</guid>
		<description><![CDATA[As we continue our series on portrait lighting we now need to look at the different types of classic portrait lighting and see the effect it has on someone so we can decided when to use each type. By choosing the proper lighting for a particular person, we can help them to look their best by making them appear to be thinner or wider or to accent or minimize certain facial features.]]></description>
		<wfw:commentRss>http://cameradojo.com/2009/06/13/classic-portrait-lighting-styles-part-i/feed/</wfw:commentRss>
		<slash:comments>5</slash:comments>
		</item>
		<item>
		<title>Lighting ratios for portraits</title>
		<link>http://cameradojo.com/2009/06/10/lighting-ratios-for-portraits/</link>
		<comments>http://cameradojo.com/2009/06/10/lighting-ratios-for-portraits/#comments</comments>
		<pubDate>Wed, 10 Jun 2009 14:25:28 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Lighting Tips]]></category>
		<category><![CDATA[camera]]></category>
		<category><![CDATA[light]]></category>
		<category><![CDATA[lighting]]></category>
		<category><![CDATA[Portrait]]></category>
		<category><![CDATA[ratios]]></category>
		<category><![CDATA[shadows]]></category>

		<guid isPermaLink="false">http://cameradojo.com/?p=1413</guid>
		<description><![CDATA[One of the dyeing arts is that of portraits using classic styles of lighting ratios. Many new photographers are completely unfamiliar with how to do portrait lighting and so they don’t even try leaving the current trend of wedding photography to be that of photo-journalism instead of being a mix of styles including traditional portraits. In this article we are going to try to teach you the typical lighting ratios that are used in portraiture.]]></description>
		<wfw:commentRss>http://cameradojo.com/2009/06/10/lighting-ratios-for-portraits/feed/</wfw:commentRss>
		<slash:comments>6</slash:comments>
		</item>
		<item>
		<title>Using a Light Meter for Proper Exposure</title>
		<link>http://cameradojo.com/2009/06/06/using-a-light-meter-for-proper-exposure/</link>
		<comments>http://cameradojo.com/2009/06/06/using-a-light-meter-for-proper-exposure/#comments</comments>
		<pubDate>Sat, 06 Jun 2009 19:01:34 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Lighting Tips]]></category>
		<category><![CDATA[Photoshop tutorials]]></category>
		<category><![CDATA[aperture]]></category>
		<category><![CDATA[exposure]]></category>
		<category><![CDATA[ISO]]></category>
		<category><![CDATA[Light Meter]]></category>
		<category><![CDATA[lighting]]></category>
		<category><![CDATA[shooting]]></category>
		<category><![CDATA[shutter speed]]></category>

		<guid isPermaLink="false">http://cameradojo.com/?p=1394</guid>
		<description><![CDATA[I have heard the phrase “I don’t need no stinking light meter” more times than I can count, your LCD display and histogram are all you need for a perfect exposure right? Would you be surprised if I told you that your camera was lying to you? We first need to know why our LCD and histogram is wrong before we can believe that using a light meter will be of benefit.]]></description>
		<wfw:commentRss>http://cameradojo.com/2009/06/06/using-a-light-meter-for-proper-exposure/feed/</wfw:commentRss>
		<slash:comments>12</slash:comments>
		</item>
		<item>
		<title>Camera Raw 5.4 RC Release &#8211; New Camera Support</title>
		<link>http://cameradojo.com/2009/05/22/camera-raw-54-rc-release-new-camera-support/</link>
		<comments>http://cameradojo.com/2009/05/22/camera-raw-54-rc-release-new-camera-support/#comments</comments>
		<pubDate>Fri, 22 May 2009 21:08:40 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Lighting Tips]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Adobe]]></category>
		<category><![CDATA[camera]]></category>
		<category><![CDATA[raw]]></category>
		<category><![CDATA[release]]></category>

		<guid isPermaLink="false">http://cameradojo.com/?p=1349</guid>
		<description><![CDATA[Adobe has released a Release Candidate version of the upcomign Camera Raw 5.4. The main feature of the new version is support for a number of new cameras including:


Canon EOS 500D (EOS Rebel T1i)
Epson R-D1x
Hasselblad ...]]></description>
		<wfw:commentRss>http://cameradojo.com/2009/05/22/camera-raw-54-rc-release-new-camera-support/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Adobe RGB vs sRGB vs ProPhoto RGB</title>
		<link>http://cameradojo.com/2009/04/19/adobe-rgb-vs-srgb-vs-prophoto-rgb/</link>
		<comments>http://cameradojo.com/2009/04/19/adobe-rgb-vs-srgb-vs-prophoto-rgb/#comments</comments>
		<pubDate>Mon, 20 Apr 2009 03:42:47 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Shooting Tips]]></category>
		<category><![CDATA[Adobe]]></category>
		<category><![CDATA[Apple]]></category>
		<category><![CDATA[articles]]></category>
		<category><![CDATA[camera]]></category>
		<category><![CDATA[color]]></category>
		<category><![CDATA[jpeg]]></category>
		<category><![CDATA[Lightroom]]></category>
		<category><![CDATA[Photoshop]]></category>
		<category><![CDATA[raw]]></category>
		<category><![CDATA[shooting]]></category>
		<category><![CDATA[Tutorial]]></category>
		<category><![CDATA[Tutorials]]></category>
		<category><![CDATA[Workflow]]></category>

		<guid isPermaLink="false">http://cameradojo.com/?p=1300</guid>
		<description><![CDATA[Mac versus PC, RAW versus JPEG, Coke versus Pepsi, all solid battles in their own right but Adobe RGB versus sRGB is still one that confuses more people than anything else. One of the problems is that there is big name experts on both sides of this argument arguring why their side is right and the other is totally off-base. What we will try to do is to show how both affect images so that you can choose the right one for your situation.]]></description>
		<wfw:commentRss>http://cameradojo.com/2009/04/19/adobe-rgb-vs-srgb-vs-prophoto-rgb/feed/</wfw:commentRss>
		<slash:comments>26</slash:comments>
		</item>
		<item>
		<title>Cleaning your own DSLR&#8217;s Sensor &#8211; the right way</title>
		<link>http://cameradojo.com/2009/03/25/cleaning-your-own-dslrs-sensor-the-right-way/</link>
		<comments>http://cameradojo.com/2009/03/25/cleaning-your-own-dslrs-sensor-the-right-way/#comments</comments>
		<pubDate>Wed, 25 Mar 2009 17:47:49 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Product Reviews]]></category>
		<category><![CDATA[Shooting Tips]]></category>
		<category><![CDATA[brush]]></category>
		<category><![CDATA[camera]]></category>
		<category><![CDATA[ccd]]></category>
		<category><![CDATA[cleaning]]></category>
		<category><![CDATA[DSLR]]></category>
		<category><![CDATA[repair]]></category>
		<category><![CDATA[sensor]]></category>

		<guid isPermaLink="false">http://cameradojo.com/?p=1229</guid>
		<description><![CDATA[I have seen grown men shiver and quake in the shoes at the thought of cleaning the sensor on their DSLR by themselves. The sheer anxiety of sticking something into your expensive camera body has left many people with the only option for dust removal being a stop at a camera shop or repair center for a cleaning. In this article we will look at how to clean your camera's sensor the safe and easy way and dispel some myths around the black art of sensor cleaning.]]></description>
		<wfw:commentRss>http://cameradojo.com/2009/03/25/cleaning-your-own-dslrs-sensor-the-right-way/feed/</wfw:commentRss>
		<slash:comments>10</slash:comments>
		</item>
		<item>
		<title>Repairing the hot shoe on a Canon DSLR</title>
		<link>http://cameradojo.com/2009/03/16/repairing-the-hot-shoe-on-a-canon-dslr/</link>
		<comments>http://cameradojo.com/2009/03/16/repairing-the-hot-shoe-on-a-canon-dslr/#comments</comments>
		<pubDate>Mon, 16 Mar 2009 14:10:34 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Shooting Tips]]></category>
		<category><![CDATA[Shooting and Lighting Tips]]></category>
		<category><![CDATA[camera]]></category>
		<category><![CDATA[canon]]></category>
		<category><![CDATA[DSLR]]></category>
		<category><![CDATA[flash]]></category>
		<category><![CDATA[hot shoe]]></category>
		<category><![CDATA[Nikon]]></category>
		<category><![CDATA[repair]]></category>
		<category><![CDATA[shooting]]></category>
		<category><![CDATA[technique]]></category>

		<guid isPermaLink="false">http://cameradojo.com/?p=1209</guid>
		<description><![CDATA[During a wedding shoot one day I noticed that my flash was only firing occasionally. After the initial panic, I quickly figured out that if I held the flash with a little counter-clockwise tension, then the flash worked fine. At the first break, I tried my backup camera and it was doing the same thing. When I got home, I checked it against my daughter's 20D and it worked fine, and it also seemed that the hot shoe on my cameras was loose compared to hers.Another symptom of this is that the flash will switch from E-TTL mode into TTL mode and the exposure will usually be very overexposed.]]></description>
		<wfw:commentRss>http://cameradojo.com/2009/03/16/repairing-the-hot-shoe-on-a-canon-dslr/feed/</wfw:commentRss>
		<slash:comments>7</slash:comments>
		</item>
		<item>
		<title>Vote for Camera Dojo</title>
		<link>http://cameradojo.com/2009/02/09/vote-for-camera-dojo/</link>
		<comments>http://cameradojo.com/2009/02/09/vote-for-camera-dojo/#comments</comments>
		<pubDate>Mon, 09 Feb 2009 08:28:43 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Lighting Tips]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[camera]]></category>
		<category><![CDATA[vote]]></category>

		<guid isPermaLink="false">http://cameradojo.com/?p=1103</guid>
		<description><![CDATA[We know you love The Dojo and here is your chance to show it. Camera Dojo is up for  a fresh blog award.  The downside is its a little weird to vote for. First off you have to go to the right page (linked here) and then click on the thumbnail for Camera Dojo as shown in the next image. From there you are only a click away from casting your vote. We really appreciate your support and maybe even win an award. Thanks for voting!]]></description>
		<wfw:commentRss>http://cameradojo.com/2009/02/09/vote-for-camera-dojo/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Understanding Exposure with the Exposure Triangle</title>
		<link>http://cameradojo.com/2009/01/28/understanding-exposure-with-the-exposure-triangle/</link>
		<comments>http://cameradojo.com/2009/01/28/understanding-exposure-with-the-exposure-triangle/#comments</comments>
		<pubDate>Wed, 28 Jan 2009 23:50:05 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Headline]]></category>
		<category><![CDATA[Shooting Tips]]></category>
		<category><![CDATA[Adjustments]]></category>
		<category><![CDATA[aperture]]></category>
		<category><![CDATA[articles]]></category>
		<category><![CDATA[camera]]></category>
		<category><![CDATA[exposure]]></category>
		<category><![CDATA[ISO]]></category>
		<category><![CDATA[lens]]></category>
		<category><![CDATA[light]]></category>
		<category><![CDATA[lighting]]></category>
		<category><![CDATA[shutter]]></category>
		<category><![CDATA[stop]]></category>

		<guid isPermaLink="false">http://cameradojo.com/?p=1068</guid>
		<description><![CDATA[Based on comments and emails I have received there are still some people that are confused about how the three elements of exposure play together to determine how dark or bright an image is. Today I want you to think of the three elements of exposure as the three points of a triangle each having an equal effect on the final exposure of the image.]]></description>
		<wfw:commentRss>http://cameradojo.com/2009/01/28/understanding-exposure-with-the-exposure-triangle/feed/</wfw:commentRss>
		<slash:comments>16</slash:comments>
		</item>
		<item>
		<title>Reader Question &#8211; Books about posing</title>
		<link>http://cameradojo.com/2009/01/24/reader-question-books-about-posing/</link>
		<comments>http://cameradojo.com/2009/01/24/reader-question-books-about-posing/#comments</comments>
		<pubDate>Sat, 24 Jan 2009 14:07:12 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Lighting Tips]]></category>
		<category><![CDATA[Shooting Tips]]></category>
		<category><![CDATA[Book]]></category>
		<category><![CDATA[camera]]></category>
		<category><![CDATA[exposure]]></category>
		<category><![CDATA[light]]></category>
		<category><![CDATA[lighting]]></category>
		<category><![CDATA[photographer]]></category>
		<category><![CDATA[technique]]></category>
		<category><![CDATA[wedding]]></category>
		<category><![CDATA[Weddings]]></category>

		<guid isPermaLink="false">http://cameradojo.com/?p=1057</guid>
		<description><![CDATA[Heather wrote in with the following question and we thought it deserved more than just a quick email response.

"Hey Guys,

I got a question for ya. Sorry the answer to this might already be on your site somewhere but I'd just thought I would msg you instead. I was wondering if you had any suggestions for photography books either having to do w/ business or the technical side of things. ]]></description>
		<wfw:commentRss>http://cameradojo.com/2009/01/24/reader-question-books-about-posing/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>RAW vs. JPEG – Deciding which is best for you</title>
		<link>http://cameradojo.com/2009/01/20/raw-vs-jpeg-%e2%80%93-deciding-which-is-best-for-you/</link>
		<comments>http://cameradojo.com/2009/01/20/raw-vs-jpeg-%e2%80%93-deciding-which-is-best-for-you/#comments</comments>
		<pubDate>Tue, 20 Jan 2009 13:00:42 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Shooting Tips]]></category>
		<category><![CDATA[Adjustments]]></category>
		<category><![CDATA[Adobe]]></category>
		<category><![CDATA[albums]]></category>
		<category><![CDATA[aperture]]></category>
		<category><![CDATA[articles]]></category>
		<category><![CDATA[camera]]></category>
		<category><![CDATA[canon]]></category>
		<category><![CDATA[clients]]></category>
		<category><![CDATA[color]]></category>
		<category><![CDATA[Digital]]></category>
		<category><![CDATA[Editing]]></category>
		<category><![CDATA[exposure]]></category>
		<category><![CDATA[flash]]></category>
		<category><![CDATA[Florida]]></category>
		<category><![CDATA[ing]]></category>
		<category><![CDATA[jpeg]]></category>
		<category><![CDATA[light]]></category>
		<category><![CDATA[lighting]]></category>
		<category><![CDATA[Lightroom]]></category>
		<category><![CDATA[lost]]></category>
		<category><![CDATA[new]]></category>
		<category><![CDATA[Nikon]]></category>
		<category><![CDATA[photographer]]></category>
		<category><![CDATA[Photoshop]]></category>
		<category><![CDATA[Pictures]]></category>
		<category><![CDATA[Post]]></category>
		<category><![CDATA[raw]]></category>
		<category><![CDATA[shooting]]></category>
		<category><![CDATA[Special]]></category>
		<category><![CDATA[Storage]]></category>
		<category><![CDATA[Update]]></category>
		<category><![CDATA[Upgrade]]></category>
		<category><![CDATA[wedding]]></category>
		<category><![CDATA[Weddings]]></category>
		<category><![CDATA[Workflow]]></category>

		<guid isPermaLink="false">http://cameradojo.com/?p=963</guid>
		<description><![CDATA[Yes, RAW vs. JPEG, the seemingly endless debate, almost as bad as Mac vs. PC or Film vs. Digital and people have been asking me to write up an article on this based on my opinion and experience and I have really put this article off for a long time as I wanted to be as unbiased in how I write this given that this is a very biased topic.]]></description>
		<wfw:commentRss>http://cameradojo.com/2009/01/20/raw-vs-jpeg-%e2%80%93-deciding-which-is-best-for-you/feed/</wfw:commentRss>
		<slash:comments>10</slash:comments>
		</item>
		<item>
		<title>Lightroom 2.2 Camera Profiles</title>
		<link>http://cameradojo.com/2008/12/26/lightroom-22-camera-profiles/</link>
		<comments>http://cameradojo.com/2008/12/26/lightroom-22-camera-profiles/#comments</comments>
		<pubDate>Fri, 26 Dec 2008 18:00:26 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Shooting Tips]]></category>
		<category><![CDATA[Tutorials]]></category>
		<category><![CDATA[Videos]]></category>
		<category><![CDATA[Adobe]]></category>
		<category><![CDATA[Calibration]]></category>
		<category><![CDATA[camera]]></category>
		<category><![CDATA[canon]]></category>
		<category><![CDATA[color]]></category>
		<category><![CDATA[Lightroom]]></category>
		<category><![CDATA[Photoshop]]></category>
		<category><![CDATA[Presets]]></category>
		<category><![CDATA[raw]]></category>
		<category><![CDATA[release]]></category>
		<category><![CDATA[shooting]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[windows]]></category>

		<guid isPermaLink="false">http://cameradojo.com/?p=959</guid>
		<description><![CDATA[With the release of Adobe Photoshop Lightroom 2.2, camera profiles are now built in by default. What are camera profiles? Well, let's look start at the beginning and explain what happens to your images within Lightroom so we have a basis of reference when we get back to figuring out how to use these profiles.]]></description>
		<wfw:commentRss>http://cameradojo.com/2008/12/26/lightroom-22-camera-profiles/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Comparison of HDR Techniques</title>
		<link>http://cameradojo.com/2008/12/12/comparison-of-hdr-techniques/</link>
		<comments>http://cameradojo.com/2008/12/12/comparison-of-hdr-techniques/#comments</comments>
		<pubDate>Fri, 12 Dec 2008 13:47:37 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Shooting Tips]]></category>
		<category><![CDATA[Adobe]]></category>
		<category><![CDATA[articles]]></category>
		<category><![CDATA[Enfuse]]></category>
		<category><![CDATA[exposure]]></category>
		<category><![CDATA[HDR]]></category>
		<category><![CDATA[light]]></category>
		<category><![CDATA[lighting]]></category>
		<category><![CDATA[Lightroom]]></category>
		<category><![CDATA[new]]></category>
		<category><![CDATA[Photomatix]]></category>
		<category><![CDATA[Photoshop]]></category>
		<category><![CDATA[Post]]></category>
		<category><![CDATA[stop]]></category>
		<category><![CDATA[technique]]></category>
		<category><![CDATA[Tips]]></category>
		<category><![CDATA[windows]]></category>

		<guid isPermaLink="false">http://cameradojo.com/?p=917</guid>
		<description><![CDATA[HDR Photography is a method of combining multiple exposures into a single image in order to achieve a greater dynamic range in an image. If that sounded a bit complex, let's break that down a bit more. If I take a photo, the sensor only can capture a given range from light to dark, in a normally exposed image, you may lose some detail in the darkest areas and you may lose some detail in the brightest areas. But if we can take an normal exposure, an underexposed image (to get the detail in the highlights) and an overexposed image (to get the details in the shadows) and combine them into a single image, then we can get a new image that can be the best of all three.]]></description>
		<wfw:commentRss>http://cameradojo.com/2008/12/12/comparison-of-hdr-techniques/feed/</wfw:commentRss>
		<slash:comments>14</slash:comments>
		</item>
		<item>
		<title>Photography Basics: Beginners Guide to Aperture</title>
		<link>http://cameradojo.com/2008/12/04/photography-basics-beginners-guide-to-aperture/</link>
		<comments>http://cameradojo.com/2008/12/04/photography-basics-beginners-guide-to-aperture/#comments</comments>
		<pubDate>Fri, 05 Dec 2008 03:00:02 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Shooting Tips]]></category>
		<category><![CDATA[Shooting and Lighting Tips]]></category>
		<category><![CDATA[Adjustments]]></category>
		<category><![CDATA[aperture]]></category>
		<category><![CDATA[background]]></category>
		<category><![CDATA[Backgrounds]]></category>
		<category><![CDATA[camera]]></category>
		<category><![CDATA[Digital]]></category>
		<category><![CDATA[distance]]></category>
		<category><![CDATA[exposure]]></category>
		<category><![CDATA[ing]]></category>
		<category><![CDATA[ISO]]></category>
		<category><![CDATA[lens]]></category>
		<category><![CDATA[light]]></category>
		<category><![CDATA[lighting]]></category>
		<category><![CDATA[noise]]></category>
		<category><![CDATA[Post]]></category>
		<category><![CDATA[shutter]]></category>

		<guid isPermaLink="false">http://cameradojo.com/?p=889</guid>
		<description><![CDATA[As part of our Photography Basics series we talked about Exposure already and this time we are going to cover the mystery of aperture. Aperture is probably the least understood setting of everything on your camera. While shutter settings are very easy to understand, to long of a shutter speed and you will get blurring, pretty simple stuff. Same with ISO, too high of ISO and you introduce digital noise. But learning how to use aperture properly can kill brain cells faster than a frat house kegger party.]]></description>
		<wfw:commentRss>http://cameradojo.com/2008/12/04/photography-basics-beginners-guide-to-aperture/feed/</wfw:commentRss>
		<slash:comments>11</slash:comments>
		</item>
		<item>
		<title>Photography Basics: Controlling Exposure</title>
		<link>http://cameradojo.com/2008/11/26/photography-basics-controlling-exposure/</link>
		<comments>http://cameradojo.com/2008/11/26/photography-basics-controlling-exposure/#comments</comments>
		<pubDate>Wed, 26 Nov 2008 13:00:36 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Shooting Tips]]></category>
		<category><![CDATA[Actions]]></category>
		<category><![CDATA[aperture]]></category>
		<category><![CDATA[background]]></category>
		<category><![CDATA[Backgrounds]]></category>
		<category><![CDATA[camera]]></category>
		<category><![CDATA[Digital]]></category>
		<category><![CDATA[DSLR]]></category>
		<category><![CDATA[exposure]]></category>
		<category><![CDATA[ISO]]></category>
		<category><![CDATA[light]]></category>
		<category><![CDATA[lighting]]></category>
		<category><![CDATA[lost]]></category>
		<category><![CDATA[new]]></category>
		<category><![CDATA[noise]]></category>
		<category><![CDATA[shooting]]></category>
		<category><![CDATA[shutter]]></category>
		<category><![CDATA[stop]]></category>
		<category><![CDATA[terms]]></category>
		<category><![CDATA[zoom]]></category>

		<guid isPermaLink="false">http://cameradojo.com/?p=852</guid>
		<description><![CDATA[We are beginning a series we are going to call photography basics to help explore the basics of digital photography. While the focus is on digital photography, all of the concepts will apply whether you are shooting film or digital. In this first installment we are going to look at how to control exposure by manipulating the different settings on the camera such as ISO, Shutter, and Aperture. Upcoming installments will focus on other areas such as depth of field, motion control, and specific shooting scenarios.]]></description>
		<wfw:commentRss>http://cameradojo.com/2008/11/26/photography-basics-controlling-exposure/feed/</wfw:commentRss>
		<slash:comments>8</slash:comments>
		</item>
		<item>
		<title>Compact Flash Memory cards &#8211; is yours a fake?</title>
		<link>http://cameradojo.com/2008/11/19/compact-flash-memory-cards-is-yours-a-fake/</link>
		<comments>http://cameradojo.com/2008/11/19/compact-flash-memory-cards-is-yours-a-fake/#comments</comments>
		<pubDate>Thu, 20 Nov 2008 00:07:20 +0000</pubDate>
		<dc:creator>mauricen</dc:creator>
				<category><![CDATA[Shooting Tips]]></category>
		<category><![CDATA[articles]]></category>
		<category><![CDATA[background]]></category>
		<category><![CDATA[Backgrounds]]></category>
		<category><![CDATA[camera]]></category>
		<category><![CDATA[canon]]></category>
		<category><![CDATA[color]]></category>
		<category><![CDATA[Digital]]></category>
		<category><![CDATA[flash]]></category>
		<category><![CDATA[found]]></category>
		<category><![CDATA[light]]></category>
		<category><![CDATA[lighting]]></category>
		<category><![CDATA[marketing]]></category>
		<category><![CDATA[Maurice]]></category>
		<category><![CDATA[new]]></category>
		<category><![CDATA[Orange]]></category>
		<category><![CDATA[shooting]]></category>
		<category><![CDATA[Shortcuts]]></category>
		<category><![CDATA[Storage]]></category>
		<category><![CDATA[Tips]]></category>
		<category><![CDATA[zoom]]></category>

		<guid isPermaLink="false">http://cameradojo.com/?p=818</guid>
		<description><![CDATA[I have been wanting to write this article for some time now... ever since I received a really bad fake SandDisk Ultra II Compact Flash card a few years back. After doing some research online, I found a few others that were getting the same crap cards from their online purchases.]]></description>
		<wfw:commentRss>http://cameradojo.com/2008/11/19/compact-flash-memory-cards-is-yours-a-fake/feed/</wfw:commentRss>
		<slash:comments>11</slash:comments>
		</item>
		<item>
		<title>The Sunny 16 Rule in Photography</title>
		<link>http://cameradojo.com/2008/09/18/the-sunny-16-rule-in-photography/</link>
		<comments>http://cameradojo.com/2008/09/18/the-sunny-16-rule-in-photography/#comments</comments>
		<pubDate>Thu, 18 Sep 2008 13:00:03 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Shooting Tips]]></category>
		<category><![CDATA[Adjustments]]></category>
		<category><![CDATA[camera]]></category>
		<category><![CDATA[ISO]]></category>
		<category><![CDATA[light]]></category>
		<category><![CDATA[lighting]]></category>
		<category><![CDATA[shooting]]></category>
		<category><![CDATA[shutter]]></category>

		<guid isPermaLink="false">http://cameradojo.com/?p=741</guid>
		<description><![CDATA[Although you may think that no two situations are alike, the fact is that there are quite a few constants that you can rely on to give you a good starting point. The sun is one of these things you can count on to be consistent. Of course there are things that affect the sun's output like the time of day, haze, fog, and clouds, but on a bright sunny day the light output is very consistent and knowing the camera settings for this condition will give you a guideline to make adjustments. This is where the "sunny 16" rule comes into play.]]></description>
		<wfw:commentRss>http://cameradojo.com/2008/09/18/the-sunny-16-rule-in-photography/feed/</wfw:commentRss>
		<slash:comments>15</slash:comments>
		</item>
		<item>
		<title>Using manual flashes with PC Sync</title>
		<link>http://cameradojo.com/2008/09/11/using-manual-flashes-with-pc-sync/</link>
		<comments>http://cameradojo.com/2008/09/11/using-manual-flashes-with-pc-sync/#comments</comments>
		<pubDate>Thu, 11 Sep 2008 13:00:42 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Lighting Tips]]></category>
		<category><![CDATA[Shooting Tips]]></category>
		<category><![CDATA[Adjustments]]></category>
		<category><![CDATA[aperture]]></category>
		<category><![CDATA[articles]]></category>
		<category><![CDATA[camera]]></category>
		<category><![CDATA[canon]]></category>
		<category><![CDATA[DSLR]]></category>
		<category><![CDATA[exposure]]></category>
		<category><![CDATA[flash]]></category>
		<category><![CDATA[ing]]></category>
		<category><![CDATA[ISO]]></category>
		<category><![CDATA[light]]></category>
		<category><![CDATA[lighting]]></category>
		<category><![CDATA[Meter]]></category>
		<category><![CDATA[pc sync]]></category>
		<category><![CDATA[Pictures]]></category>
		<category><![CDATA[power]]></category>
		<category><![CDATA[shooting]]></category>
		<category><![CDATA[shutter]]></category>
		<category><![CDATA[stop]]></category>
		<category><![CDATA[Strobe]]></category>
		<category><![CDATA[StrobeLite]]></category>
		<category><![CDATA[StrobeLites]]></category>
		<category><![CDATA[Strobes]]></category>
		<category><![CDATA[studio]]></category>

		<guid isPermaLink="false">http://cameradojo.com/?p=719</guid>
		<description><![CDATA[We have done a number of articles with different flash heads but we have never gone into the detail of how to set them up and make them work, this results in emails that we sit and explain all the details to people. So today I am going to go through how to setup these studio flashes and connect them to your camera to get the results you want.]]></description>
		<wfw:commentRss>http://cameradojo.com/2008/09/11/using-manual-flashes-with-pc-sync/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>How to Calculate Depth of Field</title>
		<link>http://cameradojo.com/2008/09/09/how-to-calculate-depth-of-field/</link>
		<comments>http://cameradojo.com/2008/09/09/how-to-calculate-depth-of-field/#comments</comments>
		<pubDate>Tue, 09 Sep 2008 13:00:53 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Shooting Tips]]></category>
		<category><![CDATA[aperture]]></category>
		<category><![CDATA[articles]]></category>
		<category><![CDATA[camera]]></category>
		<category><![CDATA[canon]]></category>
		<category><![CDATA[Digital]]></category>
		<category><![CDATA[distance]]></category>
		<category><![CDATA[exposure]]></category>
		<category><![CDATA[flash]]></category>
		<category><![CDATA[iPhone]]></category>
		<category><![CDATA[lens]]></category>
		<category><![CDATA[light]]></category>
		<category><![CDATA[lighting]]></category>
		<category><![CDATA[lost]]></category>
		<category><![CDATA[Meter]]></category>
		<category><![CDATA[new]]></category>
		<category><![CDATA[Pictures]]></category>
		<category><![CDATA[power]]></category>
		<category><![CDATA[shooting]]></category>
		<category><![CDATA[wedding]]></category>
		<category><![CDATA[Weddings]]></category>
		<category><![CDATA[windows]]></category>

		<guid isPermaLink="false">http://cameradojo.com/?p=712</guid>
		<description><![CDATA[A big stumbling block for many new camera users is how to figure out how much depth of field a particular image will have it in given the focal length of the lens, the aperture used and the distance to the subject. Trust me on this, trying to do the algebra to figure it out is not something most people want to try to do in their heads. In this article we will cover all of the math involved and then make it real easy with an Excel spreadsheet and some links to some free applications to help you out.]]></description>
		<wfw:commentRss>http://cameradojo.com/2008/09/09/how-to-calculate-depth-of-field/feed/</wfw:commentRss>
		<slash:comments>29</slash:comments>
		</item>
		<item>
		<title>Capturing a sense of motion with shutter speed</title>
		<link>http://cameradojo.com/2008/08/31/capturing-a-sense-of-motion-with-shutter-speed/</link>
		<comments>http://cameradojo.com/2008/08/31/capturing-a-sense-of-motion-with-shutter-speed/#comments</comments>
		<pubDate>Sun, 31 Aug 2008 21:56:12 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Shooting Tips]]></category>
		<category><![CDATA[Adjustments]]></category>
		<category><![CDATA[DSLR]]></category>
		<category><![CDATA[exposure]]></category>
		<category><![CDATA[shooting]]></category>
		<category><![CDATA[shutter]]></category>

		<guid isPermaLink="false">http://cameradojo.com/?p=677</guid>
		<description><![CDATA[A common issue some people have is getting their images to portray a sense of movement. Today we are going to look at how adjusting our shutter speed can help achieve the desired look that we want. For this simple example we will look at a ceiling fan taken at different shutter speeds so you can see how adjusting the shutter speed through an entire typical range can help you achieve the exact look you are aiming for.]]></description>
		<wfw:commentRss>http://cameradojo.com/2008/08/31/capturing-a-sense-of-motion-with-shutter-speed/feed/</wfw:commentRss>
		<slash:comments>7</slash:comments>
		</item>
		<item>
		<title>Using your flash’s guide number</title>
		<link>http://cameradojo.com/2008/07/19/using-your-flash%e2%80%99s-guide-number/</link>
		<comments>http://cameradojo.com/2008/07/19/using-your-flash%e2%80%99s-guide-number/#comments</comments>
		<pubDate>Sat, 19 Jul 2008 14:25:29 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Lighting Tips]]></category>
		<category><![CDATA[aperture]]></category>
		<category><![CDATA[distance]]></category>
		<category><![CDATA[exposure]]></category>
		<category><![CDATA[flash]]></category>
		<category><![CDATA[gn]]></category>
		<category><![CDATA[guide number]]></category>
		<category><![CDATA[light]]></category>
		<category><![CDATA[power]]></category>
		<category><![CDATA[shutter]]></category>
		<category><![CDATA[Strobe]]></category>

		<guid isPermaLink="false">http://cameradojo.com/?p=585</guid>
		<description><![CDATA[If you have ever shopped for a flash or read a review, you may have noticed a section of the spec called the guide number or GN. While this value is a measurement of power that the flash has and allows you to compare flash models, is this number useful to you at all? In this article we dig into the guide number and see how we can use this number help us dial in our flash and camera settings using some math instead of just guessing and retrying until you get what you want.]]></description>
		<wfw:commentRss>http://cameradojo.com/2008/07/19/using-your-flash%e2%80%99s-guide-number/feed/</wfw:commentRss>
		<slash:comments>9</slash:comments>
		</item>
		<item>
		<title>Podcast#5 &#8211; The Ins and Outs of Wedding Photography Part 1</title>
		<link>http://cameradojo.com/2008/05/30/podcast-may-30-the-ins-and-outs-of-wedding-photography-part-1/</link>
		<comments>http://cameradojo.com/2008/05/30/podcast-may-30-the-ins-and-outs-of-wedding-photography-part-1/#comments</comments>
		<pubDate>Fri, 30 May 2008 23:02:52 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[Shooting Tips]]></category>
		<category><![CDATA[contract]]></category>
		<category><![CDATA[engagements]]></category>
		<category><![CDATA[esquire photography]]></category>
		<category><![CDATA[podcast]]></category>
		<category><![CDATA[technique]]></category>
		<category><![CDATA[wedding]]></category>
		<category><![CDATA[Weddings]]></category>
		<category><![CDATA[Workflow]]></category>

		<guid isPermaLink="false">http://cameradojo.com/?p=481</guid>
		<description><![CDATA[This week we sat down with our friend David from Esquire Photography to discuss different aspects of wedding photography. What we thought was going to be a quick discussion turned into almost 90 minutes of everything from technique, to contracts, to workflow, and much more.]]></description>
		<wfw:commentRss>http://cameradojo.com/2008/05/30/podcast-may-30-the-ins-and-outs-of-wedding-photography-part-1/feed/</wfw:commentRss>
		<slash:comments>5</slash:comments>
			<enclosure url="http://cameradojo.com/podpress_trac/feed/481/0/CameraDojo-May30-2008.mp3" length="16207308" type="audio/mpeg" />
		<itunes:duration>45:01</itunes:duration>
		<itunes:subtitle>This week we sat down with our friend David from Esquire Photography to discuss different aspects of wedding photography. What we thought was going to ...</itunes:subtitle>
		<itunes:summary>This week we sat down with our friend David from Esquire Photography to discuss different aspects of wedding photography. What we thought was going to be a quick discussion turned into almost 90 minutes of everything from technique, to contracts, to workflow, and much more.</itunes:summary>
		<itunes:keywords>Photography,Camera,Lighting,Posing,Tutorials,Photoshop,Lightroom,DSLR</itunes:keywords>
		<itunes:author>Kerry  Garrison</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
	</item>
		<item>
		<title>Wedding Photography Tips</title>
		<link>http://cameradojo.com/2008/05/19/wedding-photography-tips-2/</link>
		<comments>http://cameradojo.com/2008/05/19/wedding-photography-tips-2/#comments</comments>
		<pubDate>Tue, 20 May 2008 02:52:20 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Shooting Tips]]></category>
		<category><![CDATA[shooting]]></category>
		<category><![CDATA[Tips]]></category>
		<category><![CDATA[Weddings]]></category>

		<guid isPermaLink="false">http://cameradojo.com/?p=465</guid>
		<description><![CDATA[It's the height of the wedding season now and people that are shooting their first weddings or considering shooting a wedding should know a few tips to make sure the day goes as smooth as possible. Since weddings are our primary income here we figured we would pass along a number of our favorite tips and tricks.]]></description>
		<wfw:commentRss>http://cameradojo.com/2008/05/19/wedding-photography-tips-2/feed/</wfw:commentRss>
		<slash:comments>12</slash:comments>
		</item>
		<item>
		<title>In The Field Backups</title>
		<link>http://cameradojo.com/2008/04/12/in-the-field-backups/</link>
		<comments>http://cameradojo.com/2008/04/12/in-the-field-backups/#comments</comments>
		<pubDate>Sat, 12 Apr 2008 21:42:26 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Shooting Tips]]></category>

		<guid isPermaLink="false">http://l7foto.com/?p=433</guid>
		<description><![CDATA[For the most part I come home from a shoot and dump the images from the CF cards onto the computer and then do my backups. Once in a while I am gone for a weekend without the benefit of a laptop and I want to make sure I have my CF cards backed up every night. For this reason I picked up a Wolverine Flashpac several years ago and have been using it ever since. Since you should always make backups as soon as possible, I can't recommend some type of device like this enough.]]></description>
		<wfw:commentRss>http://cameradojo.com/2008/04/12/in-the-field-backups/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>The Three Properties of Light</title>
		<link>http://cameradojo.com/2008/03/30/the-three-properties-of-light/</link>
		<comments>http://cameradojo.com/2008/03/30/the-three-properties-of-light/#comments</comments>
		<pubDate>Mon, 31 Mar 2008 05:00:58 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Lighting Tips]]></category>
		<category><![CDATA[lighting]]></category>
		<category><![CDATA[Model]]></category>
		<category><![CDATA[Westcott]]></category>

		<guid isPermaLink="false">http://l7foto.com/2008/03/30/the-three-properties-of-light/</guid>
		<description><![CDATA[Today is one of those days that I wanted to take a step back to some basics again. This time I want to talk about the three primary properties of light, and since what we are doing as photographers is recording light, it is important to know how these properties play into getting a good image. While I had studied this before, attending a recent seminar from Ed Pierce made me realize that many reader may never have seen these concepts before.]]></description>
		<wfw:commentRss>http://cameradojo.com/2008/03/30/the-three-properties-of-light/feed/</wfw:commentRss>
		<slash:comments>5</slash:comments>
		</item>
		<item>
		<title>How to shoot with a partner</title>
		<link>http://cameradojo.com/2008/02/28/how-to-shoot-with-a-partner/</link>
		<comments>http://cameradojo.com/2008/02/28/how-to-shoot-with-a-partner/#comments</comments>
		<pubDate>Thu, 28 Feb 2008 18:47:58 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Shooting Tips]]></category>

		<guid isPermaLink="false">http://l7foto.com/2008/02/28/how-to-shoot-with-a-partner/</guid>
		<description><![CDATA[I have had the opportunity to shoot with a number of other people as both the "second" photographer as well as being the primary photographer. Today I want to talk about my feelings about shooting with other people as my own experience has covered the gamut from extremely enjoyable to absolutely horrible. So while this is not a technical article by any means, it is my own opinion as to how shooting with someone else can be both a rewarding, educational, and enjoyable experience.]]></description>
		<wfw:commentRss>http://cameradojo.com/2008/02/28/how-to-shoot-with-a-partner/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Ed Pierce &#8211; Captivated by the Light workshop</title>
		<link>http://cameradojo.com/2008/02/21/ed-pierce-captivated-by-the-light-workshop/</link>
		<comments>http://cameradojo.com/2008/02/21/ed-pierce-captivated-by-the-light-workshop/#comments</comments>
		<pubDate>Fri, 22 Feb 2008 05:29:35 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Lighting Tips]]></category>
		<category><![CDATA[ed pierce]]></category>
		<category><![CDATA[lighting]]></category>
		<category><![CDATA[seminars]]></category>

		<guid isPermaLink="false">http://l7foto.com/2008/02/21/ed-pierce-captivated-by-the-light-workshop/</guid>
		<description><![CDATA[If you want to progress in your art you should really consider taking a workshop once in a while. Since I haven't been able to attend one in a while I was thrilled that Ed Piece's Captivated by the Light workshop was coming to my town. Be sure and check it out if it is coming to your area. Ed is a master of light and technique. He shows you have to light a subject properly for the most flattering angles.]]></description>
		<wfw:commentRss>http://cameradojo.com/2008/02/21/ed-pierce-captivated-by-the-light-workshop/feed/</wfw:commentRss>
		<slash:comments>4</slash:comments>
		</item>
		<item>
		<title>Building a Home Studio Part 3</title>
		<link>http://cameradojo.com/2008/02/17/building-a-home-studio-part-3/</link>
		<comments>http://cameradojo.com/2008/02/17/building-a-home-studio-part-3/#comments</comments>
		<pubDate>Mon, 18 Feb 2008 06:50:08 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Lighting Tips]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Shooting Tips]]></category>
		<category><![CDATA[lighting]]></category>
		<category><![CDATA[studio]]></category>
		<category><![CDATA[Taylor]]></category>

		<guid isPermaLink="false">http://l7foto.com/2008/02/17/building-a-home-studio-part-3/</guid>
		<description><![CDATA[The home studio has been making amazing progress lately and we did some major work on it today to get it ready for it's first test shoot. The final width comes in at twelve feet and the shooting area is fifteen feet from the main shooting wall. The back wall was painted with gloss white for high key background that will mostly be used during product shots.]]></description>
		<wfw:commentRss>http://cameradojo.com/2008/02/17/building-a-home-studio-part-3/feed/</wfw:commentRss>
		<slash:comments>11</slash:comments>
		</item>
		<item>
		<title>Building a Home Studio Part 2</title>
		<link>http://cameradojo.com/2008/02/10/building-a-home-studio-part-2/</link>
		<comments>http://cameradojo.com/2008/02/10/building-a-home-studio-part-2/#comments</comments>
		<pubDate>Mon, 11 Feb 2008 00:03:39 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Lighting Tips]]></category>

		<guid isPermaLink="false">http://l7foto.com/2008/02/10/building-a-home-studio-part-2/</guid>
		<description><![CDATA[The transformation of the garage is nearing completion and the L7 Studio is coming together nicely. Unfortunately its not going to be as nice as this shot of 8443 Warner, but hay, someday right? So where are we and what have we had to do so far? Besides tons of trash, lots of craiglist sales, and multiple car loads of stuff to Goodwill, there is only one pile of trash left.]]></description>
		<wfw:commentRss>http://cameradojo.com/2008/02/10/building-a-home-studio-part-2/feed/</wfw:commentRss>
		<slash:comments>7</slash:comments>
		</item>
		<item>
		<title>Building a Home Studio Part 1</title>
		<link>http://cameradojo.com/2008/02/03/building-a-home-studio-part-1/</link>
		<comments>http://cameradojo.com/2008/02/03/building-a-home-studio-part-1/#comments</comments>
		<pubDate>Sun, 03 Feb 2008 22:00:34 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Lighting Tips]]></category>

		<guid isPermaLink="false">http://l7foto.com/2008/02/03/building-a-home-studio-part-1/</guid>
		<description><![CDATA[Long time readers will note that I have been using a room in the house as my photo studio, alas I feel I have outgrown my humble beginnings, but what to do? My wife won't let me kick any of the kids out of their bedrooms and she won't let me take over the larger living room. This left two options, 1) Rent a space somewhere, 2) Build a new studio in the garage.]]></description>
		<wfw:commentRss>http://cameradojo.com/2008/02/03/building-a-home-studio-part-1/feed/</wfw:commentRss>
		<slash:comments>6</slash:comments>
		</item>
		<item>
		<title>On Location: Miami</title>
		<link>http://cameradojo.com/2008/01/22/on-location-miami/</link>
		<comments>http://cameradojo.com/2008/01/22/on-location-miami/#comments</comments>
		<pubDate>Tue, 22 Jan 2008 18:02:10 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Shooting Tips]]></category>

		<guid isPermaLink="false">http://l7foto.com/2008/01/22/on-location-miami/</guid>
		<description><![CDATA[I am out in Miami this week for a trade show but I am going to be out and about getting some great shots and writing up some articles about taking outdoor shots around the beach area. Just wanted to let you know we haven't fallen off the face of the earth and I will try to post some great shots from the area this week.]]></description>
		<wfw:commentRss>http://cameradojo.com/2008/01/22/on-location-miami/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Learning to use your histogram</title>
		<link>http://cameradojo.com/2008/01/05/learning-to-use-your-histogram/</link>
		<comments>http://cameradojo.com/2008/01/05/learning-to-use-your-histogram/#comments</comments>
		<pubDate>Sat, 05 Jan 2008 15:00:23 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Shooting Tips]]></category>

		<guid isPermaLink="false">http://l7foto.com/2008/01/05/learning-to-use-your-histogram/</guid>
		<description><![CDATA[One of the most useful and yet least understood tools in your digital arsenal is your camera's histogram. Learning how to properly use and understand your camera's histogram is the easiest way to vastly improve the amount of properly exposed photographs you take.]]></description>
		<wfw:commentRss>http://cameradojo.com/2008/01/05/learning-to-use-your-histogram/feed/</wfw:commentRss>
		<slash:comments>11</slash:comments>
		</item>
		<item>
		<title>Assignment #5 &#8211; Winter in your hometown</title>
		<link>http://cameradojo.com/2008/01/01/assignment-5-winter-in-your-hometown/</link>
		<comments>http://cameradojo.com/2008/01/01/assignment-5-winter-in-your-hometown/#comments</comments>
		<pubDate>Tue, 01 Jan 2008 16:05:40 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Shooting Tips]]></category>
		<category><![CDATA[assignment]]></category>
		<category><![CDATA[city]]></category>
		<category><![CDATA[flickr]]></category>
		<category><![CDATA[shooting]]></category>
		<category><![CDATA[winter]]></category>

		<guid isPermaLink="false">http://l7foto.com/2008/01/01/assignment-5-winter-in-your-hometown/</guid>
		<description><![CDATA[f you haven't visited the L7Foto Flickr Group, we post regular assignments to help people have inspiration for taking different types of pictures.  This new assignment is for you to go out and take a picture where you live that shows something unique or special about your city and shows what winter in your city is like.]]></description>
		<wfw:commentRss>http://cameradojo.com/2008/01/01/assignment-5-winter-in-your-hometown/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Using a quick checklist</title>
		<link>http://cameradojo.com/2007/12/27/using-a-quick-checklist/</link>
		<comments>http://cameradojo.com/2007/12/27/using-a-quick-checklist/#comments</comments>
		<pubDate>Thu, 27 Dec 2007 06:14:58 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Shooting Tips]]></category>

		<guid isPermaLink="false">http://l7foto.com/2007/12/27/using-a-quick-checklist/</guid>
		<description><![CDATA[f you haven't visited the L7Foto Flickr Group, we post regular assignments to help people have inspiration for taking different types of pictures.  This new assignment is for you to go out and take a picture where you live that shows something unique or special about your city and shows what winter in your city is like.]]></description>
		<wfw:commentRss>http://cameradojo.com/2007/12/27/using-a-quick-checklist/feed/</wfw:commentRss>
		<slash:comments>6</slash:comments>
		</item>
		<item>
		<title>DSLR Myths – Cold Weather is Bad for Your DLSR</title>
		<link>http://cameradojo.com/2007/12/05/dslr-myths-%e2%80%93-cold-weather-is-bad-for-your-dlsr/</link>
		<comments>http://cameradojo.com/2007/12/05/dslr-myths-%e2%80%93-cold-weather-is-bad-for-your-dlsr/#comments</comments>
		<pubDate>Wed, 05 Dec 2007 03:36:10 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Shooting Tips]]></category>

		<guid isPermaLink="false">http://l7foto.com/2007/12/05/dslr-myths-%e2%80%93-cold-weather-is-bad-for-your-dlsr/</guid>
		<description><![CDATA[Here is another in our Mythbusting series. Today we answer the question "is using your camera in cold weather bad for your camera?" This origin of this myth is from anecdotal evidence of people having camera failures and other strange things being attributed to being used in the cold. Is this real, imagined, or a coincidence? Let's take a look inside this myth and find out what's really going on.]]></description>
		<wfw:commentRss>http://cameradojo.com/2007/12/05/dslr-myths-%e2%80%93-cold-weather-is-bad-for-your-dlsr/feed/</wfw:commentRss>
		<slash:comments>8</slash:comments>
		</item>
		<item>
		<title>Common DSLR Myths &#8211; Always Use The Lowest ISO</title>
		<link>http://cameradojo.com/2007/12/01/common-dslr-myths-always-use-the-lowest-iso/</link>
		<comments>http://cameradojo.com/2007/12/01/common-dslr-myths-always-use-the-lowest-iso/#comments</comments>
		<pubDate>Sat, 01 Dec 2007 06:00:17 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Lighting Tips]]></category>
		<category><![CDATA[Shooting Tips]]></category>
		<category><![CDATA[DSLR Myth]]></category>
		<category><![CDATA[ISO]]></category>
		<category><![CDATA[noise]]></category>
		<category><![CDATA[Shooting tip]]></category>

		<guid isPermaLink="false">http://l7foto.com/2007/12/01/common-dslr-myths-always-use-the-lowest-iso/</guid>
		<description><![CDATA[In the first of our Mythbusting series we are going to look at a common myth that you should always use the lowest ISO number possible to get the best results This is based on the knowledge that the higher the ISO number you use, the more noise (digital artifacts) will be created in your image While this is certainly true, what we are going to examine in this article is wether or not you should always shoot in the lowest ISO number your camera can handle in order to get the best images Will this myth be confirmed or busted?]]></description>
		<wfw:commentRss>http://cameradojo.com/2007/12/01/common-dslr-myths-always-use-the-lowest-iso/feed/</wfw:commentRss>
		<slash:comments>41</slash:comments>
		</item>
		<item>
		<title>How to choose a new lens</title>
		<link>http://cameradojo.com/2007/11/16/how-to-choose-a-new-lens/</link>
		<comments>http://cameradojo.com/2007/11/16/how-to-choose-a-new-lens/#comments</comments>
		<pubDate>Fri, 16 Nov 2007 09:00:32 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Shooting Tips]]></category>

		<guid isPermaLink="false">http://l7foto.com/2007/11/03/how-to-choose-a-new-lens/</guid>
		<description><![CDATA[With so many lens choices to choose from, how can you possible know what kind of lens to get and if it will do what you want? In this article we will walk you through the different features of standard lenses so that you can learn how to pick out the right lens for the type of shooting you do.]]></description>
		<wfw:commentRss>http://cameradojo.com/2007/11/16/how-to-choose-a-new-lens/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Learning to shoot in manual mode</title>
		<link>http://cameradojo.com/2007/11/11/shooting-in-manual-mode/</link>
		<comments>http://cameradojo.com/2007/11/11/shooting-in-manual-mode/#comments</comments>
		<pubDate>Sun, 11 Nov 2007 16:00:43 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Shooting Tips]]></category>
		<category><![CDATA[Actions]]></category>
		<category><![CDATA[Adjustments]]></category>
		<category><![CDATA[aperture]]></category>
		<category><![CDATA[articles]]></category>
		<category><![CDATA[camera]]></category>
		<category><![CDATA[details]]></category>
		<category><![CDATA[Digital]]></category>
		<category><![CDATA[exposure]]></category>
		<category><![CDATA[flickr]]></category>
		<category><![CDATA[Group]]></category>
		<category><![CDATA[ISO]]></category>
		<category><![CDATA[lens]]></category>
		<category><![CDATA[light]]></category>
		<category><![CDATA[lighting]]></category>
		<category><![CDATA[Meter]]></category>
		<category><![CDATA[Model]]></category>
		<category><![CDATA[noise]]></category>
		<category><![CDATA[photographer]]></category>
		<category><![CDATA[Pictures]]></category>
		<category><![CDATA[Post]]></category>
		<category><![CDATA[shooting]]></category>
		<category><![CDATA[shutter]]></category>
		<category><![CDATA[stop]]></category>
		<category><![CDATA[Tripod]]></category>

		<guid isPermaLink="false">http://l7foto.com/2007/11/03/shooting-in-manual-mode/</guid>
		<description><![CDATA[While today's cameras do a pretty good job when in fully automatic mode, in order to make the most of your camera you should learn how to use your camera on the manual setting. To go full manual you will need to have an understanding of shutter speed, aperture settings, and ISO speed. In this article we will get you going and get you shooting like a pro.]]></description>
		<wfw:commentRss>http://cameradojo.com/2007/11/11/shooting-in-manual-mode/feed/</wfw:commentRss>
		<slash:comments>18</slash:comments>
		</item>
		<item>
		<title>Understanding Depth of Field</title>
		<link>http://cameradojo.com/2007/11/04/understanding-depth-of-field/</link>
		<comments>http://cameradojo.com/2007/11/04/understanding-depth-of-field/#comments</comments>
		<pubDate>Mon, 05 Nov 2007 04:00:58 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Shooting Tips]]></category>

		<guid isPermaLink="false">http://l7foto.com/2007/11/04/understanding-depth-of-field/</guid>
		<description><![CDATA[When done well, a photograph that has good control over the depth of field can add dramatically to the impact of the picture. When we are talking about depth of field, what we are referring to is a shot were the main subject of the picture is in sharp focus but other elements in the picture are blurred or out of focus. Two key terms to learn here are focal plane which is the area of the image that we want to have in sharp focus and bokeh which is the out of focus sections.]]></description>
		<wfw:commentRss>http://cameradojo.com/2007/11/04/understanding-depth-of-field/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Preparing for a wedding shoot</title>
		<link>http://cameradojo.com/2007/10/21/preparing-for-a-wedding-shoot/</link>
		<comments>http://cameradojo.com/2007/10/21/preparing-for-a-wedding-shoot/#comments</comments>
		<pubDate>Sun, 21 Oct 2007 16:24:46 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Shooting Tips]]></category>

		<guid isPermaLink="false">http://l7foto.com/2007/10/21/preparing-for-a-wedding-shoot/</guid>
		<description><![CDATA[This weekend I am shooting a small wedding in Anaheim in conjunction with Esquire Photography, and with 5 days to go before the shoot I thought it would be good to go through all the preparation that goes into a shoot like this. A wedding is very different than any other shoot as there are no re-takes, no reschedules, and you can't make any mistakes or miss any of the important shots. So how do you prepare for a wedding shoot? Simply put, planning, planning, planning!]]></description>
		<wfw:commentRss>http://cameradojo.com/2007/10/21/preparing-for-a-wedding-shoot/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
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		<item>
		<title>Lighting Basics &#8211; Using a single light source</title>
		<link>http://cameradojo.com/2007/10/10/lighting-basics-%e2%80%93-using-a-single-light-source/</link>
		<comments>http://cameradojo.com/2007/10/10/lighting-basics-%e2%80%93-using-a-single-light-source/#comments</comments>
		<pubDate>Thu, 11 Oct 2007 05:46:51 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Lighting Tips]]></category>

		<guid isPermaLink="false">http://l7foto.com/2007/10/10/lighting-basics-%e2%80%93-using-a-single-light-source/</guid>
		<description><![CDATA[Along with dissecting different photo shoots like we have done in the past, we are now beginning a new "Lighting Basics" series that will start with a single light source and work up through multiple lights and advanced lighting techniques. Today we will start with a single flash and show how to make the most of an on-camera flash, an off-camera light, and how reflectors can make it appear as if you have more light sources.]]></description>
		<wfw:commentRss>http://cameradojo.com/2007/10/10/lighting-basics-%e2%80%93-using-a-single-light-source/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
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		<item>
		<title>Anatomy of a Photo Shoot &#8211; Product Shot with Strobes</title>
		<link>http://cameradojo.com/2007/09/03/anatomy-of-a-photo-shoot-product-shot-with-strobes/</link>
		<comments>http://cameradojo.com/2007/09/03/anatomy-of-a-photo-shoot-product-shot-with-strobes/#comments</comments>
		<pubDate>Mon, 03 Sep 2007 14:00:43 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Lighting Tips]]></category>

		<guid isPermaLink="false">http://l7foto.com/2007/09/03/anatomy-of-a-photo-shoot-product-shot-with-strobes/</guid>
		<description><![CDATA[I do a lot of product work and getting the lighting right is always a challenge because different types of objects will reflect light differently. A very dark object may need a lot more light on it to pull out the detail where a shiny object may cause you all kinds of grief with reflections. Often, getting things just right is just a matter of trial and error, but starting with a decent setup can save you tons of work later. Today we will dissect a recent product shoot and see why I decided to use flash heads.]]></description>
		<wfw:commentRss>http://cameradojo.com/2007/09/03/anatomy-of-a-photo-shoot-product-shot-with-strobes/feed/</wfw:commentRss>
		<slash:comments>4</slash:comments>
		</item>
		<item>
		<title>Using a photography umbrella</title>
		<link>http://cameradojo.com/2007/09/03/using-an-umbrella/</link>
		<comments>http://cameradojo.com/2007/09/03/using-an-umbrella/#comments</comments>
		<pubDate>Mon, 03 Sep 2007 13:43:59 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Lighting Tips]]></category>

		<guid isPermaLink="false">http://l7foto.com/2007/09/03/using-an-umbrella/</guid>
		<description><![CDATA[A photographic umbrella (known as a brolly in some places) is exactly what it sounds like, just like the umbrella you would use in the rain except these are designed to bounce, reflect, or soften a light source. There are two basic types of umbrellas, bounce and shoot thru. A bounce umbrella is one that you aim the light into and bounce back towards the subject and a shoot thru umbrella is where the light is aimed at the subject through the umbrella making the umbrella act like a large softbox.]]></description>
		<wfw:commentRss>http://cameradojo.com/2007/09/03/using-an-umbrella/feed/</wfw:commentRss>
		<slash:comments>4</slash:comments>
		</item>
		<item>
		<title>Building your own snoot</title>
		<link>http://cameradojo.com/2007/08/15/building-your-own-snoot/</link>
		<comments>http://cameradojo.com/2007/08/15/building-your-own-snoot/#comments</comments>
		<pubDate>Wed, 15 Aug 2007 16:48:16 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Lighting Tips]]></category>

		<guid isPermaLink="false">http://l7foto.com/2007/08/15/building-your-own-snoot/</guid>
		<description><![CDATA[What is a snoot? Simply put, a snoot is a tubular structure that is used to limit the throw of a light source to create a narrow beam of light. While commercial snoots are actually pretty affordable, from $14 to about $20, so why would we want to make our own? Because we know what we want and because for $20 we can make a dozen or more experimental ones and end up with a handful that we could use in different situations. So guys. go break into the wife's scrapbooking supplies and get ready to make your own customized flash snoot.]]></description>
		<wfw:commentRss>http://cameradojo.com/2007/08/15/building-your-own-snoot/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Looking at things from a different angle</title>
		<link>http://cameradojo.com/2007/08/01/looking-at-things-from-a-different-angle/</link>
		<comments>http://cameradojo.com/2007/08/01/looking-at-things-from-a-different-angle/#comments</comments>
		<pubDate>Wed, 01 Aug 2007 18:00:40 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Shooting Tips]]></category>

		<guid isPermaLink="false">http://l7foto.com/2007/08/01/looking-at-things-from-a-different-angle/</guid>
		<description><![CDATA[Some of the more interesting photographs are often of ordinary things viewed from a different perspective. A blade of grass from ground level looking up, a bride and groom looked down on from a balcony, etc. What makes these different is that the person viewing the photograph is able to see things from a perspective that is not normal.]]></description>
		<wfw:commentRss>http://cameradojo.com/2007/08/01/looking-at-things-from-a-different-angle/feed/</wfw:commentRss>
		<slash:comments>4</slash:comments>
		</item>
		<item>
		<title>Capturing Moving Objects</title>
		<link>http://cameradojo.com/2007/07/21/capturing-moving-objects/</link>
		<comments>http://cameradojo.com/2007/07/21/capturing-moving-objects/#comments</comments>
		<pubDate>Sun, 22 Jul 2007 05:33:36 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Shooting Tips]]></category>

		<guid isPermaLink="false">http://l7foto.com/2007/07/21/capturing-moving-objects/</guid>
		<description><![CDATA[Taking pictures of moving vehicles can be challenging and quite frustrating to get good results. While getting your panning technique down is the major part of it, there is often much more to it than simply pressing the shutter at the right time. Today we head over to a local car show to snag some action shots and give you some pointers on how to get the best results possible.]]></description>
		<wfw:commentRss>http://cameradojo.com/2007/07/21/capturing-moving-objects/feed/</wfw:commentRss>
		<slash:comments>4</slash:comments>
		</item>
		<item>
		<title>Interview with Wedding Photographer David Esquire</title>
		<link>http://cameradojo.com/2007/07/11/interview-with-wedding-photographer-david-esquire/</link>
		<comments>http://cameradojo.com/2007/07/11/interview-with-wedding-photographer-david-esquire/#comments</comments>
		<pubDate>Thu, 12 Jul 2007 02:00:31 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Shooting Tips]]></category>

		<guid isPermaLink="false">http://l7foto.com/2007/07/11/interview-with-wedding-photographer-david-esquire/</guid>
		<description><![CDATA[We recently got the time to sit down with our good friend David Esquire of Esquire Photography in Huntington Beach California. David has been in the photography business for over 20 years shooting events such as the X-Games and doing shoots for companies such as Slim Jim, Sports Illustrated, and The Warped Tour.]]></description>
		<wfw:commentRss>http://cameradojo.com/2007/07/11/interview-with-wedding-photographer-david-esquire/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
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		<item>
		<title>You’re Rights as a Photographer</title>
		<link>http://cameradojo.com/2007/06/21/you%e2%80%99re-rights-as-a-photographer/</link>
		<comments>http://cameradojo.com/2007/06/21/you%e2%80%99re-rights-as-a-photographer/#comments</comments>
		<pubDate>Thu, 21 Jun 2007 20:00:30 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Shooting Tips]]></category>

		<guid isPermaLink="false">http://l7foto.com/2007/06/21/you%e2%80%99re-rights-as-a-photographer/</guid>
		<description><![CDATA[There is a huge amount of misinformation on what you can and cannot take photos of and you need to be aware of what your rights are should you ever be in a situation where somebody is questioning your right to take a photograph of something or someone. We have been in this situation several times in the past and even have had people threaten to sue us over the use of certain images, knowing your rights is the best defense when this happens.]]></description>
		<wfw:commentRss>http://cameradojo.com/2007/06/21/you%e2%80%99re-rights-as-a-photographer/feed/</wfw:commentRss>
		<slash:comments>6</slash:comments>
		</item>
		<item>
		<title>HDR images with Photomatix Pro</title>
		<link>http://cameradojo.com/2007/06/15/hdr-images-with-photomatix-pro/</link>
		<comments>http://cameradojo.com/2007/06/15/hdr-images-with-photomatix-pro/#comments</comments>
		<pubDate>Fri, 15 Jun 2007 12:00:55 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Shooting Tips]]></category>

		<guid isPermaLink="false">http://l7foto.com/2007/06/15/hdr-images-with-photomatix-pro/</guid>
		<description><![CDATA[More and more people are trying their hand at HDR photography. Today we are going to do a complete walk through of how this amazing technique works. If you aren’t familiar with HDR, it stands for High Dynamic Range meaning you can get an image with a wider tonal range which can add detail to shadowed areas while maintaining detail in very bright areas.]]></description>
		<wfw:commentRss>http://cameradojo.com/2007/06/15/hdr-images-with-photomatix-pro/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Using Common Filters</title>
		<link>http://cameradojo.com/2007/06/09/using-common-filters/</link>
		<comments>http://cameradojo.com/2007/06/09/using-common-filters/#comments</comments>
		<pubDate>Sat, 09 Jun 2007 20:24:39 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Shooting Tips]]></category>

		<guid isPermaLink="false">http://l7foto.com/2007/06/09/using-common-filters/</guid>
		<description><![CDATA[While there are dozens of different types of filters you can put on your lenses for different effects, there are three very common filters that everyone should have in their camera kit, the circular polarizing filter, the neutral density filter, and the UV filter. In this article we will discuss what these three filters are and the effects that it can add to your images.]]></description>
		<wfw:commentRss>http://cameradojo.com/2007/06/09/using-common-filters/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Anatomy of a product shoot #2</title>
		<link>http://cameradojo.com/2007/06/05/anatomy-of-a-product-shoot-2/</link>
		<comments>http://cameradojo.com/2007/06/05/anatomy-of-a-product-shoot-2/#comments</comments>
		<pubDate>Tue, 05 Jun 2007 11:00:35 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Lighting Tips]]></category>
		<category><![CDATA[Shooting Tips]]></category>

		<guid isPermaLink="false">http://l7foto.com/2007/06/05/anatomy-of-a-product-shoot-2/</guid>
		<description><![CDATA[We had to do another photo shoot today and we really pulled out all the stops with the new gear we have around. As you can see, this is a very typical product shot on a white background for use on a web page or in a magazine. In the past, we have shown some techniques with hot lights, so today we are going to use some flash units.]]></description>
		<wfw:commentRss>http://cameradojo.com/2007/06/05/anatomy-of-a-product-shoot-2/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Introduction to White Balance</title>
		<link>http://cameradojo.com/2007/05/29/introduction-to-white-balance/</link>
		<comments>http://cameradojo.com/2007/05/29/introduction-to-white-balance/#comments</comments>
		<pubDate>Tue, 29 May 2007 18:09:33 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Shooting Tips]]></category>

		<guid isPermaLink="false">http://l7foto.com/2007/05/29/introduction-to-white-balance/</guid>
		<description><![CDATA[White balance is one of the more confusing aspects of digital photography and is one of the things that really baffles people when they go from simpler point and shoots to more advanced DSLR cameras and can't figure out why the color of their images is so bad. Today we take a look at white balance and how it affects the color of your photos.]]></description>
		<wfw:commentRss>http://cameradojo.com/2007/05/29/introduction-to-white-balance/feed/</wfw:commentRss>
		<slash:comments>5</slash:comments>
		</item>
		<item>
		<title>Anatomy of a product shoot</title>
		<link>http://cameradojo.com/2007/05/24/anatomy-of-a-product-shoot/</link>
		<comments>http://cameradojo.com/2007/05/24/anatomy-of-a-product-shoot/#comments</comments>
		<pubDate>Thu, 24 May 2007 09:00:09 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Lighting Tips]]></category>
		<category><![CDATA[Shooting Tips]]></category>

		<guid isPermaLink="false">http://l7foto.com/2007/05/24/anatomy-of-a-product-shoot/</guid>
		<description><![CDATA[We always take our own product shots, while manufacturer shots are usually very nice, they often can be retouched to make products look better than they really are. With the product shots for our articles, the only retouching may be to remove some stray dust. ]]></description>
		<wfw:commentRss>http://cameradojo.com/2007/05/24/anatomy-of-a-product-shoot/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Lighting setups by David Berman</title>
		<link>http://cameradojo.com/2007/05/20/lighting-setups-by-david-berman/</link>
		<comments>http://cameradojo.com/2007/05/20/lighting-setups-by-david-berman/#comments</comments>
		<pubDate>Sun, 20 May 2007 19:56:11 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Lighting Tips]]></category>

		<guid isPermaLink="false">http://l7foto.com/2007/05/20/lighting-setups-by-david-berman/</guid>
		<description><![CDATA[David Berman is a British news photographer and has posted a narrated slideshow showing some recent assignments with the final photos and then diagrams detailed the lighting setups he used. This is great information to learn how really dramatic photos can be taken. What is nice is that he doesn't rely on a truckload of equipment, often its just one or two lights with umbrellas (brollys), reflectors, or gells.]]></description>
		<wfw:commentRss>http://cameradojo.com/2007/05/20/lighting-setups-by-david-berman/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Photographer&#8217;s checklists</title>
		<link>http://cameradojo.com/2007/05/20/photographers-checklists/</link>
		<comments>http://cameradojo.com/2007/05/20/photographers-checklists/#comments</comments>
		<pubDate>Sun, 20 May 2007 17:56:34 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Shooting Tips]]></category>

		<guid isPermaLink="false">http://l7foto.com/2007/05/20/photographers-checklists/</guid>
		<description><![CDATA[Photographers are human and are therefor prone to making mistakes, however, some mistakes as a photographer can cost you dearly. Fortunately for me, my mistakes have never happened on a paid gig. I have however gone out to shoot nature and landscape shots and realized I didn't have any compact flash cards once, and didn't have my tripod another time. ]]></description>
		<wfw:commentRss>http://cameradojo.com/2007/05/20/photographers-checklists/feed/</wfw:commentRss>
		<slash:comments>9</slash:comments>
		</item>
		<item>
		<title>Taking outdoor portraits</title>
		<link>http://cameradojo.com/2007/05/18/taking-outdoor-portraits/</link>
		<comments>http://cameradojo.com/2007/05/18/taking-outdoor-portraits/#comments</comments>
		<pubDate>Fri, 18 May 2007 08:00:33 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Lighting Tips]]></category>
		<category><![CDATA[Shooting Tips]]></category>

		<guid isPermaLink="false">http://l7foto.com/2007/05/18/taking-outdoor-portraits/</guid>
		<description><![CDATA[Natural light can be your friend or your enemy depending on how you approach it. The biggest mistake people make is thinking that the sun is a giant soft light in the sky. While the Sun is over 92 million miles away, if you hold your thumb up to the sun at high noon, it appears to only be the size of your thumbnail making it a VERY small spotlight which causes very harsh shadows.]]></description>
		<wfw:commentRss>http://cameradojo.com/2007/05/18/taking-outdoor-portraits/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Setting up a basic portrait shot</title>
		<link>http://cameradojo.com/2007/05/13/setting-up-a-basic-portrait-shot/</link>
		<comments>http://cameradojo.com/2007/05/13/setting-up-a-basic-portrait-shot/#comments</comments>
		<pubDate>Mon, 14 May 2007 03:34:51 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Lighting Tips]]></category>
		<category><![CDATA[Shooting Tips]]></category>

		<guid isPermaLink="false">http://l7foto.com/2007/05/13/setting-up-a-basic-portrait-shot/</guid>
		<description><![CDATA[The most common mistake in doing a portrait is to use an on-camera flash. While an on-camera flash will illuminate a subject well, the direct head-on light will wash out all the shadows making the face look flat. So our first rule is to have the key light off to the side of the subject's face.
]]></description>
		<wfw:commentRss>http://cameradojo.com/2007/05/13/setting-up-a-basic-portrait-shot/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>So you insist on using cheap lights do you?</title>
		<link>http://cameradojo.com/2007/05/09/so-you-insist-on-using-cheap-lights-do-you/</link>
		<comments>http://cameradojo.com/2007/05/09/so-you-insist-on-using-cheap-lights-do-you/#comments</comments>
		<pubDate>Wed, 09 May 2007 15:37:40 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Lighting Tips]]></category>

		<guid isPermaLink="false">http://l7foto.com/wordpress/2007/05/13/so-you-insist-on-using-cheap-lights-do-you/</guid>
		<description><![CDATA[As I have said before, I am a huge fan of saving money where ever and whenever you can.....if it makes sense. Let's talk about lighting and why doing this on the cheap is so hard. Lightbulbs suck. There, I said it, plain and simple. I have tried probably 20 different lightbulbs this past year, bright white, daylight, you name it, if it claimed to be some form of daylight bulb, I have tried it. The end result of over $100 in light bulb purchases this year? Cheap daylight bulbs all over the house, and the purchase of decent studio lights. Why didn't these lights work?]]></description>
		<wfw:commentRss>http://cameradojo.com/2007/05/09/so-you-insist-on-using-cheap-lights-do-you/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>What Equipment Should You Buy</title>
		<link>http://cameradojo.com/2007/04/30/what-equipment-should-you-buy/</link>
		<comments>http://cameradojo.com/2007/04/30/what-equipment-should-you-buy/#comments</comments>
		<pubDate>Mon, 30 Apr 2007 15:32:07 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Shooting Tips]]></category>

		<guid isPermaLink="false">http://l7foto.com/wordpress/2007/05/13/what-equipment-should-you-buy/</guid>
		<description><![CDATA[In forums and comments all over the net you will see people asking the same question over and over again - "What equipment should I buy?". Not meaning to sound rude, but this is like asking some stranger on the street "what kind of car should I buy?", the simple answer is "you aren't giving me enough information to give you an answer".]]></description>
		<wfw:commentRss>http://cameradojo.com/2007/04/30/what-equipment-should-you-buy/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Using equipment that isn&#8217;t &#8216;cool&#8217; anymore</title>
		<link>http://cameradojo.com/2007/04/23/using-equipment-that-isnt-cool-anymore/</link>
		<comments>http://cameradojo.com/2007/04/23/using-equipment-that-isnt-cool-anymore/#comments</comments>
		<pubDate>Tue, 24 Apr 2007 04:07:32 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Shooting Tips]]></category>

		<guid isPermaLink="false">http://l7foto.com/wordpress/2007/04/13/using-equipment-that-isnt-cool-anymore/</guid>
		<description><![CDATA[I am a big believer in bartering goods and services whenever possible. This week I did some computer service for a professional photographer friend of mine, in exchange he offered me one of his older studio lights. When he handed it to me I thought "what the hell is he giving me". The old box lamp that looked like something from the dark ages. He swore this Lowel Omni Light was a top notch light.]]></description>
		<wfw:commentRss>http://cameradojo.com/2007/04/23/using-equipment-that-isnt-cool-anymore/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Taking Good Product Shots</title>
		<link>http://cameradojo.com/2007/03/23/taking-good-product-shots/</link>
		<comments>http://cameradojo.com/2007/03/23/taking-good-product-shots/#comments</comments>
		<pubDate>Fri, 23 Mar 2007 15:29:34 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Lighting Tips]]></category>
		<category><![CDATA[Shooting Tips]]></category>

		<guid isPermaLink="false">http://l7foto.com/wordpress/2007/05/13/taking-good-product-shots/</guid>
		<description><![CDATA[I basically started off my photography journey doing product shots for some hobby websites I had. I was competing against big print magazines so I always strived to come up with product shots that were as good or better than what the big guys were doing.]]></description>
		<wfw:commentRss>http://cameradojo.com/2007/03/23/taking-good-product-shots/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Improving Travel Photos</title>
		<link>http://cameradojo.com/2007/03/13/improving-travel-photos/</link>
		<comments>http://cameradojo.com/2007/03/13/improving-travel-photos/#comments</comments>
		<pubDate>Wed, 14 Mar 2007 04:06:22 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Shooting Tips]]></category>

		<guid isPermaLink="false">http://l7foto.com/wordpress/2007/04/13/improving-travel-photos/</guid>
		<description><![CDATA[As i write this I am on vacation with my wife in San Francisco and I think that taking a look at some example photographs may help you take better travel photos. While there are plenty of the basic snapshot photos, I also want to capture something a little different sometimes.]]></description>
		<wfw:commentRss>http://cameradojo.com/2007/03/13/improving-travel-photos/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Inexpensive Studio Lighting</title>
		<link>http://cameradojo.com/2007/01/21/inexpensive-studio-lighting/</link>
		<comments>http://cameradojo.com/2007/01/21/inexpensive-studio-lighting/#comments</comments>
		<pubDate>Mon, 22 Jan 2007 07:16:51 +0000</pubDate>
		<dc:creator>KerryG</dc:creator>
				<category><![CDATA[Lighting Tips]]></category>

		<guid isPermaLink="false">http://553289598</guid>
		<description><![CDATA[Sure a nice set of Alien Bee's may be in your Amazon wish-list waiting for you to win the lottery in order to afford them. If you are just getting started, you don't need to spend that kind of money on some basic lighting.

If you aren't an avid eBay'er, this isn't a bad time to get started, but you can find all of the components you need at your local stores. ]]></description>
		<wfw:commentRss>http://cameradojo.com/2007/01/21/inexpensive-studio-lighting/feed/</wfw:commentRss>
		<slash:comments>6</slash:comments>
		</item>
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