This is a product that may be new to a lot of photographers.  I know it’s a little new for me too, as I just started researching rail systems at the beginning of this year …

For a little over a year now I have been using a Think Tank Photo Airport International 2.0 as my primary bag and a Think Tank Photo Shape Shifter bag for my travel bag. The …

No matter how careful you are with your camera gear, the more you use it, the more likely you are to get the normal wear and tear, dings, nicks, and worn corners. But what if …

What do you get if you cross a walking stick, a monopod, and a tripod? You get a TrekPod. Think of the TreckPod as the ultimate travel tripod and the XL model is the Ferrari of the TrekPod models being made of lightweight carbon fiber and with the MagMount ball head, weighs in at only 22.5 oz

I am a big fan of using a cable release on a camera to make sure you aren’t introducing any camera shake into the image. Phottix has recently released their Cleon Wireless Remotes and …

If you have been a fan of Camera Dojo for a while you will have seen mentions of Breeze Systems’ DSLR Remote Pro. DSLR Remote Pro at its basics is a tool for doing tethered shooting, so what right? The Canon EOS Utility can do that, so why would we want to spend close to $100 for software that comes free with your camera? Let’s take a fresh look at what all DSLR Remote Pro can do for you.

While the Canon EOS 5D Mark II has been getting all the hype since it’s release. However, the 50D which came out about the same time has been getting virtually zero publicity because of it’s bigger brothers full-frame sensor and video capabilities. So let’s take a good look at the EOS 50D and see if it is really worth an upgrade or if its just a minor refresh of the previous 40D.

We have all seen green screens used in special effects for films or by high-end professionals to composite images together. One of the problems with doing green screen work has always been the cost of a good green screen backdrop and affordable lighting kits. As we have seen in the past, PhotoBasics has brought the power of green screen production to the masses with an affordable new green screen kit.

Once in a while a product comes along that is so clever, so right, it is just a “must have” product. While at PMA, I stumbled on such a product. The SpyderCUBE by Datacolor is one of those products. Nothing it does is really new, but it does everything right, in a small package, with more features than most any competitive product on the market.

I am a huge fan of my Westcott Spiderlite TD-5 studio lights with their nice soft output, low energy use, and cool operation. While they have always been great for product photography I never really liked using them for portraits because they just didn’t put out enough light. Westcott has released some new high wattage bulbs for the TD-5′s to address the needs of these types of situations.

I am always looking for the next great camera bag, especially something that offers convenience, comfort, and functionality so I was very interested in the new Pampas sling-style backpack from Vanguard.

At first look, the sling style would allow you to rotate the back to your front to have access your gear and then fling it back over your shoulder where it acts like a normal backpack.

We have looked at different types and styles of camera bags but the Vanguard 53 isn’t your normal camera bag. The Supreme 53 is a hard-sided case more at home in the cargo compartment of an airplane than it is being used as a daily equipment hauler. While other companies selling hard cases have been around for many years, Vanguard has a lot to live up to. Let’s take a look at at the Supreme 53 and see if Vanguard has succeeded in building a better mouse trap.