Podcast #88 – Talking with Jason Anderson about building your lighting kit

Kerry and Jason talk about building your first lighting kit on a budget. Everyone needs a lighting kit but many people are intimidated by the upfront costs. In this show, Kerry and Jason walk through …

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Canon Announces Two New Tilt-Shift Lenses

Today Canon dropped two new tilt-shift lenses that update the previous models that were discontinued recently.  The new TS-E 24mm f/3.5L II offers enhanced functionality and image quality in its most popular tilt-shift focal length. Designed with UD glass to minimize and compensate for chromatic aberrations and specially coated aspherical elements for the highest possible glare-free image quality, this tilt-shift lens features an angle of view of 74°. New TS revolving lets users freely combine tilting and shifting within the range of +/- 90° in the direction of movement. It has an enhanced range of movement of up to +/- 8.5°, a revolving construction for both portrait and landscape shooting modes, locking, ergonomically designed and easily operated tilt and shift knobs, uses a circular aperture for beautiful out-of-focus areas, and is constructed using only lead-free glass and has an SWC lens coating that controls ghosting and flare to a far greater degree than earlier coating technologies.

The widest tilt-shift lens in Canon’s lineup, the new TS-E 17mm f/4L lens expands shooting possibilities exponentially on EOS Digital cameras. Designed with UD glass to minimize and compensate for chromatic aberrations, with specially coated aspherical elements for the highest possible glare-free image quality, this tilt-shift lens offers an angle of view of 93°. New TS revolving lets users freely combine tilting and shifting within the range of +/- 90° in the direction of movement. The lens also has an improved tilt & shift knob with an enhanced range of movement of up to +/- 6.5° and revolving lenses for better operability, it uses a circular aperture for beautiful out-of-focus areas and has an SWC lens coating to control ghosting and flare to a far greater degree than with earlier coating technologies.

TS-E 17mm f/4L

TS-E 17mm f/4L

TS-E 24mm f/3.5L II

TS-E 24mm f/3.5L II

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About the Author: Kerry Garrison is a wedding, portrait, and product photographer living in southern California. With 10 years of experience shooting products and 3 years of experience in the wedding industry, Kerry brings a good deal of technical know-how and can explain topics in easy-to-understand terms. Kerry's work can be found at http://kerrygarrison.com and on Facebook at http://facebook.com/KerryGarrison



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