Although you may think that no two situations are alike, the fact is that there are quite a few constants that you can rely on to give you a good starting point. The sun is one of these things you can count on to be consistent. Of course there are things that affect the sun’s output like the time of day, haze, fog, and clouds, but on a bright sunny day the light output is very consistent and knowing the camera settings for this condition will give you a guideline to make adjustments. This is where the “sunny 16″ rule comes into play.

To put it simply, on a bright sunny day, set your camera on f/16 and set the shutter speed to the reciprocal of the ISO speed. So if you are set to ISO 200, then set your shutter speed to 1/200th. If you want a faster shutter speed then increase the shutter speed and set the ISO to match. For example, if you want to shoot at 1/400th of a second, set the ISO to 400.

ISO100 - f/100

f/16 - ISO100 - 1/100th

ISO200 - f/200

f/16 - ISO200 - 1/200th

To compensate for overcast conditions, simply adjust the f-stop to a more open setting like f/11, and keep adjust down as needed. A good chart of recommended settings is in the following table:

Aperture

Condition

Shadow Detail

f/16

Sunny Crisp

f/11

Slight Overcast Soft edges

f/8

Overcast Barely visible

f/5.6

Heavy Overcast No shadows

f/4

Sunset Long shadows

By utilizing the sunny 16 rule you will help ensure that you get the right settings dialed in quickly and easily. It’s always nice to have some frame of reference when getting started. When all else fails and you don’t know what settings to start with, remember the sunny 16 rule and adjust as needed.

Author: Kerry Garrison

Equipment Used
Camera Canon 30D
Capture Device Wolverine ESP

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This entry was posted on Thursday, September 18th, 2008 at 5:00 am.
Categories: Shooting Tips.
Other Related Articles:
  Photography Basics: Beginners Guide to Aperture
  Using manual flashes with PC Sync
  Photography Basics: Controlling Exposure
  Learning to shoot in manual mode
  Understanding Light Stops

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  1. Mike Says:

    The first sentence of the second paragraph contains an error that will result in slight underexposure. It states “on a bright sunny day, set your camera on f/18 and set the shutter speed to the reciprocal of the ISO…” The later table correctly refers to f/16.

  2. Anonymous Says:

    The first sentence of the second paragraph contains an error that will result in slight underexposure. It states "on a bright sunny day, set your camera on
    f/18
    and set the shutter speed to the reciprocal of the ISO…" The later table correctly refers to f/16.

  3. kgarrison Says:

    Thanks for the corrections

  4. Anonymous Says:

    Thanks for the corrections

  5. Cody Redmon Says:

    Interesting note on this one - I was first taught to use this rule as a way to calculate photographing the moon after dark. It ensures the moon retains detail and is not overexposed, which we all know is easy to do. I primarily use an ISO/shutter of 100 and it works perfectly. Great post, Kerry.

  6. Anonymous Says:

    Interesting note on this one - I was first taught to use this rule as a way to calculate photographing the moon after dark. It ensures the moon retains detail and is not overexposed, which we all know is easy to do. I primarily use an ISO/shutter of 100 and it works perfectly. Great post, Kerry.

  7. Dr Pet's Says:

    Very good idea, practical for a quickly starting point

  8. Anonymous Says:

    Very good idea, practical for a quickly starting point

  9. Chris Ridley Says:

    Excellent article, will have to remember that one,
    Chris

  10. Anonymous Says:

    Excellent article, will have to remember that one,
    Chris