Podcast #76 – Conversation with David Ziser – Choosing the right aperture
February 26, 2010 – 8:42 am | One Comment

This week I sat down with David Ziser to discuss a handful of topics including how to choose the right aperture for a particular shot, determining the depth of field for a particular shot, when …

Read the full story »
News

Current news and information about photography and related things.

Product Reviews

Get the scoop on the latest product and see what we think of them and if they are the right products for you.

Tutorials

Tons of tutorials on things like Lightroom, Photoshop, and more.

Podcasts

Subscribe and listen to our weekly podcasts

Shooting and Lighting Tips

Improve your shooting and lighting techniques and take your images to the next level

Important Note:
Due to our hosting company, BlueHost.com, not having redundant drives or even backups, during a recent hard drive failure all of the images in the articles here have been lost. The originals are available and are being re-edited and uploaded as fast as I can. I apologize for the inconvenience. -Kerry

Home » Lighting Tips, Shooting Tips

Anatomy of a product shoot #2

Submitted by KerryG on June 5, 2007 – 3:00 am2 Comments

polycom330.jpgWe had to do another photo shoot today and we really pulled out all the stops with the new gear we have around. As you can see, this is a very typical product shot on a white background for use on a web page or in a magazine. In the past, we have shown some techniques with hot lights, so today we are going to use some flash units.

First off, we setup some light stands with sone Pivot speedlight flash mounts with built-in umbrella holders. To the left of the camera was one flash set to 1/8 power shooting into a silver reflective umbrella as the key light. This gave us the contrast that we were looking for against the white background but left the opposite side of the product in a shadow that we didn’t want. To solve this we added another flash set at 1/2 power shooting through a white umbrella as a fill light. This balanced everything out nicely. To fire the flash units remotely, we used the Cactus V2 wireless system. The background is actually plain white paper from a roll of leftover stock from a printing machine.

product_shot2.jpgSo now let’s look at the lighting setup in detail. You should click on this image to open it so you can see the detail we are going to discuss. As I said, we used the umbrella on camera-left with a silver reflector as a key light, while this does create a larger light source, it is a very sharp light and focuses the light together causing harsh shadows. On camera-right, the exact opposite occurs, the light from the flash expands outward bringing in a soft diffuse light. The combination of a harsh key light and the soft fill light does the job exactly as we wanted.

330_pre-edit.jpgJust so you don’t think that was all there was to it, here is the unedited photo. Notice the cords coming out of the back, this took a few minutes in Photoshop to take care of. We could have disconnected all the wires but the client wanted to show the screen being on during the photo and we opted to shoot it in one piece rather that take one photo with no wires and a second shot of the screen over composite them together.

Again, we hope this has helped you take a different look at taken shots like this. Now go get behind the camera and take some photos.

Popularity: 3%

About the Author: Kerry Garrison is a wedding, portrait, and product photographer living in southern California. With 10 years of experience shooting products and 3 years of experience in the wedding industry, Kerry brings a good deal of technical know-how and can explain topics in easy-to-understand terms. Kerry's work can be found at http://kerrygarrison.com and on Facebook at http://facebook.com/KerryGarrison

2 Comments »

Leave a comment!

You must be logged in to post a comment.