Podcast #88 – Talking with Jason Anderson about building your lighting kit

Kerry and Jason talk about building your first lighting kit on a budget. Everyone needs a lighting kit but many people are intimidated by the upfront costs. In this show, Kerry and Jason walk through …

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Anatomy of a product shoot #2

polycom330.jpgWe had to do another photo shoot today and we really pulled out all the stops with the new gear we have around. As you can see, this is a very typical product shot on a white background for use on a web page or in a magazine. In the past, we have shown some techniques with hot lights, so today we are going to use some flash units.

First off, we setup some light stands with sone Pivot speedlight flash mounts with built-in umbrella holders. To the left of the camera was one flash set to 1/8 power shooting into a silver reflective umbrella as the key light. This gave us the contrast that we were looking for against the white background but left the opposite side of the product in a shadow that we didn’t want. To solve this we added another flash set at 1/2 power shooting through a white umbrella as a fill light. This balanced everything out nicely. To fire the flash units remotely, we used the Cactus V2 wireless system. The background is actually plain white paper from a roll of leftover stock from a printing machine.

product_shot2.jpgSo now let’s look at the lighting setup in detail. You should click on this image to open it so you can see the detail we are going to discuss. As I said, we used the umbrella on camera-left with a silver reflector as a key light, while this does create a larger light source, it is a very sharp light and focuses the light together causing harsh shadows. On camera-right, the exact opposite occurs, the light from the flash expands outward bringing in a soft diffuse light. The combination of a harsh key light and the soft fill light does the job exactly as we wanted.

330_pre-edit.jpgJust so you don’t think that was all there was to it, here is the unedited photo. Notice the cords coming out of the back, this took a few minutes in Photoshop to take care of. We could have disconnected all the wires but the client wanted to show the screen being on during the photo and we opted to shoot it in one piece rather that take one photo with no wires and a second shot of the screen over composite them together.

Again, we hope this has helped you take a different look at taken shots like this. Now go get behind the camera and take some photos.

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Related posts:

  1. Anatomy of a product shoot
  2. Anatomy of a Photo Shoot – Product Shot with Strobes
  3. Setting up a basic portrait shot
  4. Taking Good Product Shots
  5. Using a photography umbrella

About the Author: Kerry Garrison is a wedding, portrait, and product photographer living in southern California. With 10 years of experience shooting products and 3 years of experience in the wedding industry, Kerry brings a good deal of technical know-how and can explain topics in easy-to-understand terms. Kerry's work can be found at http://kerrygarrison.com and on Facebook at http://facebook.com/KerryGarrison



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